{"id":14390,"date":"2025-03-24T11:25:37","date_gmt":"2025-03-24T10:25:37","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=14390"},"modified":"2025-04-17T11:04:33","modified_gmt":"2025-04-17T09:04:33","slug":"playlist-leur-neuvieme-est-leur-derniere","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-leur-neuvieme-est-leur-derniere\/","title":{"rendered":"Playlist \u00ab\u00a0Leur neuvi\u00e8me est leur derni\u00e8re\u00a0\u00bb"},"content":{"rendered":"

Quand on dit \u00ab La Neuvi\u00e8me \u00bb, on pense spontan\u00e9ment \u00e0 la neuvi\u00e8me symphonie de Beethoven, qualifi\u00e9e de \u00ab symphonie des symphonies \u00bb par les contemporains du compositeur, \u00ab d\u2019appel terrifiant au viol \u00bb par certaines f\u00e9ministes –si si, c\u2019est v\u00e9ridique\u2026<\/em>-, de \u00ab\u00a0symbole de l\u2019oppression culturelle occidentale\u00a0\u00bb par des partisans de la \u00ab\u00a0gauche \u00e9veill\u00e9e\u00a0\u00bb –encore v\u00e9ridique<\/em>-, mais aussi hymne europ\u00e9en, qui servit de support \u00e0 l\u2019intronisation de deux pr\u00e9sidents de la R\u00e9publique fran\u00e7aise –Fran\u00e7ois Mitterrand pour son entr\u00e9e au Panth\u00e9on en 1981, une rose \u00e0 la main, et Emmanuel Macron lors de sa d\u00e9ambulation vers le Louvre en mai 2017<\/em>-.
\nPour beaucoup de musiciens qui suivirent, ce chiffre 9 constitue une barri\u00e8re mythique : la plupart se sont arr\u00eat\u00e9s avant de l’atteindre et peu se sont aventur\u00e9s \u00e0 aller au-del\u00e0 de cette fronti\u00e8re.Et, cependant, cette symphonie, la derni\u00e8re de son auteur, n\u2019est pas pr\u00e9sente dans la playlist de ce jour. Pour autant, chaque neuvi\u00e8me symphonie de ladite playlist est la derni\u00e8re de chacun de ses compositeurs respectifs ! –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

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\u2022 Franz Schubert<\/strong> – Symphonie n\u00b09 \u00ab\u00a0La Grande\u00a0\u00bb – OP Berlin, Karl B\u00f6hm – 1963 ***<\/strong><\/span>
\nCompos\u00e9e en 1825, jamais jou\u00e9e de son vivant –ses contemporains la trouvaient \u00ab\u00a0longue et pompeuse\u00a0\u00bb<\/em>-, cr\u00e9\u00e9e par Mendelssohn en 1839 dans une version \u00e9court\u00e9e, elle pr\u00e9sente ce que Schumann appelait \u00ab\u00a0des divines longueurs\u00a0\u00bb, que je trouve pour ma part longues et r\u00e9p\u00e9titives : je l’\u00e9coute tr\u00e8s rarement en r\u00e9alit\u00e9.
\n\u2022 Anton Bruckner<\/strong> – Symphonie n\u00b09 – OP Berlin, Herbert Von Karajan – 1976 *****<\/strong><\/span>
\nCette symphonie \u00ab\u00a0d\u00e9di\u00e9e au Bon Dieu\u00a0\u00bb par son compositeur, bigot notoire, est en trois mouvements, le quatri\u00e8me \u00e9tant rest\u00e9 inachev\u00e9. Sa composition, entam\u00e9e en 1887, s’\u00e9tale sur au moins quatre ans. Je ne connais pas de meilleure version de cette symphonie –pr\u00e9sente en grande quantit\u00e9 dans ma discoth\u00e8que : une vingtaine de versions…<\/em>– que celle \u00e9cout\u00e9e ce jour, d’une puissance \u00e9lectrisante et d’une beaut\u00e9 sonore confondante –la pl\u00e9nitude des cuivres est miraculeuse<\/em>-.
\n\u2022 Anton\u00edn Dvo\u0159\u00e1k<\/strong> – Symphonie n\u00b09 \u00ab\u00a0Du Nouveau Monde\u00a0\u00bb – OP Berlin, Ferenc Fricsay – 1960 *****<\/strong><\/span>
\nCette neuvi\u00e8me symphonie, \u00e9crite en 1893 apr\u00e8s un s\u00e9jour du compositeur tch\u00e8que aux \u00c9tats-Unis, est hyper-populaire –sans doute autant que celle de Beethoven<\/em>– et d’un acc\u00e8s tr\u00e8s facile. Le second enregistrement de cette oeuvre par de Ferenc Fricsay, peu de temps avant sa disparition, est justement c\u00e9l\u00e8bre depuis sa premi\u00e8re parution, le second mouvement est particuli\u00e8rement \u00e9mouvant dans cette version.
\n\u2022 Gustav Mahler<\/strong> – Symphonie n\u00b09 – OS Chicago – Carlo Maria Giulini – 1976 ****<\/strong><\/span>
\nAchev\u00e9e en 1910, c’est la derni\u00e8re symphonie de Mahler, qu’il n’entendit jamais de son vivant, puisqu’elle fut cr\u00e9\u00e9e en 1912 seulement, un an apr\u00e8s le d\u00e9c\u00e8s du compositeur. Oeuvre d’une grande intensit\u00e9 \u00e9motionnelle, elle s’ach\u00e8ve sereinement par un mouvement lent, comme celle de Bruckner. La version de ce jour est consid\u00e9r\u00e9e par certains musicographes comme une r\u00e9f\u00e9rence, mais j’en pr\u00e9f\u00e8re plusieurs autres personnellement.<\/p>\n","protected":false},"excerpt":{"rendered":"

Quand on dit \u00ab La Neuvi\u00e8me \u00bb, on pense spontan\u00e9ment \u00e0 la neuvi\u00e8me symphonie de Beethoven, qualifi\u00e9e de \u00ab symphonie des symphonies \u00bb par les contemporains du compositeur, \u00ab d\u2019appel terrifiant au viol \u00bb par certaines f\u00e9ministes –si si, c\u2019est v\u00e9ridique\u2026-, de \u00ab\u00a0symbole de l\u2019oppression culturelle occidentale\u00a0\u00bb par des partisans de la \u00ab\u00a0gauche \u00e9veill\u00e9e\u00a0\u00bb –encore […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,70,86,33,75,125,63],"class_list":["post-14390","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-bruckner","tag-discotheque","tag-dvorak","tag-mahler","tag-schubert","tag-symphonie"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=14390"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14390\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=14390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=14390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=14390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}