{"id":13876,"date":"2025-01-12T09:53:10","date_gmt":"2025-01-12T08:53:10","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=13876"},"modified":"2025-01-12T09:53:10","modified_gmt":"2025-01-12T08:53:10","slug":"dimanche-a-lopera-schonberg-moses-und-aron","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/dimanche-a-lopera-schonberg-moses-und-aron\/","title":{"rendered":"Dimanche \u00e0 l’op\u00e9ra – Sch\u00f6nberg, Moses und Aron"},"content":{"rendered":"

\"\"<\/a>Poursuivant sur ma lanc\u00e9e dod\u00e9caphonique, c’est \u00e0 un op\u00e9ra difficile que je m’attaque aujourd’hui : Moses und Aron<\/strong> –Mo\u00efse et Aaron, pour les plus r\u00e9tifs \u00e0 l’Allemand<\/em>-, d’Arnold Sch\u00f6nberg<\/strong>, dans une version aussi aride et analytique que les albums \u00e9cout\u00e9s il y a peu de temps. C’est normal, elle fait partie de la m\u00eame s\u00e9rie anthologique des oeuvres du compositeur enregistr\u00e9es par le chef fran\u00e7ais Pierre Boulez ! –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

Pierre Boulez en enregistra une version plus tardive beaucoup plus lyrique que je n’ai entendue en entier qu’une seule fois, et mes \u00e9tag\u00e8res comportent \u00e9galement la tr\u00e8s belle version de Michael Gielen, plus expressionniste et somptueuse orchestralement.<\/p>\n

\"\"<\/a>Moses und Aron, op\u00e9ra inachev\u00e9 en deux actes –le livret du troisi\u00e8me acte ne fut jamais mis en musique par Sch\u00f6nberg<\/em>-, compos\u00e9 rapidement entre 1930 et 1932, constitue une vaste synth\u00e8se de l’art du compositeur, qui y pla\u00e7a toute son exp\u00e9rience, \u00e0 une p\u00e9riode extr\u00eamement difficile pour lui, qui s’\u00e9tait reconverti au juda\u00efsme : la mont\u00e9e progressive de l’antis\u00e9mitisme en Allemagne avec, en corollaire, l’\u00e9mergence du parti nazi.<\/p>\n

Le livret, tir\u00e9 de la Bible, expose l’opposition entre la pens\u00e9e pure de Moise –qui ne s’exprime qu’en Sprechgesang<\/strong><\/span><\/a><\/em>– et la s\u00e9duction verbale d\u2019Aron –dont le r\u00f4le et l’expression sont de nature plus lyrique<\/em>-. La partition orchestrale est extr\u00eamement complexe et dense. Moses und Aron, au d\u00e9part con\u00e7u pour \u00eatre une cantate, ne fut jamais jou\u00e9 du vivant du compositeur, qui voulait achever son op\u00e9ra. Sa cr\u00e9ation, onze jours apr\u00e8s la mort de Sch\u00f6nberg, eut lieu en 1954 dans une version de concert sans mise en sc\u00e8ne, la cr\u00e9ation officielle de l’op\u00e9ra remontant quant \u00e0 elle \u00e0 1957. Le troisi\u00e8me acte fut a \u00e9t\u00e9 achev\u00e9 par le pianiste Zoltan Kocsis en 2009.
\nDeux tr\u00e8s bons articles, ici<\/strong><\/span><\/a> et l\u00e0<\/strong><\/span><\/a>, vous permettront d’en savoir un peu plus sur cette oeuvre exigeante, mais passionnante !<\/p>\n","protected":false},"excerpt":{"rendered":"

Poursuivant sur ma lanc\u00e9e dod\u00e9caphonique, c’est \u00e0 un op\u00e9ra difficile que je m’attaque aujourd’hui : Moses und Aron –Mo\u00efse et Aaron, pour les plus r\u00e9tifs \u00e0 l’Allemand-, d’Arnold Sch\u00f6nberg, dans une version aussi aride et analytique que les albums \u00e9cout\u00e9s il y a peu de temps. C’est normal, elle fait partie de la m\u00eame s\u00e9rie […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[295],"tags":[67,130],"class_list":["post-13876","post","type-post","status-publish","format-standard","hentry","category-dimanche-a-lopera","tag-opera","tag-schonberg"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=13876"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/13876\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=13876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=13876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}