{"id":15453,"date":"2025-08-07T07:50:24","date_gmt":"2025-08-07T05:50:24","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15453"},"modified":"2025-08-07T07:50:24","modified_gmt":"2025-08-07T05:50:24","slug":"playlist-baignade-estivale-nocturne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-baignade-estivale-nocturne\/","title":{"rendered":"Playlist \u00ab\u00a0Baignade estivale nocturne\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>… Mes nuits sans dormir, histoire sans fin…<\/em> \u00a0\u00ab Voir le jour se lever est plus utile que d\u2019entendre la Symphonie Pastorale \u00bb avait \u00e9crit Claude Debussy, dans un jugement lapidaire \u00e0 propos de la sixi\u00e8me symphonie de Beethoven. Mais, apr\u00e8s avoir \u00e9crit \u00ab La mer \u00bb, il r\u00e9visa profond\u00e9ment son jugement, consid\u00e9rant qu\u2019elle constituait \u00ab l\u2019un des meilleurs mod\u00e8les de m\u00e9canique expressive : ce Beethoven, quel g\u00e9nie ! \u00bb.<\/p>\n

Faute de voir la mer cet \u00e9t\u00e9 –\u00e7a sera plut\u00f4t tout \u00e0 la fin de l’\u00e9t\u00e9 ou en automne cette ann\u00e9e<\/em>– la playlist de ce jour propose trois versions anciennes de \u00ab\u00a0La mer\u00a0\u00bb, ces trois esquisses symphoniques pour orchestre, achev\u00e9es en 1905, essentiellement descriptives –1.<\/strong> De l\u2019aube \u00e0 midi sur la mer ; 2.<\/strong> Jeux de vague ; 3.<\/strong> Dialogue du vent et de la mer<\/em>-, \u00e0 l\u2019instar de la symphonie pastorale\u2026<\/p>\n

L\u2019oeuvre, \u00e0 sa cr\u00e9ation, fut mal re\u00e7ue, le critique du journal Le Temps, Pierre Lalo, \u00e9crivant notamment : \u00ab\u00a0Je n\u2019entends pas, je ne vois pas, je ne sens pas la mer\u00a0\u00bb, et un autre critique parisien remarqua que en parlant des auditeurs pr\u00e9sents \u00ab\u00a0\u2026 Ils ont \u00e9t\u00e9 servis avec de l\u2019eau agit\u00e9e dans une soucoupe\u00a0\u00bb<\/strong><\/span>. Aux \u00c9tats-Unis, les premi\u00e8res r\u00e9actions ne furent pas plus favorables : \u00ab\u00a0\u2026 l\u2019oc\u00e9an du compositeur est un \u00e9tang \u00e0 grenouilles, dont certaines \u00e9taient entr\u00e9es dans la gorge des cuivres<\/strong><\/span>\u00a0\u00bb. Mais, par la suite, l’oeuvre rencontra un beau succ\u00e8s, tant au concert qu’au disque –c’est assur\u00e9ment l’oeuvre la plus enregistr\u00e9e du compositeur<\/em>-.<\/p>\n

J’ai mis longtemps \u00e0 accrocher \u00e0 ce compositeur et \u00e0 cette oeuvre, que j’appr\u00e9cie \u00e9norm\u00e9ment d\u00e9sormais et qui est tr\u00e8s bien repr\u00e9sent\u00e9e dans ma discoth\u00e8que. Les trois albums de cette playlist nocturne constituent chacun d\u2019excellentes propositions \u00e0 plus d\u2019un titre, et les compl\u00e9ments sont tous de belle qualit\u00e9 \u00e9galement. Eu \u00e9gard \u00e0 leur \u00e9poque respective, les prises de son s\u2019av\u00e8rent tr\u00e8s bonnes, ce qui est essentiel dan cette oeuvre. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Arturo Toscanini<\/strong> – BBC Symphony Orchestra – 1935 *****<\/strong><\/span><\/p>\n

A mes oreilles, la meilleure version du chef italien, et notamment parce qu’il dispose d’un orchestre qui semble beaucoup plus souple que son orchestre de la NBC \u00e0 New York, et b\u00e9n\u00e9ficie d’une prise de son moins mate que celles r\u00e9alis\u00e9es pour lui par RCA.<\/p>\n

\u2022 Herbert Von Karajan<\/strong> – Philharmonia Orchestra – 1954 *****<\/strong><\/span><\/p>\n

La premi\u00e8re version du chef autrichien, qui enregistra l’oeuvre au moins quatre fois, \u00e0 Londres, Berlin ou Paris, et toujours avec succ\u00e8s. Le chef propose d\u00e9j\u00e0 une version superbement h\u00e9doniste de l’oeuvre et \u00e0 cette date, le Philharmonia Orchestra \u00e9tait sans doute l’un des deux ou trois meilleurs orchestres d’Europe.<\/p>\n

\u2022 Paul Paray<\/strong> – Detroit Symphony Orchestra – 1955 *****<\/span><\/strong><\/p>\n

Tr\u00e8s belle version transparente et d\u00e9taill\u00e9e, claire et rapide, totalement d\u00e9graiss\u00e9e, malgr\u00e9 un orchestre aux qualit\u00e9s un peu inf\u00e9rieures aux deux pr\u00e9c\u00e9dents -les timbres ne peuvent rivaliser avec ceux du Philharmonia, par exemple- : une superbe antith\u00e8se \u00e0 la version de Karajan !<\/p>\n","protected":false},"excerpt":{"rendered":"

… Mes nuits sans dormir, histoire sans fin… \u00a0\u00ab Voir le jour se lever est plus utile que d\u2019entendre la Symphonie Pastorale \u00bb avait \u00e9crit Claude Debussy, dans un jugement lapidaire \u00e0 propos de la sixi\u00e8me symphonie de Beethoven. Mais, apr\u00e8s avoir \u00e9crit \u00ab La mer \u00bb, il r\u00e9visa profond\u00e9ment son jugement, consid\u00e9rant qu\u2019elle constituait […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,109,86],"class_list":["post-15453","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-debussy","tag-discotheque"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15453"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15453\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}