{"id":16183,"date":"2025-11-16T10:11:34","date_gmt":"2025-11-16T09:11:34","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=16183"},"modified":"2025-11-16T10:16:47","modified_gmt":"2025-11-16T09:16:47","slug":"dimanche-a-lopera-wagner-a-travers-les-archives-europeennes","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/dimanche-a-lopera-wagner-a-travers-les-archives-europeennes\/","title":{"rendered":"Dimanche \u00e0 l\u2019op\u00e9ra – Wagner \u00e0 travers les archives europ\u00e9ennes"},"content":{"rendered":"

Un dimanche lyrique consacr\u00e9 \u00e0 Richard Wagner \u00e0 travers des enregistrements anciens, r\u00e9alis\u00e9s en Europe –essentiellement \u00e0 Londres et \u00e0 Berlin<\/em>– et pioch\u00e9s au gr\u00e9 de ma fantaisie. J\u2019y entends donc des extraits tir\u00e9s de chacun des dix op\u00e9ras qu\u2019il composa et sont autoris\u00e9s de repr\u00e9sentation par le compositeur \u00e0 Bayreuth –les trois op\u00e9ras \u00ab\u00a0de jeunesse\u00a0\u00bb compos\u00e9s ant\u00e9rieurement n’ont pas droit de cit\u00e9 sur le colline verte<\/em>-, par quelques-uns des plus grands chanteurs d\u2019avant-guerre, ou, un peu plus tardivement, du \u00ab\u00a0Neues Bayreuth\u00a0\u00bb –\u00e0 partir de 1951<\/em>– pour ce qui concerne le troisi\u00e8me coffret pr\u00e9sent\u00e9.<\/p>\n

\n

Ces dix op\u00e9ra sont : \u2022<\/strong> Der fliegende Holl\u00e4nder (1840-1841) \u2022<\/strong> Tannh\u00e4user (1845) \u2022<\/strong> Lohengrin (1845\u20131848) \u2022<\/strong> Tristan und Isolde (1857\u20131859) \u2022<\/strong> Die Meistersinger von N\u00fcrnberg (1845\u201367) \u2022<\/strong> Der Ring des Nibelungen : Das Rheingold, Die Walk\u00fcre, Siegfried, G\u00f6tterd\u00e4mmerung (1848\u20131874) \u2022<\/strong> Parsifal (1865\u20131882) –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<\/blockquote>\n

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\u2022 The Potted Ring<\/strong>
\nReconstitution partielle du \u00ab\u00a0Ring des Nibelungen\u00a0\u00bb – 1927-1932 *****<\/strong><\/span><\/p>\n

\u2022 Les introuvables du chant wagn\u00e9rien<\/strong>
\nExtraits des dix op\u00e9ras de Richard Wagner – 1927-1958 *****<\/strong><\/span><\/p>\n

\u2022 Les introuvables du Ring<\/strong>
\nExtraits de \u00ab\u00a0Der Ring des Nibelungen\u00a0\u00bb – 1948-1977 ****<\/span><\/strong><\/p>\n

D\u2019une mani\u00e8re g\u00e9n\u00e9rale, tous ces extraits, dont les plus anciens ont \u00e9t\u00e9 r\u00e9alis\u00e9s du temps de l\u2019enregistrement acoustique, sont tr\u00e8s soign\u00e9s pour leur \u00e9poque et ont \u00e9t\u00e9 r\u00e9\u00e9dit\u00e9s dans d\u2019excellentes conditions. Parfois, pour le m\u00eame enregistrement, les matrices de 78 tours employ\u00e9es et le remastering sont diff\u00e9rents : les r\u00e9sultats produits peuvent s’av\u00e9rer tr\u00e8s variables, et, g\u00e9n\u00e9ralement, les remast\u00e9risations les plus r\u00e9centes sont les meilleures : les ing\u00e9nieurs du son ont r\u00e9alis\u00e9 d’\u00e9normes progr\u00e8s dans le traitement des enregistrements anciens.
\nOn trouve parmi ces antiques archives, tous les grands noms du chant wagn\u00e9rien du vingti\u00e8me si\u00e8cle, issus de deux p\u00e9riodes charni\u00e8res :<\/p>\n

