{"id":11980,"date":"2023-03-18T16:07:27","date_gmt":"2023-03-18T15:07:27","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=11980"},"modified":"2023-03-18T16:07:27","modified_gmt":"2023-03-18T15:07:27","slug":"echantillonnons-larietta-de-lopus-111","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/echantillonnons-larietta-de-lopus-111\/","title":{"rendered":"Echantillonnons l\u2019Arietta de l\u2019opus 111"},"content":{"rendered":"

Mettre la musique en statistiques, c\u2019est mal ! \u00a0A fortiori lorsqu\u2019il s\u2019agit de l\u2019Arietta de la 32\u00e8me sonate, opus 111, de Beethoven, qui, comme je vous le disais il y a quelques temps<\/strong><\/span><\/a>, constitue \u00ab\u00a0l\u2019un des plus beaux cadeaux fait \u00e0 l\u2019humanit\u00e9\u00a0\u00bb, de la part d\u2019 \u00ab\u00a0un sourd \u00e9lu pour nous faire entendre l\u2019inou\u00ef\u00a0\u00bb. Et, cependant –mettant \u00e0 profit mes nuits sans sommeil<\/em>– je voulais v\u00e9rifier si mes pr\u00e9f\u00e9rences \u00e9tablies \u00e9taient corr\u00e9l\u00e9es \u00e0 la dur\u00e9e de ce sublime mouvement. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

En fait, non : il appara\u00eet que la dur\u00e9e ne fait pas tout \u00e0 l\u2019affaire\u2026 Mes versions pr\u00e9f\u00e9r\u00e9es sont assez \u00e9galement r\u00e9parties entre les six derni\u00e8res colonnes. Ce sont :
\n\u2022<\/strong> Friedrich Gulda -Amadeo- ; \u2022<\/strong> Annie Fischer -Hungaroton- ; \u2022<\/strong> Steven Osborne ; \u2022<\/strong> Yevgeny Sudbin ; \u2022<\/strong> Friedrich Gulda -Philips- ; \u2022<\/strong> Evgeny Kissin.<\/p>\n

NB. Une septi\u00e8me version m\u00e9rite de figurer dans ce panth\u00e9on, c’est celle du pionnier Artur Schnabel, qui interpr\u00e8te l’Arietta en 18:03. mais l’\u00e9tat de ces matrices tr\u00e8s anciennes et tr\u00e8s \u00a0abim\u00e9es r\u00e9serve d\u00e9sormais cette tr\u00e8s belle version \u00e0 des oreilles qui supporteront ce vieux son. Toutes les autres versions figurant dans ce tableau vont \u00a0techniquement du largement audible au remarquable. J’ai \u00e9galement \u00e9limin\u00e9 d’office la version Philips d’Alfred Brendel, que je n’aime vraiment pas, et la derni\u00e8re version de Daniel Barenboim, que j’aime encore moins…<\/span><\/p>\n

La version la plus iconoclaste est assur\u00e9ment celle d\u2019Anatol Ugorsky, qui \u00e9tire l\u2019Arietta sur 27 minutes : dans ce laps de temps, Wilhelm Backhaus aurait pu la jouer deux fois en entier et l\u2019entamer une troisi\u00e8me fois\u2026
\nMa plus grande d\u00e9ception concerne la version Philips de Svjatoslav Richter, qui, ce soir-l\u00e0, devait \u00eatre bien fatigu\u00e9\u2026 Il para\u00eet que \u00e7a arrive m\u00eame aux meilleurs !<\/p>\n","protected":false},"excerpt":{"rendered":"

Mettre la musique en statistiques, c\u2019est mal ! \u00a0A fortiori lorsqu\u2019il s\u2019agit de l\u2019Arietta de la 32\u00e8me sonate, opus 111, de Beethoven, qui, comme je vous le disais il y a quelques temps, constitue \u00ab\u00a0l\u2019un des plus beaux cadeaux fait \u00e0 l\u2019humanit\u00e9\u00a0\u00bb, de la part d\u2019 \u00ab\u00a0un sourd \u00e9lu pour nous faire entendre l\u2019inou\u00ef\u00a0\u00bb. Et, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[30,86,77,87],"class_list":["post-11980","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-beethoven","tag-discotheque","tag-piano","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=11980"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/11980\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=11980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=11980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=11980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}