{"id":13327,"date":"2024-09-29T09:56:33","date_gmt":"2024-09-29T07:56:33","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13327"},"modified":"2024-09-29T09:56:33","modified_gmt":"2024-09-29T07:56:33","slug":"dimanche-matin-a-lopera-wozzeck-dalban-berg","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/dimanche-matin-a-lopera-wozzeck-dalban-berg\/","title":{"rendered":"Dimanche matin \u00e0 l\u2019op\u00e9ra – Wozzeck, d\u2019Alban Berg"},"content":{"rendered":"

\"\"<\/a>La s\u00e9ance de ce \u00ab dimanche matin \u00bb \u00e0 l\u2019op\u00e9ra est consacr\u00e9e \u00e0 l\u2019un de mes op\u00e9ras favori : Wozzeck, d\u2019Alban Berg<\/strong>, dans l\u2019excellente version de Claudio Abbado –un chef que je n’appr\u00e9cie pas particuli\u00e8rement en g\u00e9n\u00e9ral, et donc peu pr\u00e9sent dans ma discoth\u00e8que<\/em>– enregistr\u00e9e lors d\u2019une repr\u00e9sentation \u00e0 l\u2019op\u00e9ra de Vienne en 1987. –Cliquer sur l\u2019image pour la voir en plus grand-.<\/em><\/p>\n

Contrairement aux pr\u00e9c\u00e9dentes, cette notule dominicale sera relativement br\u00e8ve : la notice Wikipedia consacr\u00e9e \u00e0 cet op\u00e9ra est d\u2019une grande qualit\u00e9 et relativement exhaustive, vous pouvez la lire ici<\/strong><\/span><\/a>. Vous pourrez \u00e9galement compl\u00e9ter votre lecture par l\u2019article –assez bref ceux-ci<\/em>– consacr\u00e9s \u00e0 Georg B\u00fcchner<\/strong><\/span><\/a>, inspirateur du livret et \u00e0 la pi\u00e8ce de th\u00e9\u00e2tre \u00ab\u00a0Woyzeck<\/strong><\/span> \u00bb.<\/p>\n

Etonnamment, malgr\u00e9 sa disparition tr\u00e8s pr\u00e9coce \u00e0 23 ans, B\u00fcchner eut une influence consid\u00e9rable et fut \u00e0 l\u2019origine de deux autres op\u00e9ras : l\u2019un consacr\u00e9 \u00e0 Woyzeck compos\u00e9 par Manfred Gurlitt exactement au m\u00eame moment que celui de Berg, et l\u2019autre tir\u00e9 de \u00ab\u00a0La mort de Danton\u00a0\u00bb, de Gottfried von Einem, cr\u00e9\u00e9 en 1947. Le film \u00ab\u00a0Danton\u00a0\u00bb d’Andrej Wajda, avec G\u00e9rard Depardieu, s’en inspire \u00e9galement : m\u00eame s’il est l’adaptation d’une pi\u00e8ce polonaise de Stanislawa Przybyszewska –fervente robespierriste<\/em>-, le parti-pris tr\u00e8s favorable \u00e0 Danton dans le film est issu de la pi\u00e8ce de B\u00fcchner.<\/p>\n

Si vous avez un peu moins de deux heures \u00e0 d\u00e9penser dans les temps \u00e0 venir, je vous recommande de vous rendre virtuellement \u00e0 Vienne pour d\u00e9couvrir cette version en direct de l\u2019op\u00e9ra de Vienne, en suivant les liens indiqu\u00e9s ci-dessous :<\/p>\n

Acte 1<\/strong><\/span><\/a>\u00a0 \u00a0 \u00a0Acte 2<\/strong><\/span><\/a> \u00a0 \u00a0 Acte 3<\/strong><\/span><\/a><\/p>\n

Wozzeck b\u00e9n\u00e9ficie par ailleurs d\u2019une discographie de grande qualit\u00e9, puisqu\u2019outre l\u2019excellente version de ce jour, je dispose \u00e9galement des versions list\u00e9es ci-dessous dans ma discoth\u00e8que, qui pr\u00e9sente toutes remarquables et compl\u00e9mentaires. L’op\u00e9ra de Manfred Gurlitt est d’une moindre puissance \u00e9motionnelle et n’est gu\u00e8re pass\u00e9 \u00e0 la post\u00e9rit\u00e9, mais il m\u00e9rit\u00e9 d’\u00eatre connu.<\/p>\n

\"\"<\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

La s\u00e9ance de ce \u00ab dimanche matin \u00bb \u00e0 l\u2019op\u00e9ra est consacr\u00e9e \u00e0 l\u2019un de mes op\u00e9ras favori : Wozzeck, d\u2019Alban Berg, dans l\u2019excellente version de Claudio Abbado –un chef que je n’appr\u00e9cie pas particuli\u00e8rement en g\u00e9n\u00e9ral, et donc peu pr\u00e9sent dans ma discoth\u00e8que– enregistr\u00e9e lors d\u2019une repr\u00e9sentation \u00e0 l\u2019op\u00e9ra de Vienne en 1987. –Cliquer […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[295],"tags":[86,67],"class_list":["post-13327","post","type-post","status-publish","format-standard","hentry","category-dimanche-a-lopera","tag-discotheque","tag-opera"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13327"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13327\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}