{"id":12618,"date":"2024-01-07T11:49:10","date_gmt":"2024-01-07T10:49:10","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=12618"},"modified":"2024-01-07T11:49:10","modified_gmt":"2024-01-07T10:49:10","slug":"playlist-pas-collector-mais-presque","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-pas-collector-mais-presque\/","title":{"rendered":"Playlist \u00ab\u00a0Pas collector, mais presque !\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>Au tout d\u00e9but de l\u2019\u00e8re du disque Compact, soit dans la premi\u00e8re moiti\u00e9 des ann\u00e9es 80, Archiv Produktion, branche de Deutsche Grammophon sp\u00e9cialis\u00e9e en \u00ab musiques anciennes \u00bb, publia une collection anthologique de coffrets argent\u00e9s relativement on\u00e9reux consacr\u00e9e \u00e0 Johann Sebastian Bach, assez sobrement intitul\u00e9e JS Bach Compact Disc Edition, dans l’optique de c\u00e9l\u00e9brer le tricentenaire de sa naissance. Parmi ces coffrets figurait celui que j\u2019\u00e9coute aujourd\u2019hui, le seul de cette \u00e9dition pour lequel je m\u2019\u00e9tais saign\u00e9 pour me l\u2019offrir. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

A l\u2019\u00e9poque, les interpr\u00e9tations de Ton Koopman \u00e0 l\u2019orgue et de Trevor Pinnock au clavecin \u00e9taient consid\u00e9r\u00e9es comme presqu\u2019avant-gardiste et ces deux artistes commen\u00e7aient \u00e0 \u00eatre reconnus des m\u00e9lomanes, d’autant qu’ils avaient sign\u00e9 aupr\u00e8s de la firme la plus prestigieuse dans le domaine de la musique baroque. Comme je ne suis revenu que tr\u00e8s rarement \u00e0 ce coffret, et pas dans la derni\u00e8re d\u00e9cennie, ni peut-\u00eatre dans la pr\u00e9c\u00e9dente, j\u2019ai voulu r\u00e9entendre ce qu\u2019il en \u00e9tait, quarante ans, voire plus –les pi\u00e8ces pour clavecin ont \u00e9t\u00e9 enregistr\u00e9es pour la plupart en 1979<\/em>-, plus tard.<\/p>\n

\"\"<\/a>Ayant relativement peu de points de comparaison –ma discoth\u00e8que est relativement pauvre concernant Bach, et je n\u2019aime r\u00e9ellement beaucoup que les Variations Goldberg et l\u2019Art de la fugue, et dans une moindre mesure les Passions ; je ne connais que plus ou moins bien le reste de son imposante production, quasiment pas ses cantates, qui m\u2019ennuient profond\u00e9ment\u2026<\/em>-, j\u2019ai beaucoup appr\u00e9ci\u00e9 les quelques pi\u00e8ces pour orgue entendues ce jour -la fameuse Toccata et fugue BWV 565, \u00e9videmment, le non moins fameuse Passacaille BWV 582 et les 6 Chorals \u00ab Sch\u00fcbler \u00bb. Ton Koopman<\/strong><\/span><\/a> y est un organiste inventif -quelques ornementations,-, vif, vivant et pr\u00e9cis.
\nLes m\u00eames qualificatifs s\u2019appliquent \u00e0 Trevor Pinnock<\/strong><\/span><\/a>, qui retrouve ici -Concerto italien BWV 971 ; Ouverture fran\u00e7aise BVW 831 ; Toccata BWV 913 ; Fantaisie chromatique et fugue BWV 903- la m\u00eame verve que dans ses somptueuses Variations Goldberg, enregistr\u00e9es \u00e0 peu pr\u00e8s \u00e0 la m\u00eame \u00e9poque.<\/p>\n

D\u2019heureuses retrouvailles, donc !<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Au tout d\u00e9but de l\u2019\u00e8re du disque Compact, soit dans la premi\u00e8re moiti\u00e9 des ann\u00e9es 80, Archiv Produktion, branche de Deutsche Grammophon sp\u00e9cialis\u00e9e en \u00ab musiques anciennes \u00bb, publia une collection anthologique de coffrets argent\u00e9s relativement on\u00e9reux consacr\u00e9e \u00e0 Johann Sebastian Bach, assez sobrement intitul\u00e9e JS Bach Compact Disc Edition, dans l’optique de c\u00e9l\u00e9brer le […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[71,122,200],"class_list":["post-12618","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-bach","tag-musique-baroque","tag-pinnock"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=12618"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/12618\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=12618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=12618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=12618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}