{"id":10677,"date":"2021-06-19T08:27:25","date_gmt":"2021-06-19T06:27:25","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=10677"},"modified":"2021-06-19T08:31:41","modified_gmt":"2021-06-19T06:31:41","slug":"un-jour-un-album-grave-dans-le-marbre","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/un-jour-un-album-grave-dans-le-marbre\/","title":{"rendered":"Un jour &#8211; Un album. Grav\u00e9 dans le marbre\u2026"},"content":{"rendered":"<p style=\"text-align: justify;\">Profitant de levers avant m\u00eame que l\u2019aube pointe, en ces jours de chaleur caniculaire, je r\u00e9\u00e9coute, depuis trois jours, l&rsquo;ensemble de ce monument grav\u00e9 dans le marbre en profitant de cette qui\u00e9tude matinale. Ces disques font partie de mes disques de chevet, ceux dont je ne me s\u00e9parerais pour rien au monde, m\u00eame si le projet de constituer l\u2019int\u00e9grale des sonates pour piano n\u2019aboutit finalement pas : Emil Gilels avait pris son temps pour b\u00e2tir patiemment ce monument, il fut malheureusement surpris par la mort avant de l\u2019achever &#8211;<em>la l\u00e9gende dit : d\u2019une erreur m\u00e9dicale due \u00e0 l\u2019incomp\u00e9tence des m\u00e9decins sovi\u00e9tiques, au cours d\u2019un banal contr\u00f4le de routine\u2026<\/em>-.<\/p>\n<p style=\"text-align: justify;\">Avec l\u2019apparition du CD, au d\u00e9but des ann\u00e9es 80, j\u2019ai patiemment constitu\u00e9 cette collection, en achetant un par un chacun des disques qui la constituent au moment de sa sortie, le regroupement en coffret &#8211;<em>dans un son am\u00e9lior\u00e9 gr\u00e2ce \u00e0 une belle remast\u00e9risation<\/em>&#8211; \u00e9tant venu bien plus tard. Chaque disque fut choy\u00e9 comme une p\u00e9pite, et certaines pochettes sont visuellement tr\u00e8s belles. &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10678\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021.jpg\" alt=\"\" width=\"1500\" height=\"556\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021.jpg 1500w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021-300x111.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021-1024x380.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Beethoven_Gilels_SonatesPiano062021-768x285.jpg 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">R\u00e9\u00e9couter ces oeuvres connues entre toutes avec un peu d\u2019attention et de concentration permet d\u2019appr\u00e9cier encore plus ces versions : tout y est absolument ma\u00eetris\u00e9 et si certains ont pu entendre dans cette d\u00e9monstration distanci\u00e9e de la froideur, ce serait alors la froideur du marbre le plus pur !<br \/>\nUne \u00e9coute attentive permet de saisir le propos d\u2019une logique implacable du pianiste, une gestion \u00e9poustouflante des contrastes des dynamiques et du \u00ab\u00a0bouillonnement rythmique\u00a0\u00bb propre aux sonates de Beethoven &#8211;<em>les mouvements finaux sont g\u00e9n\u00e9ralement impressionnants \u00e0 cet \u00e9gard : sonates n\u00b021 Waldstein ou n\u00b023 Appassionata par exemple<\/em>-, une sonorit\u00e9 belle et pleine, une structure parfaitement mise en \u00e9vidence &#8211;<em>la rigueur, la hauteur de vue et la ma\u00eetrise intellectuelle du pianiste profitent aux plus \u00ab\u00a0petites\u00a0\u00bb sonates qui deviennent l\u2019\u00e9gale des plus grandes et ne se sont jamais n\u00e9glig\u00e9es : c\u2019est sans doute tout l\u2019int\u00e9r\u00eat de ce projet au long cours, qui s\u2019\u00e9tala sur plus de quinze ans<\/em>-. Dans les mouvements lents, le pianiste ouvre des horizons nouveaux, inconnus chez d\u2019autres pianistes &#8211;<em>sonate n\u00b029 Hammerklavier, sonate n\u00b030 d\u2019un lyrisme exacerb\u00e9\u2026<\/em>&#8211; et les fugues des derni\u00e8res sonates sont d\u2019une lisibilit\u00e9 parfaite.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/EmilGilels062021.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10680\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/EmilGilels062021.jpg\" alt=\"\" width=\"994\" height=\"479\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/EmilGilels062021.jpg 994w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/EmilGilels062021-300x145.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/EmilGilels062021-768x370.jpg 768w\" sizes=\"auto, (max-width: 994px) 100vw, 994px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">J\u2019ai eu la chance et le privil\u00e8ge d\u2019entendre Emil Gilels en concert \u00e0 deux occasions : c\u2019\u00e9tait un petit bonhomme un peu renfrogn\u00e9 &#8211;<em>comme Beethoven\u2026<\/em>&#8211; qui se pr\u00e9cipitait sur la sc\u00e8ne vers son piano et commen\u00e7ait ses r\u00e9citals presque sans crier gare et avec une vitalit\u00e9 extraordinaire. Dot\u00e9 d&rsquo;une technique exceptionnelle, il remplissait facilement une salle d\u2019un sonorit\u00e9 puissante et ne d\u00e9timbrant jamais, sans effort apparent, quand d\u2019autres auraient \u00e9t\u00e9 debout pour marteler le clavier tout en en tirant moins de volume sonore &#8211;<em>le contraste avec Murray Perahia, entendu en concert quelques semaines plus tard dans ll\u2019Appassionata de Beethoven, fut cruel pour le second\u2026<\/em>&#8211; !<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-10677-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Extrait19062021.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Extrait19062021.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/06\/Extrait19062021.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><strong>Un monument d\u2019une beaut\u00e9 et d\u2019une \u00e9vidence confondantes !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Profitant de levers avant m\u00eame que l\u2019aube pointe, en ces jours de chaleur caniculaire, je r\u00e9\u00e9coute, depuis trois jours, l&rsquo;ensemble de ce monument grav\u00e9 dans le marbre en profitant de cette qui\u00e9tude matinale. Ces disques font partie de mes disques de chevet, ceux dont je ne me s\u00e9parerais pour rien au monde, m\u00eame si le [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[208],"tags":[30,103,179],"class_list":["post-10677","post","type-post","status-publish","format-standard","hentry","category-un-jour-un-album","tag-beethoven","tag-gilels","tag-sonates"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=10677"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/10677\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=10677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=10677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=10677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}