{"id":17320,"date":"2026-03-06T05:04:09","date_gmt":"2026-03-06T04:04:09","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=17320"},"modified":"2026-03-06T05:06:56","modified_gmt":"2026-03-06T04:06:56","slug":"playlist-terra-incognita-6","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-terra-incognita-6\/","title":{"rendered":"Playlist \u00ab\u00a0Terra Incognita. 6\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">Poursuite, avec cette playlist, de ma d\u00e9couverte d\u2019oeuvres que je fr\u00e9quente tr\u00e8s rarement, au point de n\u2019en avoir gu\u00e8re de souvenirs ! Vous pouvez retrouver tous les \u00e9pisodes de cette s\u00e9rie et ses fondements <a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/category\/terra-incognita\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><strong>ici<\/strong><\/span><\/a>.<br \/>\nLa s\u00e9rie de ce jour est consacr\u00e9e \u00e0 <strong>Emil Gilels<\/strong>, pianiste tr\u00e8s pr\u00e9sent dans les pages et notules de ce blog &#8211;<em>j&rsquo;en ai plus d&rsquo;une centaine de disques sur mes \u00e9tag\u00e8res<\/em>-, mais dans des oeuvres que je ne c\u00f4toie que tr\u00e8s \u00e9pisodiquement, issues de diff\u00e9rents coffrets anthologiques. &#8211;<em>Cliquer sur l&rsquo;image pour la voir en plus grand<\/em>-.<\/p>\n<p><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025.webp\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17321\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025.webp\" alt=\"\" width=\"1250\" height=\"416\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025.webp 1250w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025-300x100.webp 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025-1024x341.webp 1024w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Playlist05032025-768x256.webp 768w\" sizes=\"auto, (max-width: 1250px) 100vw, 1250px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Ces disques proposent d&rsquo;antiques enregistrements r\u00e9alis\u00e9s pour la firme sovi\u00e9tique Melodiya sur une p\u00e9riode s&rsquo;\u00e9tendant des ann\u00e9es 30 aux ann\u00e9es 60, et qui sont parus sporadiquement sous de multiples \u00e9tiquettes &#8211;<em>Chant du Monde, Westminster, Metronome&#8230;<\/em>&#8211; lors de leur premi\u00e8re parution en Europe de l&rsquo;ouest. Lorsqu&rsquo;ils sont tomb\u00e9s progressivement dans le domaine public, de nombreux \u00e9diteurs plus ou moins obscurs se sont jet\u00e9s sur ces bandes pour les r\u00e9\u00e9diter au sein de coffrets anthologiques plus ou moins abondants, parfois con\u00e7us \u00e0 la va-vite et, le plus souvent, sans grande coh\u00e9rence \u00e9ditoriale. Globalement, dans ces ann\u00e9es-l\u00e0, les prises de son sovi\u00e9tiques sont la plupart du temps moins bonnes que celles r\u00e9alis\u00e9es \u00e0 la m\u00eame \u00e9poque en Europe de l&rsquo;ouest, mais l&rsquo;ensemble reste d&rsquo;une monophonie convenable.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/PortraitEGilels_032026.webp\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-17323\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/PortraitEGilels_032026.webp\" alt=\"\" width=\"285\" height=\"422\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/PortraitEGilels_032026.webp 614w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/PortraitEGilels_032026-203x300.webp 203w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/a>A partir de la fin des ann\u00e9es 50 et de son autorisation \u00e0 voyager sous haute surveillance dans les pays d&rsquo;Europe de l&rsquo;ouest, Emil Gilels put enregistrer pour HMV-EMI, RCA et Deutsche Grammophon dans de bien meilleures conditions.<\/p>\n<p style=\"text-align: center;\"><strong>\u2022 Gabriel Faur\u00e9<\/strong> &#8211; Quatuor pour piano, violon, alto et violoncelle en ut mineur op. 15<br \/>\nE. Gilels, L. Kogan, R. Barshai, M. Rostropovich &#8211; 1956 <span style=\"color: #0000ff;\"><strong>****<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>-L&rsquo;album fait partie d&rsquo;un coffret anthologique de 10 CD \u00ab Emil Gilels, virtuose avec noblesse \u00bb ; Membran, cc.2013-<\/em><\/span><\/p>\n<p style=\"text-align: center;\"><strong>\u2022 Georg Frideric Handel<\/strong> &#8211; Sonate pour fl\u00fbte et piano en la mineur op. 7<br \/>\nE. Gilels, A. Korneyev &#8211; 1958 <span style=\"color: #0000ff;\"><strong>****<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong>\u2022 Domenico Scarlatti<\/strong> &#8211; 13 sonates pour piano ; Scarlatti &#8211; Tausig : 2 sonates pour piano<br \/>\nE. Gilels &#8211; 1949 \/ 1960 <span style=\"color: #0000ff;\"><strong>*****<\/strong><\/span><br \/>\n<em>&#8211;<span style=\"font-size: 10pt;\">Les deux albums font partie du coffret anthologique de 13 CD \u00ab\u00a0Emil Gilels Edition vol.1 1933-1963\u00a0\u00bb ; H\u00e4nssler, coll. Profil, 2018<\/span>&#8211;<\/em><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Le r\u00e9pertoire d&rsquo;Emil Gilels \u00e9tait remarquablement large, s&rsquo;\u00e9tendant de la fin du 17\u00e8me si\u00e8cle &#8211;<em>Bach, Handel <span style=\"font-size: 10pt;\">(cette sonate pour fl\u00fbte et piano, que j&rsquo;avais compl\u00e8tement oubli\u00e9e, est tr\u00e8s agr\u00e9able \u00e0 \u00e9couter)<\/span>, Scarlatti, Rameau&#8230;<\/em>&#8211; jusqu&rsquo;au 20\u00e8me si\u00e8cle. Outre les grands compositeurs classiques et romantiques, il joua, d\u00e8s les ann\u00e9es 30 et jusqu&rsquo;\u00e0 la fin de sa vie en 1985, un choix de sonates de Scarlatti, mais \u00e9galement nombre de musiciens sovi\u00e9tiques contemporains. Accompagnateur tr\u00e8s appr\u00e9ci\u00e9, il enregistra \u00e9galement de nombreuses pi\u00e8ces de musique de chambre, dont ce quatuor avec piano de Gabriel Faur\u00e9, toujours tr\u00e8s bien entour\u00e9, \u00e0 l&rsquo;est comme \u00e0 l&rsquo;ouest.<\/p>\n<\/blockquote>\n<audio class=\"wp-audio-shortcode\" id=\"audio-17320-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Extrait06032025.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Extrait06032025.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Extrait06032025.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Poursuite, avec cette playlist, de ma d\u00e9couverte d\u2019oeuvres que je fr\u00e9quente tr\u00e8s rarement, au point de n\u2019en avoir gu\u00e8re de souvenirs ! Vous pouvez retrouver tous les \u00e9pisodes de cette s\u00e9rie et ses fondements ici. La s\u00e9rie de ce jour est consacr\u00e9e \u00e0 Emil Gilels, pianiste tr\u00e8s pr\u00e9sent dans les pages et notules de ce [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[367],"tags":[294,103,72,77,383],"class_list":["post-17320","post","type-post","status-publish","format-standard","hentry","category-terra-incognita","tag-anthologie","tag-gilels","tag-handel","tag-piano","tag-scarlatti"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=17320"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17320\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=17320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=17320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=17320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}