{"id":15766,"date":"2025-09-22T10:19:57","date_gmt":"2025-09-22T08:19:57","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15766"},"modified":"2025-09-22T10:23:45","modified_gmt":"2025-09-22T08:23:45","slug":"playlist-on-refait-lhistoire-part-one","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-on-refait-lhistoire-part-one\/","title":{"rendered":"Playlist \u00ab\u00a0On refait l\u2019histoire : part one\u00a0\u00bb"},"content":{"rendered":"

A l\u2019occasion du 80\u00e8me anniversaire du chef d\u2019orchestre Herbert von Karajan, son \u00e9diteur avait r\u00e9\u00e9dit\u00e9 ses tout premiers enregistrements, enregistr\u00e9s entre 1938 et 1944 avec diff\u00e9rents orchestres \u00e0 travers l\u2019Europe : ils constituent les albums de la playlist de ce jour.
\nOn retrouve dans ces albums des oeuvres du \u00ab grand r\u00e9pertoire \u00bb qu\u2019il dirigea tout au long de sa vie et il est remarquable qu\u2019\u00e0 peine trentenaire, son style de direction commen\u00e7ait d\u00e9j\u00e0 \u00e0 \u00eatre bien forg\u00e9 et lui valait alors le surnom de \u00abWunder Karajan\u00bb –Miracle Karajan<\/em>-. On pouvait alors lire dans la presse, aupr\u00e8s des critiques de l\u2019\u00e9poque –1938<\/em>– : \u00ab Pour le dire franchement, nous sommes confront\u00e9s \u00e0 un prodige. Cet homme est le chef d’orchestre le plus sensationnel du si\u00e8cle. Personne de trente ans \u00e0 notre \u00e9poque n’a atteint un triomphe aussi objectif ou personnel \u00e0 un tel niveau\u00bb<\/strong><\/span>. –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

Cinquante ans plus tard, les m\u00eames remarques \u00e9logieuses saluaient la r\u00e9\u00e9dition de ces enregistrements oubli\u00e9s depuis longtemps, soulignant le tr\u00e8s solide m\u00e9tier d’un si jeune chef d’orchestre et la patte qu’il apposait sur les diff\u00e9rents orchestres, dont celui dont il \u00e9tait titulaire \u00e0 partir de 1939 en tant que Staatskapellemeister : la Staatskapelle de Berlin. Il lui faudrait encore attendre 15 ans pour occuper le poste tant convoit\u00e9 de chef de l’orchestre philharmonique de Berlin.<\/p>\n

\"\"<\/a>\u2022 Beethoven<\/strong> – Symphonie n\u00b07 – Staatskapelle Berlin – 1941
\n\u2022 Wagner<\/strong> – Les ma\u00eetres-chanteurs de Nurenberg, ouverture et pr\u00e9lude de l’acte 3 – Staatskapelle Berlin – 1939
\n\u2022 Beethoven<\/strong> – Ouverture Eleonore III – Concertgebouw Amsterdam – 1943
\n\u2022 Brahms<\/strong> – Symphonie n\u00b01 – Concertgebouw Amsterdam – 1943
\n\u2022 Strauss<\/strong> – Don Juan, Danse de Salom\u00e9 – Concertgebouw Amsterdam – 1943
\n\u2022 Dvorak<\/strong> – Symphonie n\u00b09 – Philharmonique de Berlin – 1940
\n\u2022 J. Strauss<\/strong> – Valses et ouvertures – Philharmonique de Berlin – 1940-41<\/p>\n

Au niveau technique, ces enregistrements, parus initialement sur disques 78 tours, b\u00e9n\u00e9ficient tous d’une r\u00e9\u00e9dition extr\u00eamement soign\u00e9e \u00e0 partir de sources en bon \u00e9tat et parfaitement conserv\u00e9es : le son est \u00e9tonnamment bon pour d’aussi \u00ab\u00a0vieilles cires\u00a0\u00bb et l’ensemble s’\u00e9coute sans difficult\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

A l\u2019occasion du 80\u00e8me anniversaire du chef d\u2019orchestre Herbert von Karajan, son \u00e9diteur avait r\u00e9\u00e9dit\u00e9 ses tout premiers enregistrements, enregistr\u00e9s entre 1938 et 1944 avec diff\u00e9rents orchestres \u00e0 travers l\u2019Europe : ils constituent les albums de la playlist de ce jour. On retrouve dans ces albums des oeuvres du \u00ab grand r\u00e9pertoire \u00bb qu\u2019il dirigea […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[30,114,86,56,40,111,83],"class_list":["post-15766","post","type-post","status-publish","format-standard","hentry","category-musique","tag-beethoven","tag-brahms","tag-discotheque","tag-karajan","tag-strauss","tag-symphonies","tag-wagner"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15766"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15766\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}