{"id":11401,"date":"2022-05-20T11:13:55","date_gmt":"2022-05-20T09:13:55","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=11401"},"modified":"2022-05-20T11:15:52","modified_gmt":"2022-05-20T09:15:52","slug":"playlist-seconde-chance-beethoven-par-yves-nat","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-seconde-chance-beethoven-par-yves-nat\/","title":{"rendered":"Playlist \u00ab\u00a0Seconde chance\u00a0\u00bb &#8211; Beethoven par Yves Nat"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11402\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1-300x300.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1-150x150.jpg 150w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1-100x100.jpg 100w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Le principe est simple : redonner une seconde chance \u00e0 des enregistrements que j\u2019ai d\u00e9laiss\u00e9s depuis parfois tr\u00e8s longtemps parce que je ne les ai jamais trouv\u00e9 tr\u00e8s marquants : c\u2019est le cas de cette int\u00e9grale des sonates pour piano de Beethoven par Yves Nat. &#8211;<em>Cliquer sur l&rsquo;image pour la voir en plus grand<\/em>-.<\/p>\n<p style=\"text-align: justify;\">Je l\u2019avais achet\u00e9e lors de sa premi\u00e8re parution en CD il y a pr\u00e8s de quarante ans et, \u00e0 l\u2019\u00e9poque, le choc fut rude : salu\u00e9e par un \u00ab\u00a0Diapason d\u2019or historique\u00a0\u00bb et b\u00e9n\u00e9ficiant en France d\u2019une aura mythique \u00e9tablie de longue date, je l\u2019avais, tout de suite, cordialement d\u00e9test\u00e9e ! Depuis, mon jugement n\u2019avait pas profond\u00e9ment \u00e9volu\u00e9, comme l\u2019indique \u00e9galement <a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/des-gouts-et-des-couleurs\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>cette notule<\/strong><\/span><\/a>, o\u00f9 elle appara\u00eet en fin de classement, et je ne m\u2019\u00e9tais plus trop pench\u00e9 sur la question.<\/p>\n<p style=\"text-align: justify;\">Ces disques \u00e9tant rest\u00e9s longtemps sur leurs \u00e9tag\u00e8res, il \u00e9tait temps de les ressortir un peu : \u00e0 vrai dire et tout d\u2019abord, de toutes les int\u00e9grales en monophonie que je connais et parues entre 1930 et 1955 &#8211;<em>Schnabel, Gulda Decca ou Gulda Orfeo, Backhaus,Kempff<\/em>, il appara\u00eet que c\u2019est la mieux enregistr\u00e9e.<br \/>\n<a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11403\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2-300x300.jpg\" alt=\"\" width=\"200\" height=\"200\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2-300x300.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2-150x150.jpg 150w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2-100x100.jpg 100w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Beeth_YNat2.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Son \u00e9diteur initial, \u00ab\u00a0Les Discophiles Fran\u00e7ais\u00a0\u00bb, avait recrut\u00e9 \u00e0 cet effet Andr\u00e9 Charlin, sans doute le meilleur ing\u00e9nieur du son fran\u00e7ais de son temps, et ces enregistrements effectu\u00e9s de 1953 \u00e0 1955 permettent g\u00e9n\u00e9ralement une \u00e9coute plaisante. Des deux r\u00e9\u00e9ditions propos\u00e9es par EMI, la plus r\u00e9cente est celle qui propose le meilleur remastering &#8211;<i>coffret du cinquanti\u00e8me anniversaire, cliquer sur\u00a0l&rsquo;imagette de droite pour la voir en plus grand<\/i>-. Quoi qu\u2019il en soit, ces deux \u00e9ditions sont d\u00e9sormais indisponibles, mais on peut encore se procurer cette int\u00e9grale des sonates \u00e0 tout petit prix <a href=\"https:\/\/www.amazon.fr\/Yves-Nat-French-Recordings-1929-1956\/dp\/B00EA9RG8G\/ref=sr_1_2?__mk_fr_FR=\u00c5M\u00c5\u017d\u00d5\u00d1&amp;amp;crid=122TN5887WIT5&amp;amp;keywords=Yves+Nat&amp;amp;qid=1653035382&amp;amp;sprefix=yves+nat%2Caps%2C53&amp;amp;sr=8-2\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>ici<\/strong><\/span><\/a>.<br \/>\nApr\u00e8s toutes ces consid\u00e9rations, mon appr\u00e9ciation a-t-elle \u00e9volu\u00e9 quant \u00e0 cette int\u00e9grale ? Disons que je trouve que les premi\u00e8res sonates sont plus r\u00e9ussies que dans mon souvenir, avec m\u00eame d\u2019excellentes surprise -l<em>es deux sonates n\u00b09 et 10 de l\u2019opus 14<\/em>-, mais que les plus grandes sonates de Beethoven, et plus particuli\u00e8rement les derni\u00e8res, ont plus pein\u00e9 \u00e0 me convaincre : Yves Nat opte g\u00e9n\u00e9ralement pour des tempos rapides -avec une touche de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Rubato\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>rubato<\/strong><\/span><\/a>-, qui ne sont pas toujours compl\u00e8tement assum\u00e9 techniquement, faute de doigts <em>-la Hammerkavier, \u00e0 cet \u00e9gard, est tr\u00e8s d\u00e9cevante<\/em>&#8211; : la comparaison avec Gulda, enregistr\u00e9 \u00e0 peu pr\u00e8s au m\u00eame moment, est cruelle pour le pianiste fran\u00e7ais !<br \/>\nAu final, cependant, cette playlist \u00ab\u00a0Seconde chance\u00a0\u00bb m\u2019aura permis de plut\u00f4t r\u00e9\u00e9valuer mon appr\u00e9ciation de cette int\u00e9grale.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/YNat_052022.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11405\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/YNat_052022.jpg\" alt=\"\" width=\"750\" height=\"393\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/YNat_052022.jpg 750w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/YNat_052022-300x157.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-11401-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Extrait20052022.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Extrait20052022.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/05\/Extrait20052022.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Le principe est simple : redonner une seconde chance \u00e0 des enregistrements que j\u2019ai d\u00e9laiss\u00e9s depuis parfois tr\u00e8s longtemps parce que je ne les ai jamais trouv\u00e9 tr\u00e8s marquants : c\u2019est le cas de cette int\u00e9grale des sonates pour piano de Beethoven par Yves Nat. &#8211;Cliquer sur l&rsquo;image pour la voir en plus grand-. Je [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,77,179],"class_list":["post-11401","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-piano","tag-sonates"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=11401"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11401\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=11401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=11401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=11401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}