{"id":13464,"date":"2024-10-26T09:09:40","date_gmt":"2024-10-26T07:09:40","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13464"},"modified":"2024-10-26T10:31:43","modified_gmt":"2024-10-26T08:31:43","slug":"playlist-wagner-sans-paroles-1-2","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-wagner-sans-paroles-1-2\/","title":{"rendered":"Playlist \u00ab\u00a0Wagner sans paroles\u00a0\u00bb \u2013 2"},"content":{"rendered":"

Seconde partie de cette br\u00e8ve incartade du c\u00f4t\u00e9 des anthologies orchestrales wagn\u00e9riennes, telles qu’elles \u00e9taient brillamment pratiqu\u00e9es dans les ann\u00e9es 50 et 60 selon leur versant am\u00e9ricain.Appr\u00e9ciation : ****<\/strong><\/span> \/ ****<\/strong><\/span> \/ ****<\/strong><\/span> –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Au sortir de la guerre, et gr\u00e2ce \u00e0 l’essor du disque, les Europ\u00e9ens purent commencer \u00e0 d\u00e9couvrir les orchestres du nouveau monde : les quelques t\u00e9moignages d’avant-guerre n’\u00e9taient pas des plus r\u00e9jouissants quant \u00e0 la qualit\u00e9 des orchestres am\u00e9ricains : hors New-York, o\u00f9 Toscanini r\u00e9gnait en ma\u00eetre, point de salut, m\u00eame si commen\u00e7ait \u00e0 \u00e9merger la r\u00e9putation des quatre autres orchestres du \u00ab\u00a0Big Five\u00a0\u00bb : Boston, Chicago, Cleveland et Philadelphie –tous dirig\u00e9s par des chefs europ\u00e9ens, respectivement : Koussevitzky puis Munch ; Reiner ; Szell ; Ormandy<\/em>-. Aussi la surprise fut-elle immense lorsque ces disques parurent : les orchestres am\u00e9ricains avaient rejoint, voire d\u00e9pass\u00e9, leurs homologues europ\u00e9ens : ces pages orchestrales le d\u00e9montrent amplement.<\/p>\n

\"\"<\/a>William Steinberg –n\u00e9 Hans-Wilhelm Steinberg \u00e0 Cologne, et dont je vous ai d\u00e9j\u00e0 expos\u00e9 les grands talents ici<\/strong><\/span><\/a><\/em>-, fut interdit de direction en Allemagne par les nazis d\u00e8s 1933. Exil\u00e9 aux \u00c9tats-Unis o\u00f9 il occupa longtemps –1952-1976<\/em>– la t\u00eate de l’orchestre de Pittsburgh, il contribua \u00e0 cr\u00e9er un solide et assez cons\u00e9quent catalogue d’enregistrements pour les firmes Capitol –filiale am\u00e9ricaine d’EMI<\/em>– puis Command Classics. Son anthologie orchestrale de Wagner est de tr\u00e8s haute tenue, ce qui n’est gu\u00e8re \u00e9tonnant lorsqu’on sait qu’il commen\u00e7a sa carri\u00e8re comme chef d’op\u00e9ra \u00e0 Francfort, o\u00f9 il s’illustra notamment en conduisant la cr\u00e9ation mondiale de \u00ab\u00a0Von heute auf morgen\u00a0\u00bb, de Schonberg, ou encore la cr\u00e9ation allemande du \u00ab\u00a0Mahagonny\u00a0\u00bb de Weill.
\nTr\u00e8s grand chef, longtemps peu connu en Europe –tous ses disques furent pourtant tr\u00e8s hautement \u00e9valu\u00e9s \u00e0 l’\u00e9poque de leur parution en Europe<\/em>– mais que la r\u00e9\u00e9dition de ses enregistrements permet de red\u00e9couvrir, \u00a0affirmait d’ailleurs : \u00ab\u00a0Tous les orchestres du Top 20 des \u00c9tats-Unis sont sup\u00e9rieurs \u00e0 n’importe quel orchestre europ\u00e9en, \u00e0 part le philharmonique de Berlin\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Seconde partie de cette br\u00e8ve incartade du c\u00f4t\u00e9 des anthologies orchestrales wagn\u00e9riennes, telles qu’elles \u00e9taient brillamment pratiqu\u00e9es dans les ann\u00e9es 50 et 60 selon leur versant am\u00e9ricain.Appr\u00e9ciation : **** \/ **** \/ **** –Cliquer sur l’image pour la voir en plus grand-. Au sortir de la guerre, et gr\u00e2ce \u00e0 l’essor du disque, les Europ\u00e9ens […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,213,83],"class_list":["post-13464","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-steinberg","tag-wagner"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13464"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13464\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}