{"id":13812,"date":"2024-12-29T11:08:14","date_gmt":"2024-12-29T10:08:14","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13812"},"modified":"2024-12-29T11:08:14","modified_gmt":"2024-12-29T10:08:14","slug":"playlist-beethoven-de-chambre","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-beethoven-de-chambre\/","title":{"rendered":"Playlist \u00ab\u00a0Beethoven de chambre\u00a0\u00bb"},"content":{"rendered":"

La musique de chambre de Beethoven –sonates hors sonates pour piano, trios et quatuors<\/em>– reste encore un vaste terrain d\u2019exploration pour mes oreilles : je la connais g\u00e9n\u00e9ralement beaucoup moins bien que sa musique symphonique ou que son corpus pour piano, sauf les trois oeuvres tr\u00e8s connues et tr\u00e8s populaires \u00e9cout\u00e9es aujourd\u2019hui –cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a>
\n\u2022 Sonate pour violon et piano n\u00b05 \u00ab\u00a0Le printemps\u00a0\u00bb<\/strong> – Christian Ferras, Pierre Barbizet – 1958
\nUne tr\u00e8s belle version tir\u00e9e d\u2019une excellente int\u00e9grale tr\u00e8s hautement cot\u00e9e en France, et dont cette \u00ab\u00a0Printemps\u00a0\u00bb me semble le meilleur exemple. C\u2019est frais, tr\u00e8s \u00e9quilibr\u00e9 –le piano n\u2019\u00e9crase jamais le violon<\/em>– et tr\u00e8s chantant. La prise de son ne porte absolument pas son \u00e2ge.<\/p>\n

\u2022 Trio pour violon, violoncelle et piano n\u00b07\u00ab\u00a0Archiduc\u00a0\u00bb<\/strong> – Leonid Kogan, Mstislav Rostropovich, Emil Gilels – 1956
\nCette version initialement parue sur le label sovi\u00e9tique Melodyia est l\u2019un des remarquables t\u00e9moignages laiss\u00e9s par l\u2019\u00e9ph\u00e9m\u00e8re trio form\u00e9 par Emil Gilels, son beau-fr\u00e8re le violoniste Leonid Kogan et le violoncelliste Mstislav Rostropovich. Enregistr\u00e9 \u00e0 Moscou en 1956, cette version demeure \u00e0 mes oreilles la meilleure concernant cette oeuvre : c\u2019est franc, direct et viril ! Tr\u00e8s \u00abbeethov\u00e9nien\u00bb, en somme !
\nNB. Il faut absolument \u00e9viter certaines \u00e9ditions post\u00e9rieures en st\u00e9r\u00e9ophonie artificielle abominable et privil\u00e9gier l’enregistrement monophonique initial, tr\u00e8s convenable.<\/span><\/p>\n

\u2022 Sonate pour violon et piano n\u00b09 \u00ab\u00a0Kreutzer\u00a0\u00bb<\/strong> – Gidon Kremer, Martha Argerich – 1994
\nLa plus c\u00e9l\u00e8bre des sonates pour violon et piano de Beethoven trouve ici une interpr\u00e9tation tr\u00e8s \u00e9quilibr\u00e9e tout en \u00e9tant remarquablement virtuose et expressive, tr\u00e8s bien enregistr\u00e9e de surcro\u00eet. Avec la tr\u00e8s vieille version Heifetz – Moiseivich enregistr\u00e9e en 1937, il s\u2019agit de mon interpr\u00e9tation favorite.<\/p>\n","protected":false},"excerpt":{"rendered":"

La musique de chambre de Beethoven –sonates hors sonates pour piano, trios et quatuors– reste encore un vaste terrain d\u2019exploration pour mes oreilles : je la connais g\u00e9n\u00e9ralement beaucoup moins bien que sa musique symphonique ou que son corpus pour piano, sauf les trois oeuvres tr\u00e8s connues et tr\u00e8s populaires \u00e9cout\u00e9es aujourd\u2019hui –cliquer sur l\u2019image […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,103,77,179,300,49],"class_list":["post-13812","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-gilels","tag-piano","tag-sonates","tag-trio","tag-violon"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13812"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13812\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}