{"id":12197,"date":"2023-07-08T09:43:50","date_gmt":"2023-07-08T07:43:50","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=12197"},"modified":"2023-07-08T09:45:20","modified_gmt":"2023-07-08T07:45:20","slug":"beethovenappassionata-tierce-gagnant","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/beethovenappassionata-tierce-gagnant\/","title":{"rendered":"Beethoven:Appassionata \u2013 Tierc\u00e9 gagnant"},"content":{"rendered":"

Pour occuper mes longues nuits d’insomnies –il faudrait que je prenne rendez-vous \u00e0 la clinique du sommeil…<\/em>– et pr\u00e8s avoir \u00e9cout\u00e9 32 fois –et en r\u00e9alit\u00e9 bien plus<\/em>– la 32\u00e8me sonate de Beethoven, voil\u00e0 que j\u2019ai \u00e9cout\u00e9 au moins 23 fois –et en r\u00e9alit\u00e9 bien plus<\/em>– sa 23\u00e8me sonate \u00ab Appassionata \u00bb dans 23 versions diff\u00e9rentes –et en r\u00e9alit\u00e9 bien plus !<\/em> -.<\/p>\n

J\u2019en ai d\u00e9gag\u00e9 un tierc\u00e9 gagnant, qui comportera peut-\u00eatre, pour ceux qui connaissent bien cette sonate, une surprise, puisque le deuxi\u00e8me cit\u00e9 dans mon tierc\u00e9 –1.<\/strong> Emil Gilels ; 2<\/strong>. Murray Perahia ; 3.<\/strong> Sviatoslav Richter<\/em>– n\u2019a pas la r\u00e9putation d\u2019\u00eatre le plus immense pianiste beethov\u00e9nien qui soit, m\u00eame s’il a r\u00e9ussi une merveilleuse int\u00e9grale des concertos pour piano avec Haitink –la r\u00e9putation de Gilels dans ce r\u00e9pertoire, en revanche n\u2019est plus \u00e0 faire, de m\u00eame que celle de Richter dans ses bons jours (mais il en a aussi de moins bons, sa discographie dans Beethoven est \u00e9tonnamment in\u00e9gale)<\/em> -. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Pour autant, donc, la version de Murray Perahia comporte le plus beau deuxi\u00e8me mouvement qu\u2019il m\u2019a \u00e9t\u00e9 donn\u00e9 d\u2019entendre, et je l\u2019ai red\u00e9couverte avec d\u2019autant plus de plaisir que \u00e7a faisait bien plus de trente ans sans doute que ce disque n\u2019\u00e9tait plus arriv\u00e9 sur mon lecteur CD.
\nRichter est fulgurant dans cet enregistrement c\u00e9l\u00e8bre r\u00e9alis\u00e9 pour RCA en 1961, mais Gilels, dans un premier mouvement creus\u00e9 mais dynamique –l\u00e0 ou Arrau est creus\u00e9 mais plus statique<\/em>– et dans un finale hyper-virtuose –la derni\u00e8re minute !!!<\/em> -, efface m\u00eame le souvenir de la version de son compatriote.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/07\/Extrait08072023.mp3<\/a><\/audio>\n

\u2022<\/strong> Autres versions appr\u00e9ciables :<\/span> Arrau\/Philips – Gulda\/Amadeo – Schnabel\/Pristine -pour les amateurs de tr\u00e8s vieilles cires – A. Fischer\/Hungaroton
\n\u2022<\/strong> Versions dont on peu se passer malgr\u00e9, parfois, leur r\u00e9putation :<\/span> Kempff\/DGG, qui manque ici vraiment d’abattage tant en 1955 qu’en 1965 ; Horowitz, auquel Beethoven \u00e9chappe totalement ; et Nat, brouillon dans le premier mouvement et \u00e0 bout de doigts dans le finale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pour occuper mes longues nuits d’insomnies –il faudrait que je prenne rendez-vous \u00e0 la clinique du sommeil…– et pr\u00e8s avoir \u00e9cout\u00e9 32 fois –et en r\u00e9alit\u00e9 bien plus– la 32\u00e8me sonate de Beethoven, voil\u00e0 que j\u2019ai \u00e9cout\u00e9 au moins 23 fois –et en r\u00e9alit\u00e9 bien plus– sa 23\u00e8me sonate \u00ab Appassionata \u00bb dans 23 versions […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[254],"tags":[30,103,77,87],"class_list":["post-12197","post","type-post","status-publish","format-standard","hentry","category-des-gouts-et-des-couleurs","tag-beethoven","tag-gilels","tag-piano","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=12197"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12197\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=12197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=12197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=12197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}