{"id":10353,"date":"2021-03-14T08:05:45","date_gmt":"2021-03-14T07:05:45","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=10353"},"modified":"2021-03-14T08:13:38","modified_gmt":"2021-03-14T07:13:38","slug":"playlist-herr-kappelmeister","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-herr-kappelmeister\/","title":{"rendered":"Playlist \u00ab\u00a0Herr Kappellmeister\u00a0\u00bb"},"content":{"rendered":"

Un producteur de la c\u00e9l\u00e8bre firme Deutsche Grammophon, au d\u00e9but des ann\u00e9es 2000, parlait de Karl B\u00f6hm et d\u2019Eugen Jochum comme de \u00ab\u00a0simples Kappellmeister\u00a0\u00bb, dont la carri\u00e8re discographique, par opposition \u00e0 celle d\u2019un tr\u00e8s c\u00e9l\u00e8bre chef autrichien \u00e0 la m\u00e8che rebelle, toujours tr\u00e8s \u00ab\u00a0vendeur\u00a0\u00bb, \u00e9tait tomb\u00e9e dans l\u2019oubli aussit\u00f4t apr\u00e8s leur disparition. Si le titre de Kappellmeister fut prestigieux jusqu\u2019au d\u00e9but du 18\u00e8me si\u00e8cle, le mot, dans sa bouche \u00e9tait nettement moins laudateur, et sous-entendait plut\u00f4t le chef s\u00e9rieux, un peu aust\u00e8re et routinier se contentant de r\u00e9guler les entr\u00e9es des instruments de l\u2019orchestre et de battre la mesure, en costume \u00e0 jaquette et noeud papillon !
\nJe ne sais pas ce qu\u2019il peut en \u00eatre de la courbe des ventes de leurs productions, dans un march\u00e9 du disque classique d\u00e9j\u00e0 lui-m\u00eame relativement r\u00e9duit, mais la persistance de leur pr\u00e9sence au catalogue des \u00e9diteurs doit signifier que leurs disques, maintes fois r\u00e9\u00e9dit\u00e9s, trouvent toujours de quoi s\u00e9duire –ou alors que le stock d\u2019invendus reste \u00e9lev\u00e9, mais dans ce cas ils devraient \u00eatre brad\u00e9s, et ce n\u2019est pas le cas<\/em>-.<\/p>\n

Quoi qu\u2019il en soit, la playlist de ce jour, compos\u00e9e de symphonies de Beethoven issues d\u2019int\u00e9grales que ces deux chefs dirig\u00e8rent \u00e0 la fin des ann\u00e9es 60 –Jochum<\/em>– et au d\u00e9but des ann\u00e9es 70 –B\u00f6hm<\/em>-, chacun avec un orchestre prestigieux, est tout-\u00e0-fait inscrite dans la tradition austro-allemande : pas trop vite, pas trop all\u00e9g\u00e9, mais suffisamment dynamique et d\u2019un souffle plut\u00f4t puissant. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Les deux approches ne sont pas tout-\u00e0-fait semblables pour autant : un peu plus de raideur et de verticalit\u00e9 chez B\u00f6hm, qui propose cependant l\u2019une des plus belles \u00ab\u00a0Symphonie Pastorale\u00a0\u00bb du catalogue, un peu plus de souplesse chez Jochum –beau mouvement lent de la neuvi\u00e8me symphonie, tr\u00e8s chantant<\/em>-.
\nEvidemment, on ne dirige plus si fr\u00e9quemment ces symphonies de la sorte de nos jours, mais cela reste n\u00e9anmoins de beaux t\u00e9moignages, bien enregistr\u00e9s et tr\u00e8s bien r\u00e9\u00e9dit\u00e9es. Les symphonies les plus c\u00e9l\u00e8bres restent toujours de fort belles r\u00e9ussites et les deux premi\u00e8res symphonies, au risque du contresens historique, y trouvent un poids que l\u2019on n\u2019entend plus gu\u00e8re de nos jours !<\/p>\n

Parfois, la tradition peut avoir du bon !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Un producteur de la c\u00e9l\u00e8bre firme Deutsche Grammophon, au d\u00e9but des ann\u00e9es 2000, parlait de Karl B\u00f6hm et d\u2019Eugen Jochum comme de \u00ab\u00a0simples Kappellmeister\u00a0\u00bb, dont la carri\u00e8re discographique, par opposition \u00e0 celle d\u2019un tr\u00e8s c\u00e9l\u00e8bre chef autrichien \u00e0 la m\u00e8che rebelle, toujours tr\u00e8s \u00ab\u00a0vendeur\u00a0\u00bb, \u00e9tait tomb\u00e9e dans l\u2019oubli aussit\u00f4t apr\u00e8s leur disparition. Si le titre […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,97,111],"class_list":["post-10353","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-chef-dorchestre","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=10353"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10353\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=10353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=10353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=10353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}