{"id":16423,"date":"2025-12-15T10:57:51","date_gmt":"2025-12-15T09:57:51","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=16423"},"modified":"2025-12-17T09:41:57","modified_gmt":"2025-12-17T08:41:57","slug":"playlist-george-frideric-handel-a-lancienne","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-george-frideric-handel-a-lancienne\/","title":{"rendered":"Playlist \u00ab\u00a0George Frideric Handel \u00e0 l\u2019ancienne\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>\"\"<\/a>La playlist du jour est consacr\u00e9e \u00e0 Georg Friderid Handel, l\u2019un de mes compositeurs pr\u00e9f\u00e9r\u00e9s –il fait partie de mon top 5<\/em>-, celui dont Beethoven disait qu\u2019il \u00e9tait \u00ab\u00a0le plus grand et le plus solide compositeur\u00a0<\/strong>\u00bb. S\u2019il n\u2019a jamais souffert, apr\u00e8s sa mort, de l\u2019oubli relatif dans lequel tomb\u00e8rent Bach –prononcer [baR]<\/em>– ou Vivaldi, il a cependant b\u00e9n\u00e9fici\u00e9, autant qu\u2019eux, du renouveau des interpr\u00e9tations historiquement inform\u00e9s \u00e0 partir du milieu des ann\u00e9es 70, et qui sont g\u00e9n\u00e9ralis\u00e9es de nos jours.
\nDans les d\u00e9cennies pr\u00e9c\u00e9dentes, Handel fut tr\u00e8s souvent enregistr\u00e9, et, notamment, \u00ab Messiah \u00bb \u00e9tait jou\u00e9 par des orchestres et des choeurs pl\u00e9thoriques –plus de 1000 musiciens et choristes pour certaines repr\u00e9sentations \u00e0 la fin du 19\u00e8me si\u00e8cle, par exemple<\/em> !<\/em>-, Ses deux plus c\u00e9l\u00e8bres pi\u00e8ces orchestrales : la \u00ab Royal Fireworks Music \u00bb, d\u2019une part, et, surtout, la \u00ab Water Music \u00bb, g\u00e9n\u00e9ralement adapt\u00e9es pour grand orchestre par Hamilton Harty<\/strong><\/span><\/a> ont \u00e9galement, d\u00e8s les d\u00e9buts de l’histoire de l’enregistrement sonore, connu un nombre important de versions discographiques, et notamment en Angleterre-Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Wassermusik (Water Music)<\/strong>, HWV 348-350
\nOrchestre philharmonique de Berlin, Fritz Lehmann – 1951 ***<\/strong><\/span><\/p>\n

Il s\u2019agit-l\u00e0 de la version \u00ab originale \u00bb des trois suites, et non de l\u2019arrangement de Harty qui avait g\u00e9n\u00e9ralement cours \u00e0 cette date. L\u2019orchestre philharmonique de Berlin est encore celui de Furtw\u00e4ngler, il est \u00e0 peine all\u00e9g\u00e9 d’une grande partie de ses contrebasses et accompagn\u00e9 d\u2019un clavecin. Les tempi sont tr\u00e8s contrast\u00e9s, certains demeurent tr\u00e8s lents, mais, eu \u00e9gard \u00e0 la date d\u2019enregistrement, cette version fait presque figure de devanci\u00e8re des versions HIP. Il s\u2019agit de l\u2019un des tout premiers enregistrements du label Archiv Produktion, branche baroque de la firme Deutsche Grammophon.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/12\/Extrait_1_15122025.mp3<\/a><\/audio>\n

\u2022 Royal Fireworks Music<\/strong>, HWV 351
\nOrchestre symphonique de Londres, Georg Szell – 1962 **<\/strong><\/span><\/p>\n

Georg Szell livre ici l\u2019arrangement pour grand orchestre d\u2019Hamilton Harty : la musique est tr\u00e8s \u00ab romantis\u00e9e \u00bbet les tempi sont d\u2019une lenteur exasp\u00e9rante, exaltant la pompe \u00ab So British \u00bb de l\u2019oeuvre ! C\u2019est d\u2019autant plus curieux qu\u2019avec son orchestre de Cleveland, Szell \u00e9tait plut\u00f4t r\u00e9put\u00e9 pour la vivacit\u00e9 de ses tempi et une approche plus c\u00e9r\u00e9brale qu\u2019affective du r\u00e9pertoire romantique. Nonobstant mon appr\u00e9ciation personnelle tr\u00e8s mitig\u00e9e, ce disque d’un orchestre anglais, enregistr\u00e9 par un label anglais, fut fort bien re\u00e7u en Angleterre lors de sa sortie.<\/p>\n

\u2022 Concert grossi op.6 n\u00b05, 10 & 12 <\/strong>HWV 323, 328, 330
\nOrchestre philharmonique de Berlin, Herbert von Karajan – 1966 ***<\/strong><\/span><\/p>\n

Herbert von Karajan enregistra, en quatre disques, l\u2019int\u00e9gralit\u00e9 des concerti grossi opus 6 de Handel durant les sessions d\u2019\u00e9t\u00e9 \u00e0 Saint-Moritz en 1966 et 1967, lorsqu\u2019il r\u00e9unissait un petit nombre des musiciens de son orchestre pour enregistrer des oeuvres \u00ab\u00a0de chambre\u00a0\u00bb. A la diff\u00e9rence de ses enregistrements contemporains de Bach -prononcer [baR]- ceux de Handel restent assez agr\u00e9ables \u00e0 \u00e9couter de nos jours : le baroque \u00ab\u00a0italianisant\u00a0\u00bb lui a toujours beaucoup mieux r\u00e9ussi, et les concerti grossi de Handel sont calqu\u00e9s sur le mod\u00e8le de ceux de Corelli. A leur sortie, ces disques avaient b\u00e9n\u00e9fici\u00e9 d\u2019un accueil plut\u00f4t chaleureux en Angleterre, o\u00f9 la qualit\u00e9 du jeu d\u2019orchestre fut salu\u00e9.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/12\/Extrait_2_15122025.mp3<\/a><\/audio>\n

HWV signifie \u00ab\u00a0Handel-Werke-Verzeichnis\u00a0\u00bb.<\/strong> C’est le catalogue des oeuvres du compositeur, qui n\u2019est pas chronologique, mais \u00e9tabli post-mortem par genre.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La playlist du jour est consacr\u00e9e \u00e0 Georg Friderid Handel, l\u2019un de mes compositeurs pr\u00e9f\u00e9r\u00e9s –il fait partie de mon top 5-, celui dont Beethoven disait qu\u2019il \u00e9tait \u00ab\u00a0le plus grand et le plus solide compositeur\u00a0\u00bb. S\u2019il n\u2019a jamais souffert, apr\u00e8s sa mort, de l\u2019oubli relatif dans lequel tomb\u00e8rent Bach –prononcer [baR]– ou Vivaldi, il […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[251,72,56,122],"class_list":["post-16423","post","type-post","status-publish","format-standard","hentry","category-musique","tag-concertos","tag-handel","tag-karajan","tag-musique-baroque"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=16423"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16423\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=16423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=16423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=16423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}