{"id":1646,"date":"2015-01-24T14:53:06","date_gmt":"2015-01-24T13:53:06","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=1646"},"modified":"2015-12-22T17:27:29","modified_gmt":"2015-12-22T16:27:29","slug":"emotion-esthetique","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/emotion-esthetique\/","title":{"rendered":"Emotion esth\u00e9tique…"},"content":{"rendered":"

\"Mathis\"<\/a><\/p>\n

Derni\u00e8rement j’ai \u00e9cout\u00e9 cet op\u00e9ra assez peu connu, cr\u00e9\u00e9 dans des conditions difficiles en 1938, mais n\u00e9anmoins tr\u00e8s beau et int\u00e9ressant \u00e0 plus d’un titre.<\/p>\n

C’est assez contrapuntique –une marque de ce compositeur<\/em>-, bien \u00e9crit, les \u00e9clats ma\u00eetris\u00e9s alternent avec des moments de bel intimisme. L’oeuvre reste d’un abord relativement ais\u00e9 cependant et s’\u00e9coute agr\u00e9ablement.<\/p>\n

L’op\u00e9ra\u00a0raconte vaguement les interrogations du peintre Matthias Gr\u00fcnewald<\/strong>\u00a0–et plus g\u00e9n\u00e9ralement de l’artiste<\/em>– face au pouvoir politique, sur fond de luth\u00e9rianisme naissant et de guerre des paysans<\/a><\/strong><\/span> dans l’Allemagne m\u00e9di\u00e9vale finissante –une p\u00e9riode un peu m\u00e9connue en France mais fondamentale dans l’histoire de l’Allemagne<\/em>-.<\/p>\n

Pour Hindemith, compositeur allemand confront\u00e9 \u00e0 la mont\u00e9e du nazisme au moment de sa composition, ces questionnements \u00e9taient pleinement d’actualit\u00e9 -il s’exilera assez rapidement en Suisse manger du chocolat<\/del>-.<\/p>\n

-En extrait, ci-dessous, Le concert des anges, qui ouvre l'op\u00e9ra-.<\/em><\/pre>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2015\/01\/1-01-Vorspiel-Engelkonzert.mp3<\/a><\/audio>\n
Matthias Gr\u00fcnewald<\/strong><\/span><\/a> est le peintre, dont on ne conna\u00eet quasiment rien en mati\u00e8re de biographie, qui a r\u00e9alis\u00e9 notamment le retable d’Issenheim<\/strong><\/span><\/a>, que l’on peut admirer au Mus\u00e9e Unterlinden, \u00e0 Colmar. Le retable est impressionnant –cliquer sur l’image pour la voir en plus grand<\/em>-, la crucifixion est d’une expressivit\u00e9 crue qui me valut l’un de mes grands chocs esth\u00e9tiques face \u00e0 une oeuvre picturale, lorsque je le d\u00e9couvris vers 13 ou 14 ans. Il r\u00e9alisa quatre autre crucifixions, qui \u00e9voluent progressivement vers\u00a0un quasi-expressionisme. La puissance qui s’en d\u00e9gage est absolument exceptionnelle, aucune photo ne peut cependant en rendre compte, le retable mesurant 3,50m sur 5,90m.<\/p>\n
\"Grunewald_Issenheim\"<\/a><\/p>\n
\n","protected":false},"excerpt":{"rendered":"
Derni\u00e8rement j’ai \u00e9cout\u00e9 cet op\u00e9ra assez peu connu, cr\u00e9\u00e9 dans des conditions difficiles en 1938, mais n\u00e9anmoins tr\u00e8s beau et int\u00e9ressant \u00e0 plus d’un titre. C’est assez contrapuntique –une marque de ce compositeur-, bien \u00e9crit, les \u00e9clats ma\u00eetris\u00e9s alternent avec des moments de bel intimisme. L’oeuvre reste d’un abord relativement ais\u00e9 cependant et s’\u00e9coute agr\u00e9ablement. […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-1646","post","type-post","status-publish","format-standard","hentry","category-lecture","category-musique"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/1646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=1646"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/1646\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=1646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=1646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=1646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}