{"id":16503,"date":"2025-12-24T11:16:30","date_gmt":"2025-12-24T10:16:30","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=16503"},"modified":"2025-12-29T11:50:08","modified_gmt":"2025-12-29T10:50:08","slug":"playlist-the-cure-lautre-vraie-trilogie","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-the-cure-lautre-vraie-trilogie\/","title":{"rendered":"Playlist \u00ab\u00a0The Cure – L\u2019autre vraie trilogie\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>Au courant des ann\u00e9es 80, The Cure sortirent assez rapidement trois albums qui form\u00e8rent une somme plut\u00f4t coh\u00e9rente que l\u2019on d\u00e9crivit plus tard comme leur \u00abTrilogie glac\u00e9e\u00bb : \u00abSeventeen Seconds<\/strong>\u00bb, puis \u00abFaith<\/strong>\u00bb et enfin \u00abPornography<\/strong>\u00bb –198, 1981, 1982<\/em>-. Il convient d\u2019accompagner ces trois albums du single \u00abCharlotte Sometimes<\/strong>\u00bb –1981<\/em>– et de l\u2019insolite et peu connu support musical –une longue et lente m\u00e9lop\u00e9e, tr\u00e8s hypnotique<\/em><\/span><\/a><\/strong><\/span>– du film d\u2019animation \u00abCarnage Visors<\/strong>\u00bb –1981<\/em>– pour compl\u00e9ter cette premi\u00e8re trilogie, qui \u00e9volue peu \u00e0 peu du minimalisme introverti vers l\u2019album le plus sombre, d\u2019une noirceur absolue et d\u2019un caract\u00e8re d\u00e9pressif total, de toute la discographie pop-rock des ann\u00e9es 80 –et au-del\u00e0<\/em>-. Cette \u00abTrilogie glac\u00e9e\u00bb –cliquer sur l’image de droite pour la voir en plus grand<\/em>– a tr\u00e8s largement contribu\u00e9 \u00e0 installer The Cure comme l\u2019un des groupes embl\u00e9matiques du mouvement \u00abgothique\u00bb, ce que r\u00e9cuse pourtant Robert Smith.<\/p>\n

Puis, le groupe, \u00e0 la composition d\u00e9j\u00e0 tr\u00e8s fluctuante malgr\u00e9 son jeune \u00e2ge, se s\u00e9para une premi\u00e8re fois et Robert Smith, parall\u00e8lement \u00e0 une carri\u00e8re de guitariste avec The Banshees ou l’\u00e9ph\u00e9m\u00e8re et psych\u00e9d\u00e9lique groupe The Glove, sortit avec The Cure dans une formation fortement renouvel\u00e9e deux albums tr\u00e8s pop et beaucoup plus l\u00e9gers \u00abThe Top\u00bb, puis \u00abThe Head On The Door\u00bb.<\/p>\n

Quelques albums plus tard, et nous arrivons en 1989, avec la sortie de \u00abDisintegration<\/strong>\u00bb, album aussi m\u00e9lancolique que \u00abPornography\u00bb \u00e9tait sombre. Pour beaucoup de fans, il s\u2019agit de leur album pr\u00e9f\u00e9r\u00e9, qui marque un certain retour aux sources des inspirations premi\u00e8res de Robert Smith. Cet excellent disque est le deuxi\u00e8me volet d\u2019une nouvelle trilogie, entam\u00e9e par \u00abPoronography\u00bb et qui, dans l\u2019esprit de \u00abFat Bob\u00bb, devait s\u2019achever avec \u00abBloodflowers<\/strong>\u00bb, paru en 2000, dans une formation encore passablement renouvel\u00e9e. C\u2019est ainsi qu\u2019il est pr\u00e9sent\u00e9 par le leader du groupe, notamment \u00e0 l\u2019occasion des deux concerts-fleuve enregistr\u00e9s \u00e0 Berlin en 2002.<\/p>\n

\u00ab\u00a0Les albums Pornography<\/i>, Disintegration<\/i> et Bloodflowers<\/i> sont inexorablement li\u00e9s pour bien des raisons, et la r\u00e9alisation du programme Trilogy<\/i> fait la lumi\u00e8re sur mon exp\u00e9rience de The Cure<\/sup>. \u00bb – Robert Smith (2002)<\/p><\/blockquote>\n

Pourtant, \u00ab Bloodflower \u00bb, s’il n\u2019est pas indigne dans la discographie tr\u00e8s in\u00e9gale du groupe depuis le milieu des ann\u00e9es 90 o\u00f9 il s\u2019inscrit dans une veine plut\u00f4t douce et m\u00e9lancolique, ne me semble pas \u00e0 la hauteur de cette seconde trilogie, et seuls deux titres de cet album en seraient dignes \u00e0 mes oreilles : le somptueux \u00ab Watching Me Fall \u00bb, et, dans une moindre mesure, le m\u00e9lancolique \u00ab Bloodflowers \u00bb.
\n\"\"<\/a><\/p>\n

En r\u00e9alit\u00e9, le troisi\u00e8me volet de cette trilogie est, pour moi -et pour bien d\u2019autres\u2026- le tout dernier opus paru : \u00ab\u00a0Songs Of A Lost World<\/strong>\u00a0\u00bb –2024<\/em>-. Dans une formation \u00e0 nouveau modifi\u00e9e, The Cure propose un album acclam\u00e9 par la critique et le public -c\u2019est un beau succ\u00e8s commercial, n\u00b01 en Angleterre, en France, en Su\u00e8de et en Allemagne notamment-, qui y voit un retour aux sources les plus sombres et introverties du groupe.<\/p>\n

Remarques compl\u00e9mentaires…<\/span>
\n\u2022 Les trois albums de cette seconde trilogie sont ceux que j’ai le plus jou\u00e9 \u00e0 la basse : certains titres sont d’une simplicit\u00e9 hyper-efficace et tombent remarquablement sous les doigts.
\n\u2022 \u00ab\u00a0Pornography\u00a0\u00bb fait partie de ma liste des sept albums Pop-Rock \u00e0 emmener sur mon \u00eele d\u00e9serte. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2025\/12\/Extrait24122025.mp3<\/a><\/audio>\n

\u2022 Pornography<\/strong> – 1982 *****<\/strong><\/span>
\nRobert Smith, Simon Gallup, Lol Tolhurst<\/p>\n

\u2022 Disintegration<\/strong> – 1989 *****<\/strong><\/span>
\nRobert Smith, Simon Gallup, Porl Thompson, Roger O’Donnell, Boris Williams, Lol Tolhurst<\/p>\n

\u2022 Songs Of A Lost World<\/strong> – 2024 *****<\/strong><\/span>
\nRobert Smith, Simon Gallup, Jason Cooper, Roger O’Donnell, Reeves Gabrels<\/p>\n","protected":false},"excerpt":{"rendered":"

Au courant des ann\u00e9es 80, The Cure sortirent assez rapidement trois albums qui form\u00e8rent une somme plut\u00f4t coh\u00e9rente que l\u2019on d\u00e9crivit plus tard comme leur \u00abTrilogie glac\u00e9e\u00bb : \u00abSeventeen Seconds\u00bb, puis \u00abFaith\u00bb et enfin \u00abPornography\u00bb –198, 1981, 1982-. Il convient d\u2019accompagner ces trois albums du single \u00abCharlotte Sometimes\u00bb –1981– et de l\u2019insolite et peu connu […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[86,37,54],"class_list":["post-16503","post","type-post","status-publish","format-standard","hentry","category-musique","tag-discotheque","tag-pop-rock","tag-the-cure"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=16503"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/16503\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=16503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=16503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=16503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}