\u2022 celle de l’entre-deux guerres mondiales<\/strong> souvent estampill\u00e9e \u00ab\u00a0\u00c2ge d’or du chant wagn\u00e9rien\u00a0\u00bb, o\u00f9 l’on trouve, parmi d’authentiques tr\u00e9sors, quelques curiosit\u00e9s comme des extraits du \u00ab\u00a0Vaisseau fant\u00f4me\u00a0\u00bb, de \u00ab\u00a0Lohengrin\u00a0\u00bb ou de \u00ab\u00a0La Walkyrie\u00a0\u00bb en Fran\u00e7ais, dans des traductions qui pr\u00eatent parfois \u00e0 sourire, ou encore des extraits de \u00ab\u00a0Lohengrin\u00a0\u00bb en Italien –c\u2019est sans doute l\u2019op\u00e9ra de Wagner qui se pr\u00eate le mieux \u00e0 ce traitement tr\u00e8s \u00ab\u00a0bel canto\u00a0\u00bb<\/em>-. Quelques grands noms –liste alphab\u00e9tique non exhaustive<\/em>– : Rudolf Bockelmann, Kirsten Flagstad, Hans Herman Nissen, Alexander Kipnis, Marjorie Lawrence, Lotte Lehmann, Frida Leider, Mauritz Melchior, Max Lorentz, Germaine Lubin, Friedrich Schorr…<\/strong><\/span><\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/11\/Extrait16112025.mp3<\/a><\/audio>\n

\u2022 la p\u00e9riode du \u00ab\u00a0Neues Bayreuth\u00a0\u00bb –ann\u00e9es 50 premi\u00e8re moiti\u00e9 des ann\u00e9es 60<\/em>–<\/strong>, o\u00f9, de l’avis de Wieland Wagner –qui affirma qu’apr\u00e8s cette g\u00e9n\u00e9ration de chanteurs, Bayreuth aurait d\u00fb fermer ses portes<\/em><\/span>– mais aussi de nombreux critiques sp\u00e9cialistes de Wagner et de l’op\u00e9ra –en France, le plus c\u00e9l\u00e8bre est vraisemblablement Andr\u00e9 Tubeuf ; en Angleterre, au m\u00eame moment, Alan Blyth, chroniqueur culturel au Guardian et critique charg\u00e9 du r\u00e9pertoire lyrique de Gramophone, partageait le m\u00eame avis, de m\u00eame que Colin Clarke ou Henry Fogel, \u00e9minents sp\u00e9cialistes du magazine Fanfare (US)<\/em><\/span>-, un nombre relativement r\u00e9duit des chanteurs et de chanteuses appartenant \u00e0 \u00ab\u00a0la derni\u00e8re g\u00e9n\u00e9ration de grands chanteurs wagn\u00e9riens\u00a0\u00bb trusta \u00e0 peu pr\u00e8s tous les r\u00f4les sur toutes les sc\u00e8nes du monde. Parmi cette liste bien plus r\u00e9duite, on notamment peut citer, par ordre alphab\u00e9tique : Josef Greindl, Hans Hotter, Martha M\u00f6dl, Gustav Neidlinger, Birgit Nilsson, Astrid Varnay, Wolfgang Windgassen…<\/strong><\/span><\/p>\n

L\u2019illustration du coffret consacr\u00e9 au Ring Wagn\u00e9rien est tir\u00e9 du tr\u00e8s beau film en deux parties de Fritz Lang \u00ab\u00a0Die Nibelungen<\/strong><\/span><\/a>\u00ab\u00a0, tourn\u00e9 en 1924 –muet et \u00e9videmment en N&B<\/em>– et disponible en Fran\u00e7ais-cartons traduits en \u00e9criture romane et en Fran\u00e7ais<\/em>– en version superbement num\u00e9ris\u00e9e et nettoy\u00e9e sur You Tube. Partie 1<\/strong><\/span><\/a> \u2022 Partie 2<\/strong><\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Un dimanche lyrique consacr\u00e9 \u00e0 Richard Wagner \u00e0 travers des enregistrements anciens, r\u00e9alis\u00e9s en Europe –essentiellement \u00e0 Londres et \u00e0 Berlin– et pioch\u00e9s au gr\u00e9 de ma fantaisie. J\u2019y entends donc des extraits tir\u00e9s de chacun des dix op\u00e9ras qu\u2019il composa et sont autoris\u00e9s de repr\u00e9sentation par le compositeur \u00e0 Bayreuth –les trois op\u00e9ras \u00ab\u00a0de […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[295],"tags":[86,67,83],"class_list":["post-16183","post","type-post","status-publish","format-standard","hentry","category-dimanche-a-lopera","tag-discotheque","tag-opera","tag-wagner"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=16183"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16183\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=16183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=16183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=16183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}