{"id":10999,"date":"2021-11-05T09:15:18","date_gmt":"2021-11-05T08:15:18","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=10999"},"modified":"2021-12-22T07:39:24","modified_gmt":"2021-12-22T06:39:24","slug":"playlist-heureuse-decouverte","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-heureuse-decouverte\/","title":{"rendered":"Playlist \u00ab\u00a0Heureuse d\u00e9couverte\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Playlist05112021.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11000\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Playlist05112021-300x268.jpg\" alt=\"\" width=\"300\" height=\"268\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Playlist05112021-300x268.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Playlist05112021.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Cela faisait tr\u00e8s longtemps que je recherchais \u00e0 prix convenable la premi\u00e8re int\u00e9grale des sonates pour piano de Beethoven par <a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/2016\/10\/original-en-noir-et-blanc\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>Friedrich Gulda<\/strong><\/span><\/a>, parue chez Decca en LP entre 1950 et 1958, quand le pianiste \u00e9tait \u00e0 peine sorti de l\u2019adolescence pour ce qui constitue les premiers de ces enregistrements &#8211;<em>il \u00e9tait n\u00e9 en 1930, et l\u2019\u00e9diteur anglais lui avait fait signer un contrat tr\u00e8s avantageux suite \u00e0 sa victoire au concours de Gen\u00e8ve aussi t\u00f4t qu&rsquo;en 1946, \u00e0 16 ans<\/em>-, et dont la r\u00e9paration en CD \u00e9tait pass\u00e9e un peu inaper\u00e7ue dans l&rsquo;immense flot des r\u00e9\u00e9ditions. &#8211;<em>Cliquer sur l&rsquo;image pour la voir ne plus grand<\/em>-.<\/p>\n<p style=\"text-align: justify;\">J\u2019avais d\u00e9j\u00e0 son excellente int\u00e9grale enregistr\u00e9e pour Amadeo, puis celle parue chez Orf\u00e9o, enregistr\u00e9e pour la radio autrichienne entre les diff\u00e9rentes sessions de l\u2019int\u00e9grale Decca \u00e0 l\u2019\u00e9coute aujourd\u2019hui &#8211;<i>oui, je sais, c\u2019est assez compliqu\u00e9 de s\u2019y retrouver dans ces m\u00e9andres\u2026 : Friedrich\u00a0Gulda est l&rsquo;un des tr\u00e8s rares pianistes \u00e0 avoir enregistr\u00e9 pour le\u00a0disque 3 int\u00e9grales des sonates pour piano de Beethoven, \u00e0 ma connaissance, seuls Daniel\u00a0Barenboim et Alfred Brendel \u00a0ont fait de m\u00eame<\/i>-, mais je ne connaissais pas du tout, autrement que pour leur r\u00e9putation, les enregistrements Decca. Disons-le tout de suite : <a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/2021\/07\/des-gouts-et-des-couleurs\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>dans mon classement tr\u00e8s personnel de ce corpus<\/strong><\/span><\/a>, cette int\u00e9grale serait class\u00e9e dans la deuxi\u00e8me colonne.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-10999-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Extrait05112021.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Extrait05112021.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Extrait05112021.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Gulda_Portrait_112021.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11001\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Gulda_Portrait_112021.jpg\" alt=\"\" width=\"250\" height=\"355\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Gulda_Portrait_112021.jpg 484w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2021\/11\/Gulda_Portrait_112021-211x300.jpg 211w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a>Le Beethoven de Gulda, toujours vif et tr\u00e8s bien articul\u00e9, n\u2019a pas radicalement chang\u00e9 avec le temps et coule toujours avec beaucoup de naturel et d&rsquo;aisance. Curieusement, il a toujours eu le soin d&rsquo;enregistrer ces sonates dans l&rsquo;ordre de leur num\u00e9rotation, ce qui est somme toute tr\u00e8s rare. Dans les albums Decca de ce jour, certains tempos sont un peu plus \u00e9tir\u00e9s &#8211;<em>le pianiste creuse certains mouvements lents plus profond\u00e9ment<\/em>&#8211; et le piano est un peu plus color\u00e9, mais c\u2019est toujours le m\u00eame Beethoven bouillonnant et imaginatif qui est pr\u00e9sent\u00e9, pour mon plus grand plaisir.<\/p>\n<p style=\"text-align: justify;\">Cette int\u00e9grale avait \u00e9t\u00e9 publi\u00e9e en disques s\u00e9par\u00e9s, puis rassembl\u00e9s au sein d\u2019un coffret en 1959 seulement, qui entrait en concurrence avec l\u2019int\u00e9grale des sonates enregistr\u00e9e par Backhaus, presqu\u2019au m\u00eame moment et chez le m\u00eame \u00e9diteur\u2026 Les deux optiques sont finalement assez proches : rigueur et vivacit\u00e9 du discours, un rien plus aust\u00e8re chez le vieux lion. Dans les deux cas, les prises de son sont tout juste convenables : il est \u00e9tonnant que Decca, tr\u00e8s r\u00e9put\u00e9 d\u00e8s cette \u00e9poque pour ses prises de son d\u2019orchestre, ait toujours eu beaucoup de mal \u00e0 enregistrer convenablement les pi\u00e8ces pour piano solo !<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cela faisait tr\u00e8s longtemps que je recherchais \u00e0 prix convenable la premi\u00e8re int\u00e9grale des sonates pour piano de Beethoven par Friedrich Gulda, parue chez Decca en LP entre 1950 et 1958, quand le pianiste \u00e9tait \u00e0 peine sorti de l\u2019adolescence pour ce qui constitue les premiers de ces enregistrements &#8211;il \u00e9tait n\u00e9 en 1930, et [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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