{"id":13352,"date":"2024-10-03T09:34:13","date_gmt":"2024-10-03T07:34:13","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13352"},"modified":"2024-10-03T09:34:13","modified_gmt":"2024-10-03T07:34:13","slug":"playlist-grands-classiques-seconde-chance","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-grands-classiques-seconde-chance\/","title":{"rendered":"Playlist \u00ab\u00a0grands classiques – Seconde chance\u00a0\u00bb"},"content":{"rendered":"

J\u2019ai pioch\u00e9 au hasard dans ma discoth\u00e8que trois disques consacr\u00e9s \u00e0 de \u00ab\u00a0grands classique\u00a0\u00bb dont j\u2019avais gard\u00e9 un souvenir pour le moins mitig\u00e9 –en mati\u00e8re d’interpr\u00e9tation<\/em>– afin de confirmer ou d\u2019infirmer les impressions plut\u00f4t d\u00e9favorables qu\u2019ils avaient laiss\u00e9es dans ma m\u00e9moire. Les \u00e9toiles attribu\u00e9es correspondent mon appr\u00e9ciation apr\u00e8s r\u00e9\u00e9coute.-Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

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\u2022 Beethoven – Symphonie n\u00b05 – Bernstein\/New York.<\/strong> Apr\u00e8s r\u00e9\u00e9coute, je reste sur une impression mitig\u00e9e. Certes, le \u00ab\u00a0jeune\u00a0\u00bb Bernstein de New York n\u2019est pas encore le Bernstein plus \u00e2g\u00e9 plein de mani\u00e9rismes qui enregistra tardivement en Europe, mais cette cinqui\u00e8me symphonie est bizarre, avec son premier mouvement pris plut\u00f4t lentement et ses d\u00e9s\u00e9quilibres orchestraux ponctuels. La transition entre les troisi\u00e8me et quatri\u00e8me mouvement est cependant tr\u00e8s bien g\u00e9r\u00e9e et le deuxi\u00e8me mouvement s\u2019av\u00e8re plut\u00f4t chantant. ***<\/strong><\/span>
\n\u2022 Bach – Variations Goldberg – Keith Jarrett (clavecin).<\/strong> Voil\u00e0 une oeuvre que j\u2019appr\u00e9cie particuli\u00e8rement, que j\u2019\u00e9coute souvent et dont ma discoth\u00e8que regorge de versions. Celle de Keith Jarrett n\u2019est pas mal jou\u00e9e, mais, sur des tempi plut\u00f4t lents, se pr\u00e9sente comme une succession de petits moments –parfois agr\u00e9ables<\/em>-sans garantir une coh\u00e9rence d\u2019ensemble et, au final, aboutit \u00e0 un r\u00e9sultat plut\u00f4t soporifique –ce qui peut s\u2019av\u00e9rer pratique l\u2019oeuvre \u00e9tant \u00e9crite \u00e0 destination d\u2019un insomniaque !<\/em> -. **<\/strong><\/span>
\n\u2022 Tchaikovsky – Symphonie n\u00b04 – Celibidache\/Munich.<\/strong> C\u2019est lent, pachydermique et pauvre en couleurs. Personnellement, je trouve cela d\u2019un mauvais go\u00fbt remarquable, mais d\u2019autres m\u00e9lomanes en raffolent et ne jurent que par ce chef, qui savait mieux que les compositeurs ce que contenait leur musique –cf. ses th\u00e9ories sur la ph\u00e9nom\u00e9nologie de la musique<\/em>– et, vers la fin de sa vie, dirigeait tout de mani\u00e8re uniform\u00e9ment lentissime\u2026 Je crois que c\u2019est un des pires disques de ma discoth\u00e8que ! *<\/strong><\/span><\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2024\/10\/Extrait03102024.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

J\u2019ai pioch\u00e9 au hasard dans ma discoth\u00e8que trois disques consacr\u00e9s \u00e0 de \u00ab\u00a0grands classique\u00a0\u00bb dont j\u2019avais gard\u00e9 un souvenir pour le moins mitig\u00e9 –en mati\u00e8re d’interpr\u00e9tation– afin de confirmer ou d\u2019infirmer les impressions plut\u00f4t d\u00e9favorables qu\u2019ils avaient laiss\u00e9es dans ma m\u00e9moire. Les \u00e9toiles attribu\u00e9es correspondent mon appr\u00e9ciation apr\u00e8s r\u00e9\u00e9coute.-Cliquer sur l\u2019image pour la voir en […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[71,30,97,86,63,115],"class_list":["post-13352","post","type-post","status-publish","format-standard","hentry","category-musique","tag-bach","tag-beethoven","tag-chef-dorchestre","tag-discotheque","tag-symphonie","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13352"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13352\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}