{"id":13428,"date":"2024-10-22T08:54:43","date_gmt":"2024-10-22T06:54:43","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13428"},"modified":"2024-10-22T09:22:02","modified_gmt":"2024-10-22T07:22:02","slug":"playlist-russo-germano-hongroise","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-russo-germano-hongroise\/","title":{"rendered":"Playlist russo-germano-hongroise !"},"content":{"rendered":"

J\u2019avais d\u00e9j\u00e0 \u00e9voqu\u00e9 il y a une dizaine d\u2019ann\u00e9es de mani\u00e8re un peu d\u00e9taill\u00e9e –\u00e0 lire ici-<\/strong><\/span><\/em><\/a> la courte carri\u00e8re de Ferenc Fricsay<\/strong><\/span><\/a>, t\u00f4t disparu \u00e0 48 ans, et star du label Deutsche Grammophon de la fin des ann\u00e9es 40 au milieu des ann\u00e9es 50, label qu’il contribua \u00e0 largement abonder durant cette p\u00e9riode, aussi bien dans le domaine de la musique orchestrale que dans celui de l’op\u00e9ra : son leg discographique comprend une centaine de volumes enregistr\u00e9 en une petite douzaine d’ann\u00e9es .
\nLa playlist de ce jour lui est enti\u00e8rement consacr\u00e9e, via trois albums qui b\u00e9n\u00e9ficient d’excellentes conditions techniques pour l’\u00e9poque –de la monophonie de premi\u00e8re qualit\u00e9<\/em>– et d’un remastering soign\u00e9 : elle propose ainsi des oeuvres de deux musiciens russes, interpr\u00e9t\u00e9es par des orchestres allemands dirig\u00e9s par un chef hongrois –cliquer sur l\u2019image pour la voir en plus grand<\/em>– !<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>\u2022<\/strong> La s\u00e9r\u00e9nade pour cordes de Tcha\u00efkovski<\/strong> est une \u0153uvre que j\u2019appr\u00e9cie beaucoup, d\u2019acc\u00e8s tr\u00e8s facile, et qui oscille entre vigueur chantante et douce m\u00e9lancolie, mobilisant ponctuellement des airs de la musique populaire russe.
\nLa version de Ferenc Fricsay est tout-\u00e0-fait excellente et permet de mettre en valeur les cordes de son orchestre –\u00e0 cette \u00e9poque (1953) les meilleurs pupitres du RIAS de Berlin<\/em>-. ****<\/strong><\/span><\/p>\n

\u2022<\/strong> Toujours en 1953 et toujours \u00e0 Berlin, mais avec l\u2019orchestre philharmonique cette fois, la version de la sixi\u00e8me symphonie \u00ab Path\u00e9tique \u00bb de Tchaikovsky<\/strong> –l’une des toute premi\u00e8res \u0153uvres que j’ai connue, enfant<\/em>-, au classicisme tr\u00e8s \u00e9pur\u00e9, est l\u2019une des meilleures de la discographie.
\nFricsay r\u00e9enregistra l\u2019oeuvre avec son orchestre, le RIAS Berlin, en 1959 : une autre belle version, m\u00eame si je pr\u00e9f\u00e8re celle \u00e9cout\u00e9e ce jour. *****<\/strong><\/span><\/p>\n

\u2022<\/strong> Enfin, la tr\u00e8s belle suite symphonique \u00ab Sh\u00e9h\u00e9razade \u00bb de Rimsky-Korsakov<\/strong>, en quatre parties, est tr\u00e8s bien interpr\u00e9t\u00e9e –un enregistrement de 1957<\/em>-, dans une veine l\u00e0 encore tr\u00e8s classique mais qui ne nuit pas \u00e0 la narration, mais expose les limites de l\u2019orchestre, qui, m\u00eame s\u2019il ne d\u00e9m\u00e9rite pas, ne poss\u00e8de pas les couleurs ou la souplesse des plus beaux orchestres europ\u00e9ens de l\u2019\u00e9poque. ****<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

J\u2019avais d\u00e9j\u00e0 \u00e9voqu\u00e9 il y a une dizaine d\u2019ann\u00e9es de mani\u00e8re un peu d\u00e9taill\u00e9e –\u00e0 lire ici- la courte carri\u00e8re de Ferenc Fricsay, t\u00f4t disparu \u00e0 48 ans, et star du label Deutsche Grammophon de la fin des ann\u00e9es 40 au milieu des ann\u00e9es 50, label qu’il contribua \u00e0 largement abonder durant cette p\u00e9riode, aussi […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,86,66,63,115],"class_list":["post-13428","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-discotheque","tag-fricsay","tag-symphonie","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13428"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13428\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}