{"id":10273,"date":"2021-02-21T09:00:12","date_gmt":"2021-02-21T08:00:12","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=10273"},"modified":"2021-02-21T09:01:31","modified_gmt":"2021-02-21T08:01:31","slug":"playlist-vieilles-et-assez-vieilles-choses","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-vieilles-et-assez-vieilles-choses\/","title":{"rendered":"Playlist \u00ab\u00a0Vieilles -et assez vieilles- choses\u00a0\u00bb"},"content":{"rendered":"

Apr\u00e8s une assez longue p\u00e9riode d\u2019oreilles en jach\u00e8re, l\u2019arriv\u00e9e d\u2019une m\u00e9t\u00e9o quasi-printani\u00e8re –pr\u00e8s de 30\u00b0C d\u2019amplitude de temp\u00e9rature en quelques jours\u2026<\/em>– me conduit vers une playlist constitu\u00e9e essentiellement de \u00ab\u00a0vieilles\u00a0\u00bb choses, la plus r\u00e9cente remontant \u00e0 quarante ans –mais c\u2019est d\u00e9j\u00e0 une enregistrement num\u00e9rique<\/em>-. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022<\/strong> La quatri\u00e8me symphonie \u00ab\u00a0Inextinguible\u00a0\u00bb de Carl Nielsen, achev\u00e9e en 1916, est la seule que Karajan enregistra de ce compositeur danois, qui en a compos\u00e9 six, dont toutes portent un nom \u00e0 coucher dehors ! Le corpus int\u00e9gral de ses symphonies est assez int\u00e9ressant, mais pas toujours \u00e9difiant, et cette musique venue du nord est assez \u00e9loign\u00e9e de celle de son contemporain Sibelius. J\u2019aime assez cette version, qui subit chez Karajan une \u00ab\u00a0bruckn\u00e9risation\u00a0\u00bb qui lui sied assez bien, m\u00eame si l\u2019on peut sans doute y entendre un certain contre-sens. –cf. extrait<\/em>-.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/02\/Extrait21022021.mp3<\/a><\/audio>\n

\u2022\u00a0<\/strong>Le deuxi\u00e8me album, en revanche, n\u2019appelle aucune r\u00e9serve : c\u2019est l\u2019un des tr\u00e8s grands disques consacr\u00e9s \u00e0 Sibelius, avec, notamment , une remarquable interpr\u00e9tation de \u00ab\u00a0Tapiola\u00a0\u00bb, derni\u00e8re oeuvre majeure du Finlandais. L\u2019album est assez ancien –des enregistrements qui s\u2019\u00e9talent de 1954 \u00e0 1957, dans une mono d\u2019excellente qualit\u00e9<\/em>– mais ne souffre aucunement de son \u00e2ge et reste d\u2019une \u00e9coute extr\u00eamement plaisante de nos jours, quand bien m\u00eame l\u2019interpr\u00e9tation des oeuvres du compositeur a beaucoup \u00e9volu\u00e9 depuis.<\/p>\n

\u2022\u00a0<\/strong>Les deux autres albums restent plus anecdotiques : le tout jeune chef am\u00e9ricain Lorin Maazel, alors \u00e9toile montante de la baguette, est assez vif et un peu brutal dans Schubert, et le vieux Hermann Scherchen se r\u00e9v\u00e8le d\u2019une lourdeur assez \u00e9pouvantable dans les symphonies dites \u00ab\u00a0Londoniennes\u00a0\u00bb de Haydn –qui, d\u00e9j\u00e0, ne constituent pas, \u00e0 la base, ma musique de pr\u00e9dilection<\/em>– et l\u2019orchestre n\u2019est pas toujours tr\u00e8s bon. Le label Westminster –aujourd\u2019hui r\u00e9\u00e9dit\u00e9 par Deutsche Grammophon<\/em>– \u00e9tait r\u00e9put\u00e9 pour des prises de son exceptionnelle : ce n\u2019est pas vraiment le cas ici\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s une assez longue p\u00e9riode d\u2019oreilles en jach\u00e8re, l\u2019arriv\u00e9e d\u2019une m\u00e9t\u00e9o quasi-printani\u00e8re –pr\u00e8s de 30\u00b0C d\u2019amplitude de temp\u00e9rature en quelques jours\u2026– me conduit vers une playlist constitu\u00e9e essentiellement de \u00ab\u00a0vieilles\u00a0\u00bb choses, la plus r\u00e9cente remontant \u00e0 quarante ans –mais c\u2019est d\u00e9j\u00e0 une enregistrement num\u00e9rique-. –Cliquer sur l\u2019image pour la voir en plus grand-. \u2022 La […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[219,58,111],"class_list":["post-10273","post","type-post","status-publish","format-standard","hentry","category-musique","tag-haydn","tag-sibelius","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=10273"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10273\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=10273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=10273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=10273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}