{"id":11656,"date":"2022-10-02T10:35:15","date_gmt":"2022-10-02T08:35:15","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=11656"},"modified":"2022-10-02T10:35:57","modified_gmt":"2022-10-02T08:35:57","slug":"playlist-romantique-a-lancienne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-romantique-a-lancienne\/","title":{"rendered":"Playlist romantique \u00ab\u00a0\u00e0 l\u2019ancienne\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">La playlist de ce matin est consacr\u00e9e \u00e0 des enregistrements d\u2019oeuvres \u00ab\u00a0romantiques\u00a0\u00bb effectu\u00e9s entre la fin des ann\u00e9es 50 et le d\u00e9but des ann\u00e9es 60. &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11657\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022.jpg\" alt=\"\" width=\"750\" height=\"256\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022.jpg 1500w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022-300x102.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022-1024x350.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Playlist02102022-768x262.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Une \u00e9poque marqu\u00e9e par le triomphe encore r\u00e9cent du LP face au 78 tours &#8211;<em>on ne le sait plus de nos jours, mais jusqu\u2019au milieu des ann\u00e9es 50, un m\u00eame enregistrement \u00e9tait encore publi\u00e9 dans les deux formats<\/em>-, puis par l\u2019apparition de la st\u00e9r\u00e9ophonie &#8211;<em>on ne le sait plus de nos jours, mais jusqu\u2019\u00e0 la fin des ann\u00e9es 50, un m\u00eame enregistrement \u00e9tait publi\u00e9 en LP en mono et en st\u00e9r\u00e9o, l\u2019acheteur choisissant l\u2019un de ces deux formats en fonction de son mat\u00e9riel d\u2019\u00e9coute<\/em>-. Les catalogues des \u00e9diteurs commen\u00e7aient \u00e0 s\u2019\u00e9toffer tr\u00e8s rapidement, les techniques de prise de son \u00e9voluaient rapidement, les premi\u00e8res installations \u00ab\u00a0haute-fid\u00e9lit\u00e9\u00a0\u00bb, dispendieuses et volumineuses &#8211;<em>aujourd\u2019hui, on dirait : moches !<\/em> &#8211; investissaient les domiciles des particuliers.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-11656-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Extrait02102022.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Extrait02102022.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Extrait02102022.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\">A cette \u00e9poque, les orchestres \u00e9taient moins bons que de nos jours &#8211;<em>et en voie de fort renouvellement, la g\u00e9n\u00e9ration des musiciens ayant v\u00e9cu la guerre se retirant peu \u00e0 peu<\/em>-, et, tr\u00e8s sch\u00e9matiquement, les traditions d\u2019interpr\u00e9tation \u00e9taient encore issues principalement du 19\u00e8me si\u00e8cle, selon deux courants : un courant \u00ab\u00a0objectif\u00a0\u00bb issu de Felix Mendelssohn, g\u00e9n\u00e9ralement incisif rythmiquement et clarifiant les textures orchestrales &#8211;<em>popularis\u00e9 par la grande star des chefs de la premi\u00e8re moiti\u00e9\u00a0\u00bb du 20\u00e8me si\u00e8cle, Arturo Toscanini, puis par la majorit\u00e9 les chefs d\u2019Europe centrale ayant migr\u00e9 vers les USA durant la guerre<\/em>&#8211; et une \u00e9cole austro-allemande issue principalement de Richard Wagner, qualifi\u00e9e de \u00ab\u00a0subjective\u00a0\u00bb et cherchant \u00e0 exprimer ce qui se cachait derri\u00e8re les notes d\u2019une partition &#8211;<em>dont le repr\u00e9sentant le plus connu est Wilhelm Furtw\u00e4ngler<\/em>-.<\/p>\n<p style=\"text-align: justify;\">Dans la playlist du jour, Eugen Jochum (n\u00e9 en 1902) serait repr\u00e9sentant de la seconde \u00e9cole et William Steinberg (n\u00e9 en 1899) de la premi\u00e8re. Quant \u00e0 Ferenc Fricsay (n\u00e9 en 1914), on pourrait le ranger, selon les \u00e9poques de sa courte vie, dans l\u2019un ou l\u2019autre, ou parfois m\u00eame aucun, de ces deux courants !<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Portraits02102022.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11658\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Portraits02102022.jpg\" alt=\"\" width=\"800\" height=\"284\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Portraits02102022.jpg 800w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Portraits02102022-300x107.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2022\/10\/Portraits02102022-768x273.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La playlist de ce matin est consacr\u00e9e \u00e0 des enregistrements d\u2019oeuvres \u00ab\u00a0romantiques\u00a0\u00bb effectu\u00e9s entre la fin des ann\u00e9es 50 et le d\u00e9but des ann\u00e9es 60. &#8211;Cliquer sur l\u2019image pour la voir en plus grand-. Une \u00e9poque marqu\u00e9e par le triomphe encore r\u00e9cent du LP face au 78 tours &#8211;on ne le sait plus de nos [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[114,70,97,66,111],"class_list":["post-11656","post","type-post","status-publish","format-standard","hentry","category-musique","tag-brahms","tag-bruckner","tag-chef-dorchestre","tag-fricsay","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=11656"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11656\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=11656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=11656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=11656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}