{"id":17662,"date":"2026-03-30T10:18:05","date_gmt":"2026-03-30T08:18:05","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=17662"},"modified":"2026-03-30T10:18:05","modified_gmt":"2026-03-30T08:18:05","slug":"playlist-premieres-amours-2","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-premieres-amours-2\/","title":{"rendered":"Playlist \u00ab\u00a0premi\u00e8res amours\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/a>Piotr Illyitch Tcha\u00efkovsky<\/strong><\/span> fut le premier compositeur que j’ai \u00e9cout\u00e9 \u00ab\u00a0consciemment\u00a0\u00bb, encore enfant. Je l’appr\u00e9ciais et le r\u00e9clamais tant et si bien que le premier disque que l’on m’offrit \u00e9tait son premier concerto pour piano, puis celui pour violon ; les c\u00e9l\u00e8bres suites de ballets et les derni\u00e8res symphonies suivirent assez rapidement. Le triptyque de ses trois derni\u00e8res symphonies est tr\u00e8s souvent enregistr\u00e9 par les plus grands orchestres et quasiment toutes les stars de la baguette, et ma discoth\u00e8que en regorge d’une bonne quinzaine de versions au moins.<\/p>\n

\n

J’aime \u00e9norm\u00e9ment les symphonies n\u00b04 et 6 –<\/span><\/strong>parfois intitul\u00e9e symphonie \u00ab\u00a0Du destin\u00a0\u00bb pour la quatri\u00e8me, et toujours d\u00e9sign\u00e9e par symphonie \u00ab\u00a0Path\u00e9tique\u00a0\u00bb pour la sixi\u00e8me<\/em><\/span><\/span>-, un peu moins la cinqui\u00e8me, que j’ai plus souvent tendance \u00e0 zapper lorsqu’il me vient l’envie de r\u00e9\u00e9couter ce triptyque –\u00e9cout\u00e9 int\u00e9gralement ce jour, cliquer sur l’image pour la voir en plus grand<\/em>-.<\/span><\/strong><\/p>\n<\/blockquote>\n

\"\"<\/a><\/p>\n

Les trois propositions d’Evgeny Svetlanov<\/strong><\/span><\/a> \u00e0 la t\u00eate de l’orchestre symphonique d’\u00c9tat de l’URSS –fond\u00e9 en 1936<\/em> et devenu peu de temps apr\u00e8s cette tourn\u00e9e japonaise l’orchestre symphonique de la f\u00e9d\u00e9ration de Russie<\/em>-, enregistr\u00e9es lors d’une tourn\u00e9e au Japon en 1990, s’inscrivent vers les sommets de la tr\u00e8s riche –et globalement tr\u00e8s qualitative<\/em>– discographie de ces oeuvres : ces symphonies, tr\u00e8s richement \u00a0orchestr\u00e9es par le compositeur –Tcha\u00efkovsky s’y entendait pour faire sonner un orchestre<\/em>-, sont une belle occasion pour tout orchestre d\u00e9sireux faire valoir ses qualit\u00e9s.
\nAu cours de ces concerts, l’orchestre, aux sonorit\u00e9s typiquement russes –incisives et crues du c\u00f4t\u00e9 des cuivres, tr\u00e8s virtuoses c\u00f4t\u00e9 cordes<\/em>-, est chauff\u00e9 \u00e0 blanc et d’un engagement total dans des partitions qui ne tol\u00e8rent gu\u00e8re la ti\u00e9deur, au risque de sombrer dans une mi\u00e8vrerie un peu doucereuse. Ce n’est pas du tout le cas dans ces interpr\u00e9tations, et le public japonais, fin connaisseur et tr\u00e8s enthousiaste, ne s’y trompe pas ! La prise de son live est de tr\u00e8s bonne qualit\u00e9, large et bien timbr\u00e9e.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/03\/Extrait30032026.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Piotr Illyitch Tcha\u00efkovsky fut le premier compositeur que j’ai \u00e9cout\u00e9 \u00ab\u00a0consciemment\u00a0\u00bb, encore enfant. Je l’appr\u00e9ciais et le r\u00e9clamais tant et si bien que le premier disque que l’on m’offrit \u00e9tait son premier concerto pour piano, puis celui pour violon ; les c\u00e9l\u00e8bres suites de ballets et les derni\u00e8res symphonies suivirent assez rapidement. Le triptyque de […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[111,115],"class_list":["post-17662","post","type-post","status-publish","format-standard","hentry","category-musique","tag-symphonies","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=17662"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/17662\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=17662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=17662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=17662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}