{"id":16024,"date":"2025-10-29T10:02:18","date_gmt":"2025-10-29T09:02:18","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=16024"},"modified":"2025-10-29T10:02:18","modified_gmt":"2025-10-29T09:02:18","slug":"playlist-schumann-et-les-grands-anciens","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-schumann-et-les-grands-anciens\/","title":{"rendered":"Playlist \u00ab\u00a0Schumann et les Grands Anciens\u00a0\u00bb"},"content":{"rendered":"

Dans cette playlist, quelques pi\u00e8ces pour le piano –l\u2019oeuvre pour piano de Schumann est globalement magnifique et c\u00f4toie les plus hauts sommets de la litt\u00e9rature pour l\u2019instrument<\/em><\/strong>– sont interpr\u00e9t\u00e9es par de \u00ab\u00a0Grands Anciens\u00a0\u00bb, dont les pr\u00e9cieux t\u00e9moignages sont pr\u00e9serv\u00e9s gr\u00e2ce au disque. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-. Une notule qui comporte m\u00eame un extrait !<\/p>\n

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\u2022 Carnaval<\/strong> – Claudio Arrau – 1967 *****<\/strong><\/span><\/p>\n

L\u2019anthologie consacr\u00e9e \u00e0 Robert Schumann qu\u2019enregistra entre 1967 et 1976 le pianiste chilien Claudio Arrau pour Philips reste, \u00e0 mon avis, incontournable, et constitue un tr\u00e8s bon moyen de d\u00e9couvrir les oeuvres pianistiques du compositeur : tous ces enregistrements furent r\u00e9unis en un coffret de 7 CD \u00e9dit\u00e9 \u00e0 l\u2019origine par Philips, qui offrait r\u00e9guli\u00e8rement de tr\u00e8s belles prises de son, charnues et profondes, au pianiste, dans le cadre de sa remarquable Arrau Edition, malheureusement indisponible depuis des lustres\u2026<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/10\/Extrait29102025.mp3<\/a><\/audio>\n

\u2022 Waldszenen<\/strong> – Wilhelm Kempff – 1974 ***<\/strong><\/span><\/p>\n

A contrario, l\u2019anthologie enregistr\u00e9e par Wilhelm Kempff \u00e0 peu pr\u00e8s \u00e0 la m\u00eame \u00e9poque pour le label Deutsche Grammophon par Wilhelm Kempff est beaucoup plus in\u00e9gale. Le pianiste, n\u00e9 dix ans avant Arrau, avait pr\u00e8s de 80 ans au moment de sa r\u00e9alisation, et ses doigts r\u00e9pondent parfois difficilement aux exigences de ces partitioons. Les Waldszenen font partie des pi\u00e8ces les plus r\u00e9ussies –mais les \u00ab\u00a0\u00c9tudes symphoniques\u00a0\u00bb, par exemple, sont \u00e0 \u00e9viter<\/em>-. De tr\u00e8s nombreux disques de Wilhelm Kempff souffrent souvent de prises de son assez m\u00e9talliques et manquant de graves, alors que son \u00e9diteur savait r\u00e9aliser d’excellentes prises de son de piano depuis longtemps…<\/p>\n

\u2022 Etudes symphoniques<\/strong> – Emil Gilels – 1984 *****<\/strong><\/span><\/p>\n

L\u2019enregistrement, live, fut r\u00e9alis\u00e9 lors de l\u2019un des tout deniers concerts d\u2019Emil Gilels, en septembre 1984 \u00e0 Locarno, en Suisse. Les \u00ab\u00a0\u00c9tudes symphoniques\u00a0\u00bb de Schumann constituaient la derni\u00e8re oeuvre de ce concert, qui comprenaient \u00e9galement quelques sonates pour piano de Scarlatti en entr\u00e9e, suivies de \u00ab\u00a0Pour elle piano\u00a0\u00bb de Debussy. Gilels enregistra assez peu de Schumann durant sa carri\u00e8re, mais il y excellait cependant, et ces \u00e9tudes symphoniques sont absolument superbes !<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans cette playlist, quelques pi\u00e8ces pour le piano –l\u2019oeuvre pour piano de Schumann est globalement magnifique et c\u00f4toie les plus hauts sommets de la litt\u00e9rature pour l\u2019instrument– sont interpr\u00e9t\u00e9es par de \u00ab\u00a0Grands Anciens\u00a0\u00bb, dont les pr\u00e9cieux t\u00e9moignages sont pr\u00e9serv\u00e9s gr\u00e2ce au disque. –Cliquer sur l\u2019image pour la voir en plus grand-. Une notule qui comporte […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[86,103,77,90],"class_list":["post-16024","post","type-post","status-publish","format-standard","hentry","category-musique","tag-discotheque","tag-gilels","tag-piano","tag-schumann"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=16024"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16024\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=16024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=16024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=16024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}