{"id":15971,"date":"2025-10-18T08:40:47","date_gmt":"2025-10-18T06:40:47","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=15971"},"modified":"2025-10-22T20:28:54","modified_gmt":"2025-10-22T18:28:54","slug":"playlist-violon-a-lancienne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-violon-a-lancienne\/","title":{"rendered":"Playlist \u00ab\u00a0Violon \u00e0 l’ancienne\u00a0\u00bb"},"content":{"rendered":"

Mes nuits sans dormir, une fois de plus… Avant de filer dans les Vosges pour la journ\u00e9e, une playlist compos\u00e9e de trois concertos pour violon enregistr\u00e9s au tournant des ann\u00e9es 50, qui constituent de belles versions dans chacun des cas envisag\u00e9s. –Cliquer sur l’image pour la voir en plus grand<\/em>-. Les \u00e9toiles attribu\u00e9es valent pour la qualit\u00e9 des oeuvres plus que pour leur interpr\u00e9tation dans le cadre de cette playlist.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Aram Katchaturian<\/strong> – Concerto pour violon en r\u00e9 mineur
\nDavid Oistrakh – Philharmonia Orchestra, Aram Katchaturian – 1949 ***<\/strong><\/span><\/p>\n

Le grand fait de gloire du compositeur Aram Katchaturian reste son ballet \u00ab\u00a0Gayaneh\u00a0\u00bb, avec sa c\u00e9l\u00e8bre \u00ab\u00a0Danse du sabre\u00a0\u00bb, dont le guitariste Dave Edmunds d\u00e9livra une adaptation \u00e9poustouflante<\/strong><\/span><\/a> ! Son concerto pour violon est l’autre pi\u00e8ce du compositeur assez r\u00e9guli\u00e8rement enregistr\u00e9e, et notamment au moins trois fois par David O\u00efstrakh, son d\u00e9dicataire et cr\u00e9ateur de l’\u0153uvre.
\nLe concerto, en trois mouvements, dure une trentaine de minutes ; il est teint\u00e9 d’\u00e9l\u00e9ments folkloriques arm\u00e9nien et se r\u00e9serve de belles parties virtuoses au violon.<\/p>\n

\u2022 Wolfgang A. Mozart<\/strong> – Concerto pour violon n\u00b04 en r\u00e9 majeur KV 218
\nJohanna Martzy – Orch. Chambre radio de Bavi\u00e8re, Eugen Jochum – 1952 **<\/strong><\/span><\/p>\n

Du Mozart adolescent -l’oeuvre, d’une vingtaine de minutes, a \u00e9t\u00e9 compos\u00e9e en 1775-, de structure tr\u00e8s classique et gu\u00e8re passionnant \u00e0 mes oreilles, plut\u00f4t r\u00e9tives en g\u00e9n\u00e9ral \u00e0 Mozart…<\/p>\n

\u2022 Antonin Dvo\u0159\u00e1k<\/strong> – Concerto pour violon en la mineur op. 53
\nJohanna Martzy – Orch. RIAS Berlin, Ferenc Fricsay – 1953 ****<\/strong><\/span><\/p>\n

Contemporain des concertos pour violon de Brahms et de Tcha\u00efkovsky, celui d\u2019Anton\u00edn Dvo\u0159\u00e1k, cr\u00e9\u00e9 en 1879, est, comme celui de Brahms, d\u00e9di\u00e9 au violoniste Joseph Joachim, sur les conseils duquel il le remodela durant deux ans. Curieusement, ce concerto, plut\u00f4t r\u00e9ussi –et sup\u00e9rieur \u00e0 celui de Brahms \u00e0 mes oreilles<\/i>– n’est pas aussi populaire que le concerto pour violoncelle du compositeur, et reste moins souvent interpr\u00e9t\u00e9e que les concertos de Beethoven, Brahms, Bruch, Tcha\u00efkovski ou encore Mendelssohn et Sibelius. L’interpr\u00e9tation de Johanna Martzy est magnifique et elle est id\u00e9alement accompagn\u00e9e par Ferenc Fricsay.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mes nuits sans dormir, une fois de plus… Avant de filer dans les Vosges pour la journ\u00e9e, une playlist compos\u00e9e de trois concertos pour violon enregistr\u00e9s au tournant des ann\u00e9es 50, qui constituent de belles versions dans chacun des cas envisag\u00e9s. –Cliquer sur l’image pour la voir en plus grand-. Les \u00e9toiles attribu\u00e9es valent pour […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[50,33,66,349,95,350,49],"class_list":["post-15971","post","type-post","status-publish","format-standard","hentry","category-musique","tag-concerto","tag-dvorak","tag-fricsay","tag-martzy","tag-mozart","tag-oistrakh","tag-violon"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=15971"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/15971\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=15971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=15971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=15971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}