{"id":11908,"date":"2023-02-02T18:32:41","date_gmt":"2023-02-02T17:32:41","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=11908"},"modified":"2023-02-02T18:32:41","modified_gmt":"2023-02-02T17:32:41","slug":"playlist-langlais-comme-une-langue-etrangere","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-langlais-comme-une-langue-etrangere\/","title":{"rendered":"Playlist \u00ab\u00a0L’Anglais comme une langue \u00e9trang\u00e8re\u00a0\u00bb"},"content":{"rendered":"

Dans la tr\u00e8s chauvine revue \u00ab (The)\u00a0<\/span>Gramophone\u00a0\u00bb, bien connue de tous les m\u00e9lomanes du monde entier et qui f\u00eatera son premier centenaire cette ann\u00e9e –toutes les archives ont \u00e9t\u00e9 num\u00e9ris\u00e9es et sont accessibles aux abonn\u00e9s<\/em>-, affirmait r\u00e9guli\u00e8rement, dans ses critiques un peu anciennes –c\u2019est d\u00e9sormais beaucoup moins vrai<\/em>– que seuls les interpr\u00e8tes anglais \u00e9taient en mesure de r\u00e9ellement comprendre et d\u2019interpr\u00e9ter la musique anglaise –sauf Toscanini, italien mais dont n\u2019importe quel enregistrement \u00e9tait alors invariablement salu\u00e9 comme une r\u00e9f\u00e9rence incontournable et avait un statut absolu : le chef \u00e9tait alors intouchable, et s’il se trompait, c’\u00e9tait \u00e9videmment pour une bonne raison !\u00a0<\/em>-. Tous les autres chefs chantaient la musique anglaise avec un fort accent \u00e9tranger !<\/strong><\/p>\n

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On a longtemps dit la m\u00eame chose pour la musique fran\u00e7aise, qui n\u00e9cessiterait selon les musicographes locaux –Diapason, feu Le Monde de la Musique, Harmonie, ou encore la disparue revue Disques, d’un absolu chauvinisme, absolument ridicule pour un lecteur d’aujourd’hu<\/em>i- un \u00ab\u00a0esprit fran\u00e7ais\u00a0\u00bb qui n’est pas donn\u00e9 aux \u00e9trangers…<\/p>\n

Les choses ont \u00e9volu\u00e9 au fil du temps, de plus en plus de chefs ayant d\u00e9sormais un large r\u00e9pertoire international et, notamment, les \u00ab\u00a0Variations Enigma\u00a0\u00bb d\u2019Elgar<\/strong> sont une pi\u00e8ce de choix pour de nombreux orchestres et chefs non anglais, et l’une de mes oeuvres de chevet pour mes nuits sans sommeil.
\nJ’en ai une vingtaine de versions anglaises, de toutes \u00e9poques, mais cela ne m’emp\u00eache pas d’en appr\u00e9cier \u00e0 leur juste valeur de fort belles versions \u00e0 l’accents \u00e9trangers ! –Cliquer sur l’image pour la voir en plus grand<\/em>-. On retrouvera ainsi dans cette playlist : un Allemand, un Fran\u00e7ais, un Italien et un Allemand naturalis\u00e9 Am\u00e9ricain : jolie brochette internationale !<\/p>\n

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A dire vrai, l’oeuvre est si joliment \u00e9crite qu’\u00e0 part le total contresens de Bernstein, je n’en connais aucune mauvaise version.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/02\/Extrait02022023.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Dans la tr\u00e8s chauvine revue \u00ab (The)\u00a0Gramophone\u00a0\u00bb, bien connue de tous les m\u00e9lomanes du monde entier et qui f\u00eatera son premier centenaire cette ann\u00e9e –toutes les archives ont \u00e9t\u00e9 num\u00e9ris\u00e9es et sont accessibles aux abonn\u00e9s-, affirmait r\u00e9guli\u00e8rement, dans ses critiques un peu anciennes –c\u2019est d\u00e9sormais beaucoup moins vrai– que seuls les interpr\u00e8tes anglais \u00e9taient en […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[97,86,57],"class_list":["post-11908","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-chef-dorchestre","tag-discotheque","tag-elgar"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=11908"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11908\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=11908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=11908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=11908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}