{"id":12352,"date":"2023-08-22T09:39:09","date_gmt":"2023-08-22T07:39:09","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=12352"},"modified":"2023-08-22T09:39:09","modified_gmt":"2023-08-22T07:39:09","slug":"playlist-entrainement-intensif","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-entrainement-intensif\/","title":{"rendered":"Playlist \u00ab\u00a0Entra\u00eenement intensif\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">Avant d\u2019enregistrer le mus\u00e9e sonore que l\u2019on sait avec la philharmonie de Berlin \u00e0 partir de 1959, Karajan enregistra chez EMI\/HMV\/Columbia, en guise d\u2019entra\u00eenement extr\u00eamement intensif &#8211;<em>les s\u00e9ances de r\u00e9p\u00e9tition laissent entendre un chef particuli\u00e8rement exigeant et soucieux de pr\u00e9cision<\/em>&#8211; et sur une tr\u00e8s br\u00e8ve p\u00e9riode, une cinquantaine d\u2019albums sous la supervision de Walter Legge, qui avait r\u00e9uni \u00e0 Londres un \u00ab orchestre de comp\u00e9tition \u00bb sp\u00e9cialement d\u00e9volu \u00e0 cet effet : le Philharmonia Orchestra. &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12353\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023.jpg\" alt=\"\" width=\"1500\" height=\"395\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023.jpg 1500w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023-300x79.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023-1024x270.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2023\/08\/Playlist22082023-768x202.jpg 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/a><br \/>\n<span style=\"text-decoration: underline;\">Ce sont ces enregistrements que je r\u00e9\u00e9coute ce matin :<\/span><\/p>\n<p style=\"text-align: center;\"><strong>\u2022<\/strong> Handel &#8211; Water Music (orchestration Hamilton Harty) &#8211; 1952<br \/>\n<strong>\u2022<\/strong> Bartok &#8211; Concerto pour orchestre &#8211; 1953<br \/>\n<strong>\u2022<\/strong> Bartok &#8211; Musique pour cordes, percussions et c\u00e9lesta &#8211; 1951<br \/>\n<strong>\u2022<\/strong> Debussy &#8211; La mer &#8211; 1954<\/p>\n<p style=\"text-align: justify;\">Apr\u00e8s ces s\u00e9ances d\u2019entrainement, Karajan revint une ou plusieurs fois vers ces oeuvres avec \u00ab\u00a0son\u00a0\u00bb orchestre philharmonique de Berlin, parfois tr\u00e8s rapidement &#8211;<em>Handel<\/em>-, parfois en s\u2019accordant le temps d\u2019une maturation plus lente. Mais ces s\u00e9ances d\u2019entra\u00eenement, avec le recul de sept d\u00e9cennies, constituent mieux que des \u00e9bauches et ont souvent permis aux discophiles de l&rsquo;\u00e9poque d&rsquo;acc\u00e9der \u00e0 des oeuvres alors tr\u00e8s peu r\u00e9pandues -Bartok-.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avant d\u2019enregistrer le mus\u00e9e sonore que l\u2019on sait avec la philharmonie de Berlin \u00e0 partir de 1959, Karajan enregistra chez EMI\/HMV\/Columbia, en guise d\u2019entra\u00eenement extr\u00eamement intensif &#8211;les s\u00e9ances de r\u00e9p\u00e9tition laissent entendre un chef particuli\u00e8rement exigeant et soucieux de pr\u00e9cision&#8211; et sur une tr\u00e8s br\u00e8ve p\u00e9riode, une cinquantaine d\u2019albums sous la supervision de Walter Legge, [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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