{"id":12031,"date":"2023-04-12T14:46:18","date_gmt":"2023-04-12T12:46:18","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=12031"},"modified":"2023-04-12T14:46:18","modified_gmt":"2023-04-12T12:46:18","slug":"playlist-le-seul-a-comprendre","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-le-seul-a-comprendre\/","title":{"rendered":"Playlist \u00ab\u00a0Le seul \u00e0 comprendre\u2026\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">\u00ab Karajan est le seul \u00e0 comprendre ma musique \u00bb. Ainsi s\u2019exprimait Jean Sibelius au d\u00e9but des ann\u00e9es 50, soit vers la toute fin de sa vie, et alors qu\u2019il avait eu l\u2019occasion d\u2019entendre de tr\u00e8s nombreuses interpr\u00e9tations de ses oeuvres par de nombreux chefs d\u2019orchestre. Il aimait tout particuli\u00e8rement, chez le chef autrichien, le c\u00f4t\u00e9 lisse, immobile et poli des interpr\u00e9tations qu\u2019il proposait.<br \/>\nLa playlist de ce jour est ainsi consacr\u00e9e \u00e0 ces t\u00e9moignages, datant tous des ann\u00e9es 60 et font partie des tout premiers qu&rsquo;il enregistra pour la firme Deutsche Grammophon &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>&#8211; .<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12032\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023.jpg\" alt=\"\" width=\"750\" height=\"197\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023.jpg 1500w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023-300x79.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023-1024x268.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Playlist12042023-768x201.jpg 768w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Karajan, amoureux de la nature et des grands espaces, ne pouvait qu\u2019\u00eatre impression\u00e9 et s\u00e9duit par la musique de Sibelius, fortement influenc\u00e9e par les paysages finlandais vides de toute trace humaine.<br \/>\n<a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Karajan_Sibelius_042023.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-12036\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/Karajan_Sibelius_042023.jpg\" alt=\"\" width=\"250\" height=\"217\" \/><\/a>Il commen\u00e7a \u00e0 le diriger tr\u00e8s t\u00f4t dans sa carri\u00e8re, exigea que le premier concert donn\u00e9 avec le philharmonique de Berlin comporte une oeuvre de Sibelius &#8211;<em>la sixi\u00e8me symphonie<\/em>&#8211; et on trouve pas moins de 68 concerts consacr\u00e9s au compositeur., d\u00e8s 1938 &#8211;<em>\u00e9poque \u00ab Wunder Karajan \u00bb avec l\u2019orchestre d\u2019Aachen, et o\u00f9 Sibelius \u00e9tait encore tr\u00e8s peu interpr\u00e9t\u00e9, en Europe ou ailleurs<\/em>&#8211; et jusqu\u2019\u00e0 1983, avec une pr\u00e9dilection marqu\u00e9e pour la cinqui\u00e8me symphonie &#8211;<em>26 concerts<\/em>-. Il ne se rencontr\u00e8rent cependant jamais, au grand regret du chef autrichien, dont la seule tourn\u00e9e en Finlande eut lieu en 1965 : il profita cependant pour se recueillir sur la tombe de Sibelius : il en reste une photographie c\u00e9l\u00e8bre &#8211;<em>cf. cliquer sur l&rsquo;imagette de droite pour la voir en plus grand<\/em>-.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-12031-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/01-Jean-Sibelius-_-Symphonie-Nr.-6-d-moll-op.-104-1.-Allegro-molto-moderato.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/01-Jean-Sibelius-_-Symphonie-Nr.-6-d-moll-op.-104-1.-Allegro-molto-moderato.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/04\/01-Jean-Sibelius-_-Symphonie-Nr.-6-d-moll-op.-104-1.-Allegro-molto-moderato.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\">On compte \u00e9galement pas moins de 33 enregistrements officiels consacr\u00e9s \u00e0 Sibelius &#8211;<em>symphonies (toutes sauf la troisi\u00e8me), po\u00e8mes symphoniques, concerto pour violon<\/em>-, et la somme des oeuvres \u00e9cout\u00e9es ce jour reste, pour de nombreux musicographes ou critiques, l&rsquo;un des sommets de la discographie de ces oeuvres, sans cesse rappel\u00e9es en \u00ab r\u00e9f\u00e9rences \u00bb plus ou moins absolues selon les pays et les \u00e9poques.<br \/>\nGlenn Gould, l\u2019iconoclaste pianiste, qui d\u00e9couvrit Sibelius gr\u00e2ce \u00e0 Karajan, consid\u00e9rait d\u2019ailleurs cette version de la cinqui\u00e8me symphonie comme \u00ab le plus grand disque de l\u2019histoire de l\u2019enregistrement \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Karajan est le seul \u00e0 comprendre ma musique \u00bb. Ainsi s\u2019exprimait Jean Sibelius au d\u00e9but des ann\u00e9es 50, soit vers la toute fin de sa vie, et alors qu\u2019il avait eu l\u2019occasion d\u2019entendre de tr\u00e8s nombreuses interpr\u00e9tations de ses oeuvres par de nombreux chefs d\u2019orchestre. Il aimait tout particuli\u00e8rement, chez le chef autrichien, le [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,86,56,58,111],"class_list":["post-12031","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-discotheque","tag-karajan","tag-sibelius","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=12031"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12031\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=12031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=12031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=12031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}