{"id":15505,"date":"2025-08-11T10:16:12","date_gmt":"2025-08-11T08:16:12","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15505"},"modified":"2025-08-11T10:16:12","modified_gmt":"2025-08-11T08:16:12","slug":"playlist-paires-mal-aimees-et-old-school","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-paires-mal-aimees-et-old-school\/","title":{"rendered":"Playlist \u00ab\u00a0Paires, mal-aim\u00e9es et old school\u00a0\u00bb"},"content":{"rendered":"

La playlist de ce jour est consacr\u00e9e \u00e0 trois symphonies paires de Beethoven, g\u00e9n\u00e9ralement mal-aim\u00e9es et livr\u00e9es dans des versions \u00ab\u00a0old-school\u00a0\u00bb \u00e0 l’heure de tant de versions HIP, mais qui, pour le coup, me plaisent beaucoup –oui, je sais, j\u2019ai des go\u00fbts parfois bizarres<\/em>– : les symphonies 2, 4 et 8<\/strong>. La symphonie 6 \u00ab Pastorale \u00bb a beau \u00eatre paire, elle n\u2019en est pas moins, quant \u00e0 elle, tr\u00e8s populaire et \u00e9chappe totalement \u00e0 l’appr\u00e9ciation de \u00ab\u00a0mal-aim\u00e9e ! –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

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\u2022 Symphonie n\u00b02<\/strong> – Orch. Gewandhaus Leipzig, Frantz Konwintschny – 1960 ****<\/span><\/p>\n

Vraisemblablement la plus mal-aim\u00e9e de toutes les symphonie de Beethoven, sa deuxi\u00e8me, que j\u2019ai longtemps n\u00e9glig\u00e9e, vaut pourtant tr\u00e8s largement le coup d\u2019\u00eatre r\u00e9\u00e9valu\u00e9e. Lors de sa cr\u00e9ation, un critique viennois du Zeitung f\u00fcr die elegante Welt <\/i>l’a d\u00e9crite comme \u00ab\u00a0un dragon bless\u00e9 et se tordant horriblement, qui refuse de mourir, mais se contorsionnant dans ses derni\u00e8res agonies dans le quatri\u00e8me mouvement, saigne \u00e0 mort\u00a0\u00bb<\/span><\/strong>. Les versions old school qui en proposent des lectures puissamment architectur\u00e9es –premier mouvement qui m\u00e9rite des interpr\u00e9tations \u00ab viriles \u00bb<\/em>– et chantantes –le magnifique mouvement lent, vraiment tr\u00e8s beau<\/em>– sont particuli\u00e8rement bien adapt\u00e9es \u00e0 l\u2019oeuvre, \u00e0 mes oreilles tout au moins, et lui apportent un caract\u00e8re tout-\u00e0-fait \u00ab beethov\u00e9nien \u00bb. C’est le cas avec cette version ancienne, issue d’une int\u00e9grale assez rare mais qui m\u00e9rit\u00e9 d’\u00eatre connue, import\u00e9e par Philips en Europe d’Allemagne de l’Est.<\/p>\n

\u2022 Symphonie n\u00b04<\/strong> – Philharmonia Orchestra, Otto Klemperer – 1957 ****<\/span><\/strong><\/p>\n

La quatri\u00e8me symphonie de Beethoven, \u00ab fr\u00eale jeune fille grecque coinc\u00e9e entre deux d\u00e9esses nordiques<\/strong><\/span> \u00bb, selon le mot c\u00e9l\u00e8bre de Schumann, est l\u2019une de mes pr\u00e9f\u00e9r\u00e9e de son corpus symphonique et, \u00e0 cette date et depuis longtemps, ma symphonie paire favorite. Cr\u00e9\u00e9e en 1806, c’est la plus \u00ab\u00a0apais\u00e9e\u00a0\u00bb des symphonies de Bethoven, admir\u00e9e notamment par Berlioz, Mendelssohn –qui en poss\u00e9da le manuscrit<\/em>– et Schumann. Pourtant, elle est rarement jou\u00e9e en concert et peu enregistr\u00e9e isol\u00e9ment –ie : en dehors des coffrets d’int\u00e9grales<\/em>-. L\u2019interpr\u00e9tation d\u2019Otto Klemperer, extraite de son int\u00e9grale et c\u00e9l\u00e9br\u00e9e en son temps, est fort belle, mais n\u2019efface pas de ma m\u00e9moire la fabuleuse version enregistr\u00e9e par Karajan en 1962 –la plus remarquable de ses quatre versions, tr\u00e8s diff\u00e9rente des trois autres, avec un mouvement lent solaire<\/em>-.<\/p>\n

\u2022 Symphonie n\u00b08<\/strong> – Philharmonia Orchestra, Kurt Sanderling – 1981 ****<\/strong><\/span><\/p>\n

C\u2019est, pour ce qui me concerne, la mal-aim\u00e9es des symphonies de Beethoven et celle que j\u2019\u00e9coute le moins souvent. Cr\u00e9\u00e9e en m\u00eame temps que la septi\u00e8me symphonie, Beethoven l’appelait sa \u00ab\u00a0petite symphonie\u00a0\u00bb. Elle ne comporte pas de mouvement lent. La version de Kurt Sanderling –qui fait partie de son excellente int\u00e9grale, que j’aime beaucoup, et historique \u00e0 sa mani\u00e8re puisque la premi\u00e8re enregistr\u00e9e en num\u00e9rique<\/em>– est tr\u00e8s bien, dans une optique assez proche, mais un peu plus fluide, de celle de Klemperer et avec le m\u00eame orchestre, mais, d\u00e9cid\u00e9ment, j\u2019accroche peu \u00e0 l\u2019oeuvre\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

La playlist de ce jour est consacr\u00e9e \u00e0 trois symphonies paires de Beethoven, g\u00e9n\u00e9ralement mal-aim\u00e9es et livr\u00e9es dans des versions \u00ab\u00a0old-school\u00a0\u00bb \u00e0 l’heure de tant de versions HIP, mais qui, pour le coup, me plaisent beaucoup –oui, je sais, j\u2019ai des go\u00fbts parfois bizarres– : les symphonies 2, 4 et 8. La symphonie 6 \u00ab […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,111],"class_list":["post-15505","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-symphonies"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15505"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15505\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}