{"id":10224,"date":"2021-01-31T10:28:33","date_gmt":"2021-01-31T09:28:33","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=10224"},"modified":"2021-01-31T10:28:33","modified_gmt":"2021-01-31T09:28:33","slug":"playlist-le-troubadour-du-piano","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-le-troubadour-du-piano\/","title":{"rendered":"Playlist \u00ab\u00a0Le troubadour du piano\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">C\u2019est dans les ann\u00e9es 40, pendant la guerre et \u00e0 l\u2019occasion de leur interpr\u00e9tation des Variations symphoniques de C\u00e9sar Franck, que le chef allemand Wilhelm Furtw\u00e4ngler avait surnomm\u00e9 le pianiste hongrois <a href=\"https:\/\/www.steinway.com\/artists\/geza-anda\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>G\u00e9za Anda<\/strong><\/span><\/a> \u00ab\u00a0Troubadour du piano\u00a0\u00bb.<br \/>\nCompatriote du grand chef <a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/2014\/12\/au-pied-du-sapin\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>Ferenc Fricsay<\/strong><\/span><\/a>, avec lequel il enregistra beaucoup, G\u00e9za Anda poss\u00e9dait une tr\u00e8s belle technique et un style mall\u00e9able qui, dans les concertos notamment, lui permettait de s\u2019accorder ais\u00e9ment aux chefs qui l\u2019accompagnaient. &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-10227\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021.jpg\" alt=\"\" width=\"750\" height=\"193\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021.jpg 1500w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021-300x77.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021-1024x264.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Playlist31012021-768x198.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">De fait, dans le deuxi\u00e8me concerto pour piano de Brahms &#8211;<em>cf. extrait ci-dessous<\/em>-, il fait ici preuve d\u2019une grande tendresse qui compl\u00e8te fort bien l\u2019h\u00e9donisme du chef : une autre version, avec Ferenc Fricsay, non pr\u00e9sente dans la playlist du jour, propose, presque \u00e0 l\u2019inverse, une vision d\u2019une sauvagerie totalement assum\u00e9e !<br \/>\nDurant les ann\u00e9es 50 et 60, G\u00e9za Anda, pr\u00e9matur\u00e9ment d\u00e9c\u00e9d\u00e9 &#8211;<em>comme ses compatriotes Annie Fischer et Janos Starker, c&rsquo;\u00e9tait un \u00e9norme fumeur<\/em>-, fut l\u2019un des fleurons pianistiques du label \u00e0 l\u2019\u00e9tiquette jaune et enregistra beaucoup, avec les plus grands chefs, dans de bonnes conditions techniques. Ses disques &#8211;<em>concertos et oeuvres pour piano seul<\/em>&#8211; restent encore assez largement disponibles et constituent g\u00e9n\u00e9ralement de fort jolies r\u00e9ussites, dont l\u2019\u00e9coute, de nos jours, procure encore \u00e9norm\u00e9ment de plaisir !<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-10224-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Extrait31012021.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Extrait31012021.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/Extrait31012021.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\">Outre cette belle et vari\u00e9e collection de concertos, le dernier album pr\u00e9sent\u00e9 propose \u00e9galement la plus belle version de la quatri\u00e8me symphonie de Schumann, \u00e0 mes oreilles tout au moins ! Et ce n\u2019est pas n\u00e9gligeable !<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/GezaAnda_Portrait0121.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10228\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/GezaAnda_Portrait0121.jpg\" alt=\"\" width=\"750\" height=\"371\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/GezaAnda_Portrait0121.jpg 750w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/01\/GezaAnda_Portrait0121-300x148.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est dans les ann\u00e9es 40, pendant la guerre et \u00e0 l\u2019occasion de leur interpr\u00e9tation des Variations symphoniques de C\u00e9sar Franck, que le chef allemand Wilhelm Furtw\u00e4ngler avait surnomm\u00e9 le pianiste hongrois G\u00e9za Anda \u00ab\u00a0Troubadour du piano\u00a0\u00bb. Compatriote du grand chef Ferenc Fricsay, avec lequel il enregistra beaucoup, G\u00e9za Anda poss\u00e9dait une tr\u00e8s belle technique et [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,114,50,77,90],"class_list":["post-10224","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-brahms","tag-concerto","tag-piano","tag-schumann"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=10224"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10224\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=10224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=10224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=10224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}