{"id":14436,"date":"2025-03-31T12:11:52","date_gmt":"2025-03-31T10:11:52","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=14436"},"modified":"2025-04-17T11:01:21","modified_gmt":"2025-04-17T09:01:21","slug":"playlist-apres-leur-derniere-leur-premiere","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-apres-leur-derniere-leur-premiere\/","title":{"rendered":"Playlist \u00ab\u00a0Apr\u00e8s leur derni\u00e8re, leur premi\u00e8re\u2026\u00a0\u00bb"},"content":{"rendered":"

Apr\u00e8s avoir \u00e9cout\u00e9 plusieurs neuvi\u00e8mes et derni\u00e8res symphonies de leurs compositeurs respectifs, voici que ma playlist se compose de leur premi\u00e8re symphonie, compos\u00e9e parfois de nombreuses ann\u00e9es auparavant, ce qui permet de mesurer toute l\u2019\u00e9tendue de leur parcours cr\u00e9atif ! C\u2019est particuli\u00e8rement vrai pour ce qui concerne Beethoven –il y a un gouffre entre sa premi\u00e8re et sa neuvi\u00e8me symphonie !<\/em>– et Tcah\u00efkovsky –dont les trois premi\u00e8res symphonies sont de peu de poids par apport aux trois derni\u00e8res<\/em>-. C\u2019est moins vrai pour Brahms, venu tard \u00e0 la symphonie, et dont la premi\u00e8re est d\u00e9j\u00e0 une oeuvre de maturit\u00e9. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Ludwig Van Beethoven<\/strong> – OP Berlin, Karajan, 1985 ****<\/strong><\/span>
\nLa quatri\u00e8me et derni\u00e8re int\u00e9grale des symphonies de Beethoven par le chef autrichien a g\u00e9n\u00e9ralement moins bonne presse que les pr\u00e9c\u00e9dentes, notamment du fait d\u2019un mastering assez peu engageant lors de sa premi\u00e8re parution en CD. Depuis, son appr\u00e9ciation a \u00e9t\u00e9 r\u00e9\u00e9valu\u00e9e, de nouveaux remastering \u00e9tant nettement meilleurs que le premier : elle est en fait assez proche de sa troisi\u00e8me int\u00e9grale –m\u00eame si<\/em> Karajan effectue la reprise du 1er mouvement en 1985 mais pas en 1976<\/em>-.<\/p>\n

\u2022 Johannes Brahms <\/strong>– OS Chicago, Wand, 1990 ****<\/strong><\/span>
\nLa premi\u00e8re symphonie reste celle que je pr\u00e9f\u00e8re des quatre symphonies de Brahms, et cette interpr\u00e9tation de G\u00fcnter Wand, enregistr\u00e9e en concert lors d\u2019une tourn\u00e9e du chef aux \u00c9tats-Unis avec l\u2019excellent orchestre symphonique de Chicago –l\u2019un des \u00ab Big Five \u00bb<\/em>– s\u2019inscrit parmi les multiples tr\u00e8s bonnes versions de ma discoth\u00e8que.<\/p>\n

\u2022 Piotr Tcha\u00efkovsky<\/strong> –\u00a0Russian National Orchestra, Pletnev, 1996. ***<\/strong><\/span>
\n\"\"J\u2019\u00e9coute rarement cette symphonie, plus proche des ballets du compositeur que de ses trois derni\u00e8res symphonies, mais la version de Mikhail Pletnev, avec l\u2019orchestre national russe qu\u2019il a cr\u00e9\u00e9 en 1990, issue de sa premi\u00e8re int\u00e9grale des symphonies de Tcha\u00efkosky parue en 1996 –il en a r\u00e9alis\u00e9 une seconde entre 2010 et 2014<\/em>-, est de tr\u00e8s bonne facture, rendant compte de la vari\u00e9t\u00e9 des climats de l\u2019oeuvre, et b\u00e9n\u00e9ficie d\u2019une excellente prise de son, r\u00e9alis\u00e9e dans la grande salle du conservatoire de Moscou. Les trois \u00e9toiles sont plus justifi\u00e9es par l’int\u00e9r\u00eat assez mitig\u00e9 que je porte \u00e0 l’oeuvre, interpr\u00e9t\u00e9e de fort belle mani\u00e8re au demeurant.<\/p>\n

\u2022 Witold Lutos\u0142awski<\/strong> – \u00a0OS BBC, Gardner, 2010 *****<\/strong><\/span>
\n\"\"Witold Lutos\u0142awski est un compositeur polonais n\u00e9 en 1913 \u00e0 Varsovie, o\u00f9 il est d\u00e9c\u00e9d\u00e9 en 1994. Cette symphonie, bien qu’elle ait \u00e9t\u00e9 compos\u00e9e entre 1741 et 1947 durant l’occupation allemande puis sovi\u00e9tique de Varsovie, est d\u00e9crite par son compositeur comme \u00ab\u00a0une oeuvre joyeuse\u00a0\u00bb. Elle est compos\u00e9e de quatre mouvements : les deux mouvements extr\u00eames, relativement brefs et fr\u00e9n\u00e9tiques –cf. extrait sonore<\/em>-, encadrent un long deuxi\u00e8me mouvement plus introspetif et presque m\u00e9lancolique et un troisi\u00e8me mouvement curieusement \u00e9nigmatique. Cette symphonie reste d’un acc\u00e8s relativement ais\u00e9 et la version de ce jour b\u00e9n\u00e9fice de conditions techniques proches de l’id\u00e9al.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/03\/Extrait31032025.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s avoir \u00e9cout\u00e9 plusieurs neuvi\u00e8mes et derni\u00e8res symphonies de leurs compositeurs respectifs, voici que ma playlist se compose de leur premi\u00e8re symphonie, compos\u00e9e parfois de nombreuses ann\u00e9es auparavant, ce qui permet de mesurer toute l\u2019\u00e9tendue de leur parcours cr\u00e9atif ! C\u2019est particuli\u00e8rement vrai pour ce qui concerne Beethoven –il y a un gouffre entre sa […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,114,86,56,63,115],"class_list":["post-14436","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-brahms","tag-discotheque","tag-karajan","tag-symphonie","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=14436"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14436\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=14436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=14436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=14436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}