{"id":14514,"date":"2025-04-17T10:37:25","date_gmt":"2025-04-17T08:37:25","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=14514"},"modified":"2025-04-17T10:56:33","modified_gmt":"2025-04-17T08:56:33","slug":"playlist-titan-du-piano","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-titan-du-piano\/","title":{"rendered":"Playlist \u00ab\u00a0Titan du piano\u00a0\u00bb"},"content":{"rendered":"

Surnomm\u00e9 de son vivant de \u00ab Titan du piano \u00bb \u00e0 cause de la puissance ph\u00e9nom\u00e9nale de son jeu, Emil Gilels \u00e9tait consid\u00e9r\u00e9 par la critique internationale comme \u00abun g\u00e9ant parmi les g\u00e9ants du piano. En termes de virtuosit\u00e9, il \u00e9tait sans rival, mais sa puissance l\u00e9onine \u00e9tait temp\u00e9r\u00e9e par une d\u00e9licatesse et une po\u00e9sie que peu ont \u00e9gal\u00e9es et que personne n’a d\u00e9pass\u00e9es<\/span><\/strong><\/span>\u00bb.
\nLa playlist de ce jour, consacr\u00e9e \u00e0 quatre concertos pour piano des plus populaires, en apporte un excellent t\u00e9moignage –j’ai volontairement omis d’y ajouter l’un ou l’autre concerto pour piano de Beethoven, qu’il interpr\u00e9ta plus qu’aucun autre pianiste du 20\u00e8me si\u00e8cle<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

–Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\u2022 Brahms<\/strong> – Concerto pour piano n\u00b01&2<\/strong> – Orch. Philh. de Berlin, Eugen Jochum – 1972 *****<\/strong><\/span>
\nDepuis leur premi\u00e8re parution en 1972, ces deux disques n’ont jamais quitt\u00e9 le catalogue de l’\u00e9diteur, sous une forme ou une autre –LP, cassette, CD, Blu-Ray audio…<\/em>– et sont encore r\u00e9guli\u00e8rement cit\u00e9s comme r\u00e9f\u00e9rence incontournable, opinion partag\u00e9e par les critiques du monde entier. Eugen Jochum, excellent \u00e0 la t\u00eate de la philharmonie de Berlin, les tenait \u00e9galement pour ses plus grands enregistrements, avant m\u00eame ses Bruckner de fameuse r\u00e9putation. Emil Gilels avait d\u00e9j\u00e0 enregistr\u00e9 avec grand succ\u00e8s le second concerto pur piano avec Fritz Reiner pour RCA en 1958, dans une optique tr\u00e8s diff\u00e9rente : plus rapide, plus puissante et plus virtuose. Deux r\u00e9f\u00e9rences tr\u00e8s compl\u00e9mentaires !<\/p>\n

\u2022 Tcha\u00efkovsky<\/strong> – Concerto pour piano n\u00b01<\/strong> – Orch. Symph. de Chicago, Fritz Reiner – 1955 *****<\/strong><\/span>
\nIl existe au moins une quinzaine d’enregistrements de ce concerto du pianiste, dont au moins quatre officiels –celui-ci est le premier r\u00e9alis\u00e9 en studio<\/em>-. Premier pianiste du bloc sovi\u00e9tique \u00e0 \u00eatre autoris\u00e9, durant la guerre froide, \u00e0 se produire aux USA et en Europe de l’Ouest –sous tr\u00e8s haute surveillance : un agent du KGB \u00e9tait coll\u00e9 \u00e0 ses basques en permanence<\/em>-, il connut un triomphe ph\u00e9nom\u00e9nal et les plus grands chefs se l’arrach\u00e8rent pour enregistrer avec lui. Cette version de ce cheval de bataille de tout pianiste concertiste reste, 70 ans apr\u00e8s, l’une des grandes interpr\u00e9tations de l’oeuvre : puissante, pr\u00e9cise, rigoureuse et b\u00e9n\u00e9ficiant de conditions techniques tr\u00e8s soign\u00e9es.<\/p>\n

\u2022 Rachmaninov<\/strong> – Concerto pour piano n\u00b03<\/strong> – Orch. Soc. du Conservatoire de Paris – Andr\u00e9 Cluytens – 1955 *****<\/strong><\/span>
\nLa m\u00eame remarque que pour le concerto de Tcha\u00efkovsky s’impose –dans cette oeuvre \u00e9galement, des enregistrements de concert avec Kondrashin ou Ormandy notamment, constituent des t\u00e9moignages exceptionnels, mais dans des conditions sonores assez pr\u00e9caires<\/em>-, bien que l’orchestre et la prise de son soient de qualit\u00e9 quelque peu moindre qu’\u00e0 Chicago : on n’a jamais fait mieux dans ce concerto !<\/p>\n","protected":false},"excerpt":{"rendered":"

Surnomm\u00e9 de son vivant de \u00ab Titan du piano \u00bb \u00e0 cause de la puissance ph\u00e9nom\u00e9nale de son jeu, Emil Gilels \u00e9tait consid\u00e9r\u00e9 par la critique internationale comme \u00abun g\u00e9ant parmi les g\u00e9ants du piano. En termes de virtuosit\u00e9, il \u00e9tait sans rival, mais sa puissance l\u00e9onine \u00e9tait temp\u00e9r\u00e9e par une d\u00e9licatesse et une po\u00e9sie […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[114,50,103,77,306,115],"class_list":["post-14514","post","type-post","status-publish","format-standard","hentry","category-musique","tag-brahms","tag-concerto","tag-gilels","tag-piano","tag-rachmaninov","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=14514"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14514\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=14514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=14514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=14514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}