{"id":15777,"date":"2025-09-23T13:30:45","date_gmt":"2025-09-23T11:30:45","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15777"},"modified":"2025-09-23T13:56:36","modified_gmt":"2025-09-23T11:56:36","slug":"playlist-on-refait-lhistoire-part-two","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-on-refait-lhistoire-part-two\/","title":{"rendered":"Playlist \u00ab\u00a0On refait l\u2019histoire : part two\u00a0\u00bb"},"content":{"rendered":"

Suite de la playlist de la veille, sans gu\u00e8re de commentaires superf\u00e9tatoires, si ce n\u2019est pour pr\u00e9ciser que l\u2019orchestre symphonique de la RAI de Turin n\u2019est pas vraiment du niveau des autres orchestres que l\u2019on entend par ailleurs ! Par ailleurs, l’enregistrement de la symphonie \u00ab\u00a0Path\u00e9tique\u00a0\u00bb de Tcha\u00efkovsky constitue le tout premier enregistrement du chef autrichien avec l\u2019orchestre philharmonique de Berlin, ainsi que son tout premier enregistrement d’une symphonie, mais aussi et surtout un affront pour Wilhelm Furtw\u00e4ngler, titulaire de l’orchestre \u00e0 l\u2019\u00e9poque, qui avait enregistr\u00e9 la m\u00eame oeuvre quelques mois plus t\u00f4t pour un \u00e9diteur concurrent.
\nLa version de Karajan constitue une tr\u00e8s belle synth\u00e8se entre le style Furtw\u00e4ngler –l\u2019appui sur les cordes graves, le legato<\/em>– et le style Toscanini –l\u2019acuit\u00e9 rythmique, la pr\u00e9cision, la <\/em>furia du scherzo<\/em>– : c\u2019est pourquoi certains ont parfois pu parler de \u00ab Toscw\u00e4ngler \u00bb pour d\u00e9crire son style de direction \u00e0 l\u2019\u00e9poque.-Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>\"\"<\/a>\u2022 Mozart<\/strong> – Symphonies n\u00b035, 40 et 41 – Orchestre symphonique de la RAI de Turin – 1942
\n\u2022 Tcha\u00efkovsky<\/strong> – Symphonie n\u00b06 \u00ab Path\u00e9tique \u00bb – Orchestre philharmonique de Berlin – 1939
\n\u2022 Smetana<\/strong> – Vltava (La Modau) – Orchestre philharmonique de Berlin – 19341
\n\u2022 Mozart<\/strong> – La fl\u00fbte enchant\u00e9e – Staatskapelle Berlin – 1938
\n\u2022 Rossini<\/strong> – Ouverture \u00ab\u00a0Semiramide\u00a0\u00bb – Orchestre symphonique de la RAI de Turin – 1942
\n\u2022 Weber<\/strong> – Ouverture \u00ab\u00a0Der Freischutz\u00a0\u00bb – Concertgebouw Amsterdam – 1943
\n\u2022 Cherubini<\/strong> – Ouverture \u00ab\u00a0Anacreon\u00a0\u00bb – Staatskapelle Berlin – 1939
\n\u2022 J. Strauss<\/strong> – Ouverture \u00ab\u00a0Der Zigeunerbaron\u00a0\u00bb – Orchestre philharmonique de Berlin – 1942
\n\u2022 Verdi<\/strong> – La Traviata, pr\u00e9ludes actes 1&3 – Orchestre symphonique de la RAI de Turin – 1942
\n\u2022 Verdi<\/strong> – Pr\u00e9lude \u00ab\u00a0La forza del destino\u00a0\u00bb – Staatskapelle Berlin – 1939<\/p>\n","protected":false},"excerpt":{"rendered":"

Suite de la playlist de la veille, sans gu\u00e8re de commentaires superf\u00e9tatoires, si ce n\u2019est pour pr\u00e9ciser que l\u2019orchestre symphonique de la RAI de Turin n\u2019est pas vraiment du niveau des autres orchestres que l\u2019on entend par ailleurs ! Par ailleurs, l’enregistrement de la symphonie \u00ab\u00a0Path\u00e9tique\u00a0\u00bb de Tcha\u00efkovsky constitue le tout premier enregistrement du chef […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[97,86,56,95,111,115],"class_list":["post-15777","post","type-post","status-publish","format-standard","hentry","category-musique","tag-chef-dorchestre","tag-discotheque","tag-karajan","tag-mozart","tag-symphonies","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15777"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15777\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}