{"id":11489,"date":"2022-06-26T11:15:09","date_gmt":"2022-06-26T09:15:09","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=11489"},"modified":"2022-07-18T15:28:00","modified_gmt":"2022-07-18T13:28:00","slug":"playlist-32-x-32","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-32-x-32\/","title":{"rendered":"Playlist \u00ab\u00a032 x 32\u00a0\u00bb"},"content":{"rendered":"

Ces derni\u00e8res nuits, j\u2019ai \u00e9cout\u00e9 trente-deux fois la trente-deuxi\u00e8me sonate de Beethoven –la fameuse Opus 111<\/em>-, dans trente-deux versions diff\u00e9rentes,<\/strong> et il m\u2019en reste encore en stock dans ma discoth\u00e8que\u2026 –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

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Pendant longtemps, ce fut ma sonate pr\u00e9f\u00e9r\u00e9e et je l\u2019\u00e9coutais r\u00e9guli\u00e8rement en boucle, mais je n\u2019en avais pas tant de versions diff\u00e9rentes : Kempff 1965, Arrau 1965 et Serkin\/DGG –qui ne figure pas dans cette playlist<\/em>– constituaient mon pain quotidien, agr\u00e9ment\u00e9 d\u2019un peu de Nat. Depuis, j\u2019en ai collectionn\u00e9 quelques versions suppl\u00e9mentaires et c\u2019est assur\u00e9ment l\u2019une des oeuvres les mieux repr\u00e9sent\u00e9es dans ma discoth\u00e8que.
\n\"\"<\/a>Par la suite, d’autres l’ont rejointes au panth\u00e9on, et notamment les sonates n\u00b030 et 31, que j’aime tout autant. Beaucoup a \u00e9t\u00e9 \u00e9crit \u00e0 propos de cette sonate, qui est, para\u00eet-il, l’un des plus beaux cadeaux fait \u00e0 l’humanit\u00e9, et dont \u00ab\u00a0[…nous comprenons que Beethoven, dont l’oreille ne percevait plus aucun son terrestre, a \u00e9t\u00e9 \u00e9lu pour nous ‘faire entendre l’inou\u00ef.]\u00a0\u00bb<\/em><\/span>. Wilhelm Kempff<\/em><\/span><\/p>\n

Les approches interpr\u00e9tatives sont parfois si diff\u00e9rentes qu\u2019il est difficile de dire quelle est ma version pr\u00e9f\u00e9r\u00e9e tant les visions semblent radicalement divergentes, et il n’est \u00e9videmment pas question ici de proc\u00e9der \u00e0 une analyse de ces divergences ou d’\u00e9tablir un classement. Il semble qu’il n’y a rien de commun entre le bouillonnement presque rageur –mais r\u00e9alis\u00e9 de mani\u00e8re presque brouillonne<\/em>– du premier mouvement chez Yves Nat, la ma\u00eetrise technique exceptionnelle de Gulda\/Amadeo et l’\u00e9trange dislocation produite par la lenteur d’Ugorsky, qui arp\u00e8ge les accords…<\/p>\n

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\"\"<\/a>Le compositeur Andr\u00e9 Boucourechliev d\u00e9crit le second mouvement ainsi : \u00ab\u00a0L’Arietta, d’abord, une m\u00e9lodie d’une admirable s\u00e9r\u00e9nit\u00e9, et puis un th\u00e8me qui donnera naissance \u00e0 une prodigieuse s\u00e9rie de variations, d’essence surtout<\/em><\/span> rythmique. En effet, avec chaque variation, les dur\u00e9es se d\u00e9multiplient, et le temps semble se condenser ; mais alors que dans l’op. 109 (o\u00f9 les rythmes se monnayaient d\u00e9j\u00e0 jusqu’aux plus petites valeurs), les variations sont parfaitement d\u00e9limit\u00e9es, ici leur rep\u00e9rage, pour \u00eatre possible, devient sans objet. Il faut suivre leur continuit\u00e9, leurs m\u00e9tamorphoses progressives, jusqu’au trille devenu double puis triple, r\u00e9apparu encore au dessus du bruissement des valeurs pulv\u00e9ris\u00e9es qui tracent un domaine sonore inou\u00ef… Un ultime rappel de la cellule vitale de l’Arietta, une infime transformation chromatique de sa m\u00e9lodie, scellent l’adieu et s’ouvrent sur le silence des profondeurs.\u00a0\u00bb -Cliquer sur\u00a0<\/span><\/i>l’imagette<\/i><\/span>\u00a0de droite pour voir la premi\u00e8re page manuscrite de la partition-.<\/i><\/span><\/span>
\nJ’ai beaucoup aim\u00e9, dans ce second mouvement, des interpr\u00e9tations aussi contrast\u00e9es que Gulda\/Amadeo –le passage en trilles est prodigieux<\/em>-, Schnabel, Solomon et Kissin, pour n’en citer que quelques uns.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/06\/Extrait26062022.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Ces derni\u00e8res nuits, j\u2019ai \u00e9cout\u00e9 trente-deux fois la trente-deuxi\u00e8me sonate de Beethoven –la fameuse Opus 111-, dans trente-deux versions diff\u00e9rentes, et il m\u2019en reste encore en stock dans ma discoth\u00e8que\u2026 –Cliquer sur l\u2019image pour la voir en plus grand-. Pendant longtemps, ce fut ma sonate pr\u00e9f\u00e9r\u00e9e et je l\u2019\u00e9coutais r\u00e9guli\u00e8rement en boucle, mais je n\u2019en […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[30,77,87],"class_list":["post-11489","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-beethoven","tag-piano","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=11489"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11489\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=11489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=11489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=11489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}