{"id":15576,"date":"2025-08-23T09:36:59","date_gmt":"2025-08-23T07:36:59","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15576"},"modified":"2025-08-23T09:36:59","modified_gmt":"2025-08-23T07:36:59","slug":"playlist-beethoven-rare-et-tres-occasionnel","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-beethoven-rare-et-tres-occasionnel\/","title":{"rendered":"Playlist \u00ab\u00a0Beethoven rare et tr\u00e8s occasionnel\u00a0\u00bb"},"content":{"rendered":"

Aujourd\u2019hui, la playlist est compos\u00e9e d\u2019oeuvres de \u00ab\u00a0musique de sc\u00e8ne<\/strong><\/span><\/a>\u00a0\u00bb de Beethoven que je n\u2019\u00e9coute que tr\u00e8s –tr\u00e8s !<\/em>– occasionnellement, et qui ne font pas partie de ce que l\u2019on pourrait appeler \u00ab le r\u00e9pertoire courant \u00bb. Il s\u2019agit de pi\u00e8ces de circonstance, assez tardives dans sa production , et que Beethoven estimait suffisamment pour les compter parmi des oeuvres officielles. De nos jours, on ne joue quasiment plus jamais l\u2019ensemble de ces musiques de sc\u00e8ne, et seule l\u2019ouverture \u00ab Egmont \u00bb est r\u00e9ellement populaire, les deux autres ouvertures \u00e9tant tr\u00e8s rarement propos\u00e9es, au disque ou en concert. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Egmont,<\/strong> op.84 – Studer, Ganz, Orch. Phil. Berlin, Abbado. 1992 ***<\/strong><\/span><\/p>\n

G\u00e9n\u00e9ralement, Claudio Abbado n\u2019est pas un chef que j\u2019appr\u00e9cie particuli\u00e8rement, et encore moins dans Beethoven\u2026 Pour cette oeuvre propos\u00e9e dans son int\u00e9gralit\u00e9, sur un texte de Goethe, il s\u2019agit de l\u2019une des tr\u00e8s rares versions disponible en disque, et g\u00e9n\u00e9ralement la plus d-facilement accessible. L\u2019ouverture est \u00ab beethov\u00e9nienne \u00bb en diable !<\/p>\n

\u2022 K\u00f6nig Stephan,<\/strong> op.117 – Solistes, Ch. et Orch. Santa Cecilia, Myung Whun Chung. 1996 ***<\/strong><\/span>
\n\u2022 Les ruines d\u2019Ath\u00e8nes,<\/strong> op.113 – Solistes, RIAS Kammerchor, Orch. Philh. Berlin, Bernhard Klee. 1970 ***<\/span><\/strong><\/p>\n

Pour en savoir un peu plus sur ces deux oeuvres de circonstance –dans chaque cas sur un texte d’August von Kotzbue<\/em>-, vous pouvez vous rendre ici<\/strong><\/span><\/a> et l\u00e0<\/strong><\/span><\/a>. Les versions en langues allemande ou anglaise sont parfois un peu plus d\u00e9velopp\u00e9es et apportent un bon compl\u00e9ment d\u2019informations. Le disque consacr\u00e9 aux \u00ab Ruines d\u2019Atht\u00e8nes \u00bb avait \u00e9t\u00e9 enregistr\u00e9e \u00e0 l\u2019occasion du bicentenaire de la naissance de Beethoven. Depuis, l\u2019\u00e9diteur le ressort \u00e0 l\u2019occasion de chaque coffret comm\u00e9moratif\u2026 C\u2019est dire si l\u2019oeuvre est enregistr\u00e9e souvent int\u00e9gralement !<\/p>\n

Sans \u00eatre du tr\u00e8s grand Beethoven, toutes ces pi\u00e8ces de circonstance s’\u00e9coutent facilement et agr\u00e9ablement –les dialogues parl\u00e9s, pr\u00e9serv\u00e9s, sont suffisamment courts pour \u00eatre support\u00e9s<\/em>-, et on y retrouve au d\u00e9tour de l’une ou l’autre phrase le style si caract\u00e9ristique du compositeur. Franz Liszt a m\u00eame compos\u00e9 une \u00ab\u00a0fantaisie pour piano et orchestre sur les Ruines d’Ath\u00e8nes\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aujourd\u2019hui, la playlist est compos\u00e9e d\u2019oeuvres de \u00ab\u00a0musique de sc\u00e8ne\u00a0\u00bb de Beethoven que je n\u2019\u00e9coute que tr\u00e8s –tr\u00e8s !– occasionnellement, et qui ne font pas partie de ce que l\u2019on pourrait appeler \u00ab le r\u00e9pertoire courant \u00bb. Il s\u2019agit de pi\u00e8ces de circonstance, assez tardives dans sa production , et que Beethoven estimait suffisamment pour […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,309],"class_list":["post-15576","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-orchestre"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15576"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15576\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}