{"id":17244,"date":"2026-02-27T15:58:08","date_gmt":"2026-02-27T14:58:08","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=17244"},"modified":"2026-02-27T16:08:46","modified_gmt":"2026-02-27T15:08:46","slug":"playlist-brelan-royal","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-brelan-royal\/","title":{"rendered":"Playlist \u00ab\u00a0Brelan royal\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">Trois faux fr\u00e8res King &#8211;<em>un v\u00e9ritable brelan royal !<\/em> -cohabitent dans la playlist tr\u00e8s blues de ce jour : Albert King &#8211;<em>\u00ab\u00a0the Velvet Bulldozer\u00a0\u00bb<\/em>-, n\u00e9 en 1923 ; B.B. King, n\u00e9 en 1925 ; et, enfin, Freddie King -\u00ab\u00a0<em>The King Of The Kings\u00a0\u00bb<\/em>-, n\u00e9 en 1934. Si B.B. King est sans doute le plus c\u00e9l\u00e8bre, ses deux homonymes n\u2019ont pas moins de talent, s\u2019av\u00e8rent bien meilleurs guitaristes que lui et eurent une plus grande influence sur une kyrielle de grands guitaristes de blues en devenir ! &#8211;<em>Cliquer sur l\u2019image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026.webp\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17245\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026.webp\" alt=\"\" width=\"1250\" height=\"419\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026.webp 1250w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026-300x101.webp 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026-1024x343.webp 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Playlist27022026-768x257.webp 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>\u2022 B.B. King<\/strong> &#8211; Mr. Blues &#8211; 1963 <span style=\"color: #0000ff;\"><strong>***<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Il s\u2019agit du douzi\u00e8me albums d\u00e9j\u00e0 de B.B. King, et du premier qu\u2019il enregistra pour ABC Paramount. Ce n\u2019est pas, et de loin, son meilleur disque : il d\u00e9\u00e7ut relativement \u00e0 sa sortie et reste assez mal-aim\u00e9 au sein de la discographie pl\u00e9thorique de l\u2019artiste &#8211;<em>au moins 70 disques, dont 49 en studio<\/em>-. L\u2019album est tr\u00e8s vari\u00e9 mais manque quelque peu de coh\u00e9sion d\u2019ensemble, et son jeu de guitare si singulier &#8211;<em>B.B. King ne ma\u00eetrisait pas les accords et \u00e9tait incapable de jouer en chantant ou de chanter en jouant de la guitare<\/em>&#8211; est bien plus flamboyant sur d\u2019autres albums.<br \/>\nB.B. king utilisait essentiellement une guitare Gibson E-355 noire qu\u2019il avait pr\u00e9nomm\u00e9e \u00ab\u00a0Lucille\u00a0\u00bb<\/p>\n<p style=\"text-align: center;\"><strong>\u2022 Albert King<\/strong> &#8211; Born Under A Bad Sign &#8211; 1967 <span style=\"color: #0000ff;\"><strong>*****<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Consid\u00e9r\u00e9 de nos jours comme l\u2019un des plus grands disques de blues jamais enregistr\u00e9s, l\u2019album contient le tr\u00e8s connu \u00ab\u00a0Oh Pretty Woman\u00a0\u00bb repris par The Bluesbreakers &#8211;<em>p\u00e9riode Mick Taylor<\/em>&#8211; sur l\u2019album \u00ab\u00a0Crusade\u00a0\u00bb.<br \/>\nAlbert King, surnomme \u00ab The Velvet Bulldozer \u00bb ou encore le \u00ab Muhammad Ali de la guitare blues \u00bb du fait de sa grande taille et d\u2019une carrure imposante a popularis\u00e9 la Gibson Flying V, qu\u2019il a adopt\u00e9e d\u00e8s 1958 et pr\u00e9nomm\u00e9e \u00ab Lucy \u00bb. Gaucher, il montait des guitares de droitier \u00e0 l\u2019envers &#8211;<em>c\u2019\u00e9tait avant que les fabricants se mettent \u00e0 proposer des guitares pour gaucher<\/em>&#8211; qu\u2019il accordait de fa\u00e7on non traditionnelle, g\u00e9n\u00e9ralement en accord ouvert de Fa majeur, ce qui donne Do\/Fa\/Do\/Fa\/La\/R\u00e9 au lieu du traditionnel Mi\/La\/R\u00e9\/Sol\/Si\/Mi.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17244-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Extrait27022026.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Extrait27022026.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/Extrait27022026.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><strong>\u2022 Freddie King<\/strong> &#8211; Freddie King Is A Blues Master &#8211; 1969 <span style=\"color: #0000ff;\"><strong>*****<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">Mort jeune \u00e0 42 ans, us\u00e9 par les tourn\u00e9es et les concerts incessants, surnomm\u00e9 \u00ab\u00a0the King oOf The Kings\u00a0\u00bb, Freddie King a cr\u00e9\u00e9 un style unique fusionnant le Chicago Blues et le Texas Blues, et a constitu\u00e9 une influence consid\u00e9rable sur tous les grands noms de la guitare blues, et plus particuli\u00e8rement sur les guitaristes de \u00abTexas Blues &#8211;<em>Johnny Winter, Stevie Ray Vaughan, Harvey Mandel\u2026<\/em>-. L\u2019album contient le hit \u00ab Hideaway \u00bb, repris plus pard par The Bluesbreakers &#8211;<em>p\u00e9riode Eric Clapton<\/em>&#8211; sur l&rsquo;album \u00ab\u00a0The Bluesbreakers with Eric Clapton\u00bb.<br \/>\nFreddie King utilisait une guitare Gibson Les Paul dont les micros \u00e9taient dor\u00e9s \u00e0 l\u2019or massif, il a \u00e9galement jou\u00e9 quelques guitares \u00e0 corps semi-creux comme les Gibson G-335 et Es-345. Il se servait d\u2019onglets \u00e0 la place d\u2019un mediator : un onglet de pouce en plastique et un onglet d\u2019index en m\u00e9tal.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026.webp\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17246\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026.webp\" alt=\"\" width=\"1250\" height=\"740\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026.webp 1250w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026-300x178.webp 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026-1024x606.webp 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/02\/GuitaresGibson022026-768x455.webp 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a><br \/>\n<center><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_8NHv5_CeSM?si=GH8LSMYu8xXI7oRl\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trois faux fr\u00e8res King &#8211;un v\u00e9ritable brelan royal ! -cohabitent dans la playlist tr\u00e8s blues de ce jour : Albert King &#8211;\u00ab\u00a0the Velvet Bulldozer\u00a0\u00bb-, n\u00e9 en 1923 ; B.B. King, n\u00e9 en 1925 ; et, enfin, Freddie King -\u00ab\u00a0The King Of The Kings\u00a0\u00bb-, n\u00e9 en 1934. Si B.B. King est sans doute le plus c\u00e9l\u00e8bre, [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[380,382,51,381,73],"class_list":["post-17244","post","type-post","status-publish","format-standard","hentry","category-musique","tag-albert-king","tag-bb-king","tag-blues","tag-freddie-king","tag-guitare"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=17244"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17244\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=17244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=17244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=17244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}