{"id":14931,"date":"2025-05-29T09:28:57","date_gmt":"2025-05-29T07:28:57","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=14931"},"modified":"2025-05-29T09:28:57","modified_gmt":"2025-05-29T07:28:57","slug":"playlist-cinetique-et-contrepoint","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-cinetique-et-contrepoint\/","title":{"rendered":"Playlist \u00abCin\u00e9tique et contrepoint\u00bb"},"content":{"rendered":"

Belle –et exigeante<\/em>– playlist compos\u00e9e d\u2019oeuvres pour piano finalement pas si fr\u00e9quentes que cela, aujourd\u2019hui ! Et deux compositeurs contemporains l\u2019un de l\u2019autre en trois albums, dont l\u2019un a le bon go\u00fbt de proposer les deux ! Si le piano de Paul Hindemith<\/strong> est assez marqu\u00e9 pr l\u2019utilisation d\u2019un contrepoint savant –ses Ludus Tonalis sont \u00e9difiants \u00e0 cet \u00e9gard<\/em>-, le piano de Serge Prokofiev<\/strong> met souvent en avant une motorique implacable. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

On retrouve donc dans cette playlist :<\/p>\n

\u2022 Hindemith – Les sonates pour piano<\/strong> – Glenn Gould – 1966\/1973 ****<\/strong><\/span><\/p>\n

Glenn Gould adorait les pi\u00e8ces contrapuntiques et ces sonates parfois assez arides et rarement enregistr\u00e9es lui offrent l\u2019occasion de s\u2019en donner \u00e0 coeur joie ! Ces trois sonates ont \u00e9t\u00e9 compos\u00e9es en 1936, \u00e0 un moment o\u00f9 Hindemith, d\u00e9sign\u00e9 par es nazis comme \u00ab\u00a0artiste d\u00e9g\u00e9n\u00e9r\u00e9\u00a0\u00bb, commen\u00e7ait \u00e0 songer \u00e0 l’exil.<\/p>\n

\u2022 Hindemith – Ludus Tonalis<\/strong> ; Prokofiev – Visions fugitives, int\u00e9grale<\/strong> – Olli Mustonen – 1996 *****<\/strong><\/span><\/p>\n

Un tr\u00e8s grand disque de piano, fort bien enregistr\u00e9. Les Ludus Tonalis –\u00c9tudes, ou exercices contrapuntiques, tonaux et techniques pour le piano : c’est ainsi que ces 25 pi\u00e8ces sont d\u00e9finies par leur compositeur<\/em>– sont formidablement ma\u00eetris\u00e9s. L’oeuvre, \u00e9crite en 1942, est compos\u00e9e d’un pr\u00e9lude et de 12 fugues entre lesquelles s’intercalent 12 interludes et les Visions Fugitives sont des miniatures remarquables, m\u00eame si les propositions d\u2019Emil Gilels dans ce r\u00e9pertoire sont \u00e0 mes oreilles encore plus merveilleuses.<\/p>\n

\u2022 Prokofiev – Sonate pour piano n\u00b08<\/strong> – Visions fugitives, extraits<\/strong> – Emil Gilels – 1974 *****<\/strong><\/span><\/p>\n

Emil Gilels fut le cr\u00e9ateur de cette sonate virtuose et exigeante en 1944. Par ailleurs, tout au long de sa carri\u00e8re, il joua tr\u00e8s souvent de mani\u00e8re admirable des extraits des Visions Fugitives en bis lors de ses concerts. Ces courtes pi\u00e8ces sans titre ont \u00e9t\u00e9 inspir\u00e9es par les po\u00e9sies de Constantin Balmont.<\/p>\n","protected":false},"excerpt":{"rendered":"

Belle –et exigeante– playlist compos\u00e9e d\u2019oeuvres pour piano finalement pas si fr\u00e9quentes que cela, aujourd\u2019hui ! Et deux compositeurs contemporains l\u2019un de l\u2019autre en trois albums, dont l\u2019un a le bon go\u00fbt de proposer les deux ! Si le piano de Paul Hindemith est assez marqu\u00e9 pr l\u2019utilisation d\u2019un contrepoint savant –ses Ludus Tonalis sont […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[103,104,77,172,87],"class_list":["post-14931","post","type-post","status-publish","format-standard","hentry","category-musique","tag-gilels","tag-hindemith","tag-piano","tag-prokofiev","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=14931"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/14931\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=14931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=14931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=14931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}