{"id":15224,"date":"2025-07-07T08:53:47","date_gmt":"2025-07-07T06:53:47","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15224"},"modified":"2025-07-07T08:53:59","modified_gmt":"2025-07-07T06:53:59","slug":"playlist-a-lamericaine-2-cleveland-szell-fleisher","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-a-lamericaine-2-cleveland-szell-fleisher\/","title":{"rendered":"Playlist \u00ab\u00a0A l\u2019Am\u00e9ricaine\u00a0\u00bb – 2. Cleveland – Szell & Fleisher"},"content":{"rendered":"

\"\"<\/a>Continuant sur la lanc\u00e9e de ma tourn\u00e9e des orchestres et artistes am\u00e9ricains, je suis arriv\u00e9 pour cette playlist \u00e0 Cleveland, o\u00f9, sous la direction du chef hongrois naturalis\u00e9 am\u00e9ricain George Szell, l\u2019orchestre fit rapidement son entr\u00e9e dans le cercle tr\u00e8s restreint des \u00ab Big Five \u00bb –les cinq meilleurs orchestres du pays : Boston, Chicago, Cleveland, New York et Philadelphie<\/em>-. Comme son coll\u00e8gue Fritz Reiner, George Szell, inscrit dans la tradition des \u00ab\u00a0chefs objectifs\u00a0\u00bb, \u00e9tait r\u00e9put\u00e9 pour son exigence et son intransigeance. Un tyran de la baguette, donc, m\u00eame s’il semble qu’il ait \u00e9t\u00e9 d’un caract\u00e8re un peu moins \u00e9pouvantable que Fritz Reiner.<\/p>\n

\"\"<\/a>Entre 1958 et 1963, il entama une collaboration fructueuse avec le jeune pianiste Leon Fleisher –\u00e9l\u00e8ve d’Artur Schnabel et vainqueur, comme Emil Gilels, du prestigieux concours de la Reine \u00c9lisabeth en 1952<\/em>-, qui donna lieu \u00e0 quelques enregistrements de concertos pour piano qui demeurent, aujourd\u2019hui encore, des monuments discographiques, et constituent ce que chacun de ces deux artistes a fait de mieux dans ces oeuvres : Leon Fleisher est un pianiste bien plus assur\u00e9 que Clifford Curzon pour accompagner Szell dans le premier concerto de Brahms et George Szell est beaucoup moins raide avec son jeune coll\u00e8gue qu\u2019il ne le sera, \u00e0 la fin de sa vie, avec Emil Gilels.<\/p>\n

Les pressages CBS de l\u2019\u00e9poque, relativement m\u00e9diocres, surtout pour les LP parus en s\u00e9ries \u00e9conomiques, n\u2019ont jamais rendu justice \u00e0 la qualit\u00e9 technique tr\u00e8s honorable de ces enregistrements ; leur r\u00e9\u00e9dition en CD a permis de les red\u00e9couvrir dans de bien meilleures conditions. Curieusement, il me semble qu’aucun coffret \u00e0 petit prix –les jolies r\u00e9\u00e9ditions Sony-CBS<\/em>– n\u2019a jamais r\u00e9uni l\u2019ensemble des concertos enregistr\u00e9s par ces artistes, et qui doit repr\u00e9senter en tout et pour tout 7 CD. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a>
\nC\u2019est la maladie de Leon Fleisher, atteint tr\u00e8s t\u00f4t d’une paralysie de la main droite, qui mit malheureusement un terme \u00e0 cette collaboration : le pianiste dut alors se r\u00e9soudre \u00e0 l’enseignement et, partiellement r\u00e9tabli, ne fit son come-back qu’au d\u00e9tour des ann\u00e9es 2000, mais sa carri\u00e8re \u00e9tait d\u00e9j\u00e0 derri\u00e8re lui.<\/p>\n","protected":false},"excerpt":{"rendered":"

Continuant sur la lanc\u00e9e de ma tourn\u00e9e des orchestres et artistes am\u00e9ricains, je suis arriv\u00e9 pour cette playlist \u00e0 Cleveland, o\u00f9, sous la direction du chef hongrois naturalis\u00e9 am\u00e9ricain George Szell, l\u2019orchestre fit rapidement son entr\u00e9e dans le cercle tr\u00e8s restreint des \u00ab Big Five \u00bb –les cinq meilleurs orchestres du pays : Boston, Chicago, […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,114,97,251,77],"class_list":["post-15224","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-brahms","tag-chef-dorchestre","tag-concertos","tag-piano"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15224"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15224\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}