{"id":13447,"date":"2024-10-24T12:25:42","date_gmt":"2024-10-24T10:25:42","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13447"},"modified":"2024-10-24T12:25:42","modified_gmt":"2024-10-24T10:25:42","slug":"playlist-lautre-richard-anthologie-strauss-karajan-70s-1","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-lautre-richard-anthologie-strauss-karajan-70s-1\/","title":{"rendered":"Playlist \u00ab\u00a0 L\u2019autre Richard\u00a0: Anthologie Strauss \/ Karajan 70\u2019s\u00a0\u00bb – 1"},"content":{"rendered":"

\"\"<\/a>Entre Herbert Von Karajan et Richard Strauss, ce fut une histoire d\u2019amour jamais d\u00e9mentie tout au long de la carri\u00e8re discographique –et de concert<\/em>– du chef, qui signa quatre anthologies orchestrales plus ou moins exhaustives des oeuvres du compositeur :
\n\u2022<\/strong> la premi\u00e8re \u00e0 la fin des ann\u00e9es 40 –avec, notamment, le premier enregistrement mondial des \u00ab\u00a0M\u00e9tamorphoses\u00a0\u00bb<\/em>-et au d\u00e9but des ann\u00e9es 50, avec l\u2019orchestre philharmonique de Vienne et le Philharmonia Orchestra, chez EMI\/Columbia ;
\n\u2022<\/strong> la deuxi\u00e8me au d\u00e9but des ann\u00e9es 60, partag\u00e9e entre l\u2019orchestre philharmonique de Berlin, pour Deutsche Grammophon –son premier enregistrement pour honorer son contrat avec le label fut consacr\u00e9 \u00e0 Richard Strauss<\/em>– et l\u2019orchestre philharmonique de Vienne, pour Decca ;
\n\u2022<\/strong> la troisi\u00e8me –la plus compl\u00e8te<\/em>– \u00e0 la toute fin des ann\u00e9es 60 et au d\u00e9but des ann\u00e9es 70 avec l\u2019orchestre philharmonique de Berlin, partag\u00e9e entre Deutsche Grammophon et EMI : c\u2019est celle dont j\u2019\u00e9coute la premi\u00e8re partie aujourd\u2019hui –cliquer sur l\u2019image pour la voir en plus grand<\/em>– ;<\/p>\n

\"\"<\/a><\/p>\n

\u2022<\/strong> une derni\u00e8re, enfin, toujours avec l\u2019orchestre philharmonique de Berlin, au d\u00e9but des ann\u00e9es 80 et de l\u2019\u00e8re digitale, toujours chez Deutsche Grammophon.<\/p>\n

Toutes ces versions sont a minima<\/em> tr\u00e8s satisfaisantes, et nombre d’entre elles sont exceptionnelles et restent consid\u00e9r\u00e9es par de nombreux m\u00e9lomanes et musicographes comme des versions \u00ab\u00a0de r\u00e9f\u00e9rence\u00a0\u00bb. Outre-Rhin, le chef reste r\u00e9put\u00e9 comme le plus grand \u00ab\u00a0Straussien\u00a0\u00bb du 20\u00e8me si\u00e8cle et en France, cette opinion est assez largement partag\u00e9e, m\u00eame si on met sur un pied d’\u00e9galit\u00e9 Rudolf Kempe ou Clemens Krauss, voire Fritz Reiner. L’orchestration rutilante et foisonnante de Richard Strauss est parfaitement en accord avec les conceptions du chef : beaut\u00e9 des sonorit\u00e9s, qualit\u00e9 de tous les pupitres de l’orchestre, grande dynamique, sens de l’architecture.
\nElles permettent \u00e9galement de suivre l’\u00e9volution du chef et de son orchestre de Berlin \u00e0 travers les d\u00e9cennies, ainsi que l’\u00e9volution des techniques d’enregistrement : monophonie des ann\u00e9es 40 et 50, d\u00e9but puis rapide essor de la st\u00e9r\u00e9ophonie, quadriphonie<\/strong><\/span><\/a> –qui n’\u00e9tait int\u00e9ressante que pour les marchands de canap\u00e9 selon Karajan…<\/em>– et, enfin, d\u00e9but de l’\u00e8re num\u00e9rique –les remast\u00e9risations de ces premiers enregistrements num\u00e9riques sont nettement pr\u00e9f\u00e9rables<\/em>-.<\/p>\n","protected":false},"excerpt":{"rendered":"

Entre Herbert Von Karajan et Richard Strauss, ce fut une histoire d\u2019amour jamais d\u00e9mentie tout au long de la carri\u00e8re discographique –et de concert– du chef, qui signa quatre anthologies orchestrales plus ou moins exhaustives des oeuvres du compositeur : \u2022 la premi\u00e8re \u00e0 la fin des ann\u00e9es 40 –avec, notamment, le premier enregistrement mondial […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,86,56,246,40],"class_list":["post-13447","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-discotheque","tag-karajan","tag-orchestral","tag-strauss"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13447"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13447\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}