{"id":13363,"date":"2024-10-06T10:24:26","date_gmt":"2024-10-06T08:24:26","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13363"},"modified":"2024-10-06T13:58:39","modified_gmt":"2024-10-06T11:58:39","slug":"dimanche-a-lopera-kurt-weill-lopera-de-quatsous","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/dimanche-a-lopera-kurt-weill-lopera-de-quatsous\/","title":{"rendered":"Dimanche \u00e0 l’op\u00e9ra \u2013 Kurt Weill, L’op\u00e9ra de quat’sous"},"content":{"rendered":"

Une fois n\u2019est pas coutume, ma playlist dominicale est constitu\u00e9e d\u2019une visite \u00e0 l\u2019op\u00e9ra, pour une oeuvre attachante, m\u00ealant th\u00e9\u00e2tre de rue et \u00ab chansonnette lyrique \u00bb : c\u2019est ainsi que, pour ma part, je d\u00e9finirai \u00ab L\u2019op\u00e9ra de quat\u2019sous \u00bb<\/strong>, de Kurt Weill<\/strong><\/span><\/a>, sur des textes de Berthold Brecht<\/strong><\/span><\/a> adapt\u00e9 et modernis\u00e9 fa\u00e7on \u00ab critique moderne du capitalisme \u00bb d\u2019une oeuvre de John Gay \u00ab \u00ab A Beggar\u2019s Opera<\/strong><\/span><\/a> \u00bb mise en musique par Johann Cristoph Pepusch, que je n’ai encore jamais entendue, et qui connut un grand succ\u00e8s \u00e0 sa cr\u00e9ation en 1728.
\nUne fois encore, la notice Wikipedia consacr\u00e9e \u00e0 \u00ab\u00a0L’op\u00e9ra de quat’sous\u00a0\u00bb, que vous pourrez lire ici<\/strong><\/span><\/a> est compl\u00e8te et de qualit\u00e9, m\u2019\u00e9vitant d\u2019en dire beaucoup plus !<\/p>\n

\"\"<\/a>La version du jour –un de mes premiers CD d’op\u00e9ra<\/em>-, enregistr\u00e9e dans d’excellentes conditions techniques pour l’\u00e9poque –1958<\/em>-, est commun\u00e9ment consid\u00e9r\u00e9e comme une version \u00ab\u00a0de r\u00e9f\u00e9rence\u00a0\u00bb, tr\u00e8s t\u00f4t r\u00e9\u00e9dit\u00e9e en CD et dot\u00e9e d’un remarquable livret en Fran\u00e7ais dans cette premi\u00e8re \u00e9dition. –Cliquer sur l’image pour la voir en plus grand<\/em>-.
\nOutre qu’elle met bien en valeur la dimension \u00ab\u00a0th\u00e9\u00e2tre de rue\u00a0\u00bb, elle est historique dans la mesure o\u00f9 elle donne \u00e0 entendre la femme de Kurt Weill, Lotte Lenya, dans le r\u00f4le de Jenny –cf. image ci-dessous<\/em>-, l’ex-amante \u00e9conduite et jalouse qui trahit Mackie Messer. Elle avait cr\u00e9\u00e9 le r\u00f4le en 1928 et l’avait \u00e9galement interpr\u00e9t\u00e9 au cin\u00e9 dans le film Georg Bapst, tourn\u00e9 aussi t\u00f4t qu’en 1931, l’oeuvre ayant connu un immense succ\u00e8s en Allemagne avant son interdiction par les nazis : Kurt Weill fit en effet partie des artistes mis \u00e0 l’index en tant \u00ab\u00a0qu’artiste d\u00e9g\u00e9n\u00e9r\u00e9\u00a0\u00bb.<\/p>\n

\"\"<\/a><\/p>\n

Parmi les autres versions sur les \u00e9tag\u00e8res de ma discoth\u00e8que, je recommanderais \u00e9galement la version archi-compl\u00e8te de H.K \u00ab\u00a0Nali\u00a0\u00bb Gruber, qui donne notamment \u00e0 entendre une Nina Hagen totalement d\u00e9jant\u00e9e dans le r\u00f4le de Frau Peachum et joue \u00e0 fond la carte du th\u00e9\u00e2tre de rue. Dans une veine plus lyrique que j’appr\u00e9cie moins, la version de John Mauceri avec Une Lemper et Ren\u00e9 Kollo connut un tr\u00e8s grand succ\u00e8s critique \u00e0 sa sortie en 1990, mais il faudrait que je me la remette en m\u00e9moire.<\/p>\n

J\u2019ai toujours beaucoup appr\u00e9ci\u00e9 l\u2019oeuvre de Kurt Weill et de Berthold Brecht –les deux sont ins\u00e9parables, aussi bien pour \u00abL\u2019op\u00e9ra de quat\u2019sous\u00bb que, plus tard, pour \u00abGrandeur et d\u00e9cadence de la ville de Mahagonny\u00bb ou \u00abLes sept p\u00each\u00e9s capitaux\u00bb<\/em>-, qui m\u00eale musique, th\u00e9\u00e2tre et critique sociale avec une ironie acerbe. Leur collaboration constitue un exemple remarquable de la mani\u00e8re dont l’art peut servir de miroir critique aux structures sociales et politiques, tout en offrant un divertissement musical tr\u00e8s appr\u00e9ciable \u00e0 mes oreilles.<\/p>\n","protected":false},"excerpt":{"rendered":"

Une fois n\u2019est pas coutume, ma playlist dominicale est constitu\u00e9e d\u2019une visite \u00e0 l\u2019op\u00e9ra, pour une oeuvre attachante, m\u00ealant th\u00e9\u00e2tre de rue et \u00ab chansonnette lyrique \u00bb : c\u2019est ainsi que, pour ma part, je d\u00e9finirai \u00ab L\u2019op\u00e9ra de quat\u2019sous \u00bb, de Kurt Weill, sur des textes de Berthold Brecht adapt\u00e9 et modernis\u00e9 fa\u00e7on \u00ab […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[295],"tags":[132],"class_list":["post-13363","post","type-post","status-publish","format-standard","hentry","category-dimanche-a-lopera","tag-weill"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13363"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13363\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}