{"id":15645,"date":"2025-09-03T11:15:33","date_gmt":"2025-09-03T09:15:33","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15645"},"modified":"2025-09-03T11:15:53","modified_gmt":"2025-09-03T09:15:53","slug":"playlist-1982-rock-en-france","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-1982-rock-en-france\/","title":{"rendered":"Playlist \u00ab\u00a01982 : Rock en France\u00a0\u00bb"},"content":{"rendered":"

Je suis g\u00e9n\u00e9ralement remarquablement peu sensible au monde de la \u00ab chanson fran\u00e7aise \u00bb, fut-elle \u00ab de qualit\u00e9 \u00bb, et ma discoth\u00e8que est donc remarquablement pauvre en productions hexagonales. N\u00e9anmoins, 1982 fut une ann\u00e9e plut\u00f4t faste pour le rock en France, avec quelques albums de qualit\u00e9, dont les trois qui composent cette playlist –cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 The Dogs<\/strong> – Too Much Class For The Neighbourhood ****<\/strong><\/span><\/p>\n

Apparemment, The Dogs, groupe fran\u00e7ais comme son nom ne l\u2019indique pas –ils sont originaires de Rouen<\/em>– sont un peu oubli\u00e9s de nos jours, mais ils publi\u00e8rent coup sur coup deux tr\u00e8s bons disques de rock, chant\u00e9s en Anglais –avec un accent fran\u00e7ais prononc\u00e9 et rigolo<\/em>– : celui-ci en 1982, et \u00ab Legendary Lovers \u00bb en 1983, qui connurent leur petit succ\u00e8s commercial –avec environ 25 000 exemplaires vendus, rien \u00e0 voir cependant avec les chiffres de vente d’artistes plus connus !<\/em>-.<\/p>\n

\u2022 Alain Bashung<\/strong> – Play Blessures ****<\/strong><\/span><\/p>\n

Album dont Serge Gainsbourg a co-\u00e9crit certaines paroles, \u00ab Play Blessures \u00bb a atteint de nos jours un rang de \u00ab disque culte \u00bb que sa r\u00e9ception critique et son suc\u00e9s commercial initial, mitig\u00e9s, ne laissaient en rien pr\u00e9sager. Avec le recul c\u2019est en effet un tr\u00e8s bon disque, m\u00eame si \u00ab Osez Jos\u00e9phine \u00bb et \u00ab Bleu P\u00e9trole \u00bb sont, \u00e0 mes oreilles au moins, sup\u00e9rieurs. Quant \u00e0 la meilleure \u00ab collaborations \u00bb entre Gainsbourg et Bashung, elle est constitu\u00e9e par la reprise int\u00e9grale et doublement posthume de \u00ab L\u2019homme \u00e0 t\u00eate de chou \u00bb du premier par le second, en 2001.<\/p>\n

\u2022 Hubert-F\u00e9lix Thi\u00e9faine<\/strong> – Soleil cherche futur *****<\/strong><\/span><\/p>\n

L\u2019album de la confirmation pour cet artiste tr\u00e8s singulier, apr\u00e8s \u00ab Derni\u00e8res balises (avant mutation) \u00bb, album de la cons\u00e9cration sorti l\u2019ann\u00e9e pr\u00e9c\u00e9dente. Au sein d’une discographie de tr\u00e8s bon niveau, ces deux albums constituent l\u2019apog\u00e9e de la premi\u00e8re partie de la carri\u00e8re de Thi\u00e9faine. Il faudra attendre la fin des ann\u00e9es 90 pour qu\u2019un nouveau diptyque qui se situe sur les m\u00eames hauteurs : \u00ab La tentation du bonheur \u00bb, suivi de \u00ab Le bonheur de la tentation \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Je suis g\u00e9n\u00e9ralement remarquablement peu sensible au monde de la \u00ab chanson fran\u00e7aise \u00bb, fut-elle \u00ab de qualit\u00e9 \u00bb, et ma discoth\u00e8que est donc remarquablement pauvre en productions hexagonales. N\u00e9anmoins, 1982 fut une ann\u00e9e plut\u00f4t faste pour le rock en France, avec quelques albums de qualit\u00e9, dont les trois qui composent cette playlist –cliquer sur […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[249,37,169],"class_list":["post-15645","post","type-post","status-publish","format-standard","hentry","category-musique","tag-bashung","tag-pop-rock","tag-thiefaine"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15645"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15645\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}