{"id":15187,"date":"2025-06-30T09:50:10","date_gmt":"2025-06-30T07:50:10","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15187"},"modified":"2025-06-30T09:50:10","modified_gmt":"2025-06-30T07:50:10","slug":"playlist-a-la-decouverte-de-quelques-raretes-de-claude-debussy","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-a-la-decouverte-de-quelques-raretes-de-claude-debussy\/","title":{"rendered":"Playlist \u00ab\u00a0\u00c0 la d\u00e9couverte de quelques raret\u00e9s de Claude Debussy\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>Il fait si chaud –36\u00b0 pr\u00e9vus aujourd’hui<\/em>– \u00a0que, hors de courtes promenades tr\u00e8s matinales ou tr\u00e8s cr\u00e9pusculaires, il est plus agr\u00e9able de rester clo\u00eetr\u00e9 \u00e0 la maison\u00a0–o\u00f9 je r\u00e9ussis \u00e0 maintenir une temp\u00e9rature raisonnable de 26 \u00e0 27\u00b0, l’appartement \u00e9tant traversant et permettant une bonne circulation de l’air<\/em>– et d\u2019en profiter pour explorer quelques trouvailles au sein de ma discoth\u00e8que, que je n\u2019avais pas encore \u00e9cout\u00e9es, et qui constituent de vraies raret\u00e9s, voire une authentique d\u00e9couverte.
\nC\u2019est le cas avec trois oeuvres de Claude Debussy<\/strong>, extraites du coffret de l\u2019int\u00e9gralit\u00e9 de ses oeuvres, que je vous pr\u00e9sentais rapidement ici<\/strong><\/span><\/a>, il y a presque un an. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a>
\n\"\"<\/a>On trouvera donc dans cette playlist :<\/span><\/p>\n

\u2022 Premi\u00e8re suite pour orchestre<\/strong> – Orch. Les Si\u00e8cles, Fran\u00e7ois-Xavier Roth – 2013 ***<\/strong><\/span><\/p>\n

\"\"<\/a>La premi\u00e8re suite pour orchestre est une oeuvre de jeunesse de Debussy, compos\u00e9e vraisemblablement entre 1882 et 1884, au moment o\u00f9 il commen\u00e7ait \u00e0 exercer \u00e0 \u00e9crire des pi\u00e8ces orchestrales dans le cadre de ses \u00e9tudes en classe de composition au conservatoire de Paris. Lorsqu\u2019il soumit au jury de fin d\u2019\u00e9tude le deuxi\u00e8me mouvement de cette suite, ledit jury constata que le musicien \u00ab \u00e9crivait mal la musique mais avait cependant fait des progr\u00e8s \u00bb. Nonobstant ces consid\u00e9rations peu engageantes, il s\u2019agit d\u2019une musique toujours tr\u00e8s agr\u00e9able \u00e0 d\u00e9faut d\u2019\u00eatre tr\u00e8s originale, mais qui n\u2019annonce pas r\u00e9ellement les futures r\u00e9ussites orchestrales du compositeur que sont le \u00ab Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune \u00bb ou \u00ab La mer \u00bb. L\u2019enregistrement, de tr\u00e8s belle qualit\u00e9 technique, est une \u00ab premi\u00e8re mondiale \u00bb. Le disque original comporte \u00e9galement une version assez r\u00e9ussie de \u00ab La mer \u00bb, \u00e0 laquelle je pr\u00e9f\u00e8re n\u00e9anmoins plusieurs autres propositions.<\/p>\n

\u2022 Fantaisie pour piano et orchestre, version \u00ab d\u00e9finitive \u00bb de 1910<\/strong> – Fran\u00e7ois-Ren\u00e9 Duch\u00e2ble, piano ;
\nOrch. Du Capitole de Toulouse, Michel Plasson – 1995 ***<\/strong><\/span><\/p>\n

Debussy, peu satisfait de son oeuvre, la d\u00e9savoua et n\u2019autorisa jamais de son vivant qu’on l\u2019interpr\u00e8te ; ainsi, elle ne fut cr\u00e9\u00e9e qu\u2019en 1919, un an apr\u00e8s son d\u00e9c\u00e8s. Il retravailla sa partition, dont la premi\u00e8re version remonte \u00e0 1889, au moins jusqu\u2019en 1910. La version de Fran\u00e7ois-Ren\u00e9 Duch\u00e2ble, remarquable pianiste tr\u00e8s virtuose qu\u2019il est malheureusement de bon ton de d\u00e9nigrer en France est de tr\u00e8s belle tenue, m\u00eame si la prise de son semble est tout juste convenable eu \u00e9gard \u00e0 sa date.<\/p>\n

\u2022 Marche \u00e9cossaise sur un th\u00e8me populaire<\/strong> – Orch. National de l\u2019ORTF, Jean Martinon – 1973 ***<\/strong><\/span><\/p>\n

Le titre exact de cette courte oeuvre pour orchestre, publi\u00e9e en 1891, est \u00ab\u00a0Marche \u00e9cossaise sur un th\u00e8me populaire, ou Marche des anciens Comtes de Ross, d\u00e9di\u00e9e \u00e0 leur descendant le G\u00e9n\u00e9ral Meredith Reid, grand-croix de l’ordre royal du R\u00e9dempteur\u00a0\u00bb. Excusez du peu ! Et, je vous assure : la chaleur ne m’est pas mont\u00e9e \u00e0 la t\u00eate !
\nOutre cette version pour orchestre, Debussy avait \u00e0 l’origine compos\u00e9 cette oeuvre pour piano \u00e0 quatre mains. Il en existe \u00e9galement une transposition pour piano \u00e0 deux mains de la version pour orchestre ! Comprenne qui pourra ! Au demeurant, l’oeuvre est tr\u00e8s agr\u00e9able et cette version est tr\u00e8s bien !<\/p>\n","protected":false},"excerpt":{"rendered":"

Il fait si chaud –36\u00b0 pr\u00e9vus aujourd’hui– \u00a0que, hors de courtes promenades tr\u00e8s matinales ou tr\u00e8s cr\u00e9pusculaires, il est plus agr\u00e9able de rester clo\u00eetr\u00e9 \u00e0 la maison\u00a0–o\u00f9 je r\u00e9ussis \u00e0 maintenir une temp\u00e9rature raisonnable de 26 \u00e0 27\u00b0, l’appartement \u00e9tant traversant et permettant une bonne circulation de l’air– et d\u2019en profiter pour explorer quelques trouvailles […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[109,86,309,77],"class_list":["post-15187","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-debussy","tag-discotheque","tag-orchestre","tag-piano"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15187"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15187\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}