{"id":13272,"date":"2024-09-10T14:32:53","date_gmt":"2024-09-10T12:32:53","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13272"},"modified":"2024-09-10T14:33:54","modified_gmt":"2024-09-10T12:33:54","slug":"playlist-baroque-a-lancienne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-baroque-a-lancienne\/","title":{"rendered":"Playlist \u00ab\u00a0Baroque \u00e0 l\u2019ancienne\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">La playlist de ce jour est consacr\u00e9e \u00e0 des oeuvres du r\u00e9pertoire baroque interpr\u00e9t\u00e9es \u00ab\u00a0\u00e0 l\u2019ancienne\u00a0\u00bb, dans une perspective non HIP &#8211;<em>historical informed performance<\/em>-, et comprend :<\/p>\n<p style=\"text-align: center;\"><strong>\u2022<\/strong> Scarlatti &#8211; Sonates pour piano &#8211; Ivo Pogorelich. 1992<br \/>\n<strong>\u2022<\/strong> Bach &#8211; Sonates et partitas pour violon &#8211; Johanna Martzy. 1955<br \/>\n<strong>\u2022<\/strong> Handel &#8211; Concertos op. 6 N\u00b05, 10 et 12 &#8211; OP Berlin, Herbert Von Karajan. 1966.<br \/>\n&#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13273\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024.jpg\" alt=\"\" width=\"1250\" height=\"424\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024.jpg 1250w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024-300x102.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024-1024x347.jpg 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/09\/Playlist10092024-768x261.jpg 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Les sonates de Scarlatti sont ici interpr\u00e9t\u00e9es au piano et non au clavecin, et s\u2019inscrivent d\u00e9lib\u00e9r\u00e9ment dans une perspective de \u00ab grand piano \u00bb, virtuose et intense, malgr\u00e9 la forme aphoristique de ces oeuvres. Evidemment, on est tr\u00e8s loin ici des versions enregistr\u00e9es au clavecin, mais les sonates retenues dans ce disque se pr\u00eatent tr\u00e8s bien \u00e0 une interpr\u00e9tation au piano &#8211;<em>c&rsquo;est d&rsquo;ailleurs pour cet instrument que je pr\u00e9f\u00e8re ces sonates<\/em>-. M\u00eames si ces enregistrements ne sont pas tr\u00e8s anciens, Ivo Pogorelich ne se pr\u00e9occupe gu\u00e8re des apports de la musicologie dans son interpr\u00e9tation.<br \/>\nBeaucoup plus anciens, les disques [Bach &#8211; Martzy] &#8211;<em>qui reste cependant ma versions pr\u00e9f\u00e9r\u00e9e de ces oeuvres difficiles et arides : \u00e0 titre anecdotique, Johanna Martzy fut la premi\u00e8re femme \u00e0 enregistrer ce corpus int\u00e9gral<\/em>&#8211; et [Handel &#8211; Karajan] datent d\u2019avant la r\u00e9volution \u00ab baroqueuse \u00bb apparue au tournant des ann\u00e9es 70 avant de d\u2019imposer au d\u00e9but des ann\u00e9es 80. On ne joue plus ces oeuvres ainsi d\u00e9sormais, mais ils restent int\u00e9ressants comme t\u00e9moignages de l&rsquo;\u00e9volution des traditions interpr\u00e9tatives.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La playlist de ce jour est consacr\u00e9e \u00e0 des oeuvres du r\u00e9pertoire baroque interpr\u00e9t\u00e9es \u00ab\u00a0\u00e0 l\u2019ancienne\u00a0\u00bb, dans une perspective non HIP &#8211;historical informed performance-, et comprend : \u2022 Scarlatti &#8211; Sonates pour piano &#8211; Ivo Pogorelich. 1992 \u2022 Bach &#8211; Sonates et partitas pour violon &#8211; Johanna Martzy. 1955 \u2022 Handel &#8211; Concertos op. 6 [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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