{"id":18150,"date":"2026-05-05T08:58:25","date_gmt":"2026-05-05T06:58:25","guid":{"rendered":"https:\/\/latelierdediablotin.fr\/WordPress3\/?p=18150"},"modified":"2026-05-05T08:58:25","modified_gmt":"2026-05-05T06:58:25","slug":"playlist-franco-francaise","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-franco-francaise\/","title":{"rendered":"Playlist \u00ab\u00a0Franco-fran\u00e7aise\u00a0\u00bb"},"content":{"rendered":"

Comme son nom l’indique, la playlist de ce jour fait la part belle aux compositeurs fran\u00e7ais, dans des interpr\u00e9tations d’artistes fran\u00e7ais eux aussi. Vais-je pour autant trouver la cl\u00e9 de \u00ab\u00a0l’esprit fran\u00e7ais<\/strong><\/span><\/a>\u00a0\u00bb ? –Cliquer sur l’image pour la voir en plus grand<\/em>-.<\/p>\n

\"\"<\/a><\/p>\n

\u2022 Claude Debussy<\/strong><\/span> – La mer
\nOrchestre de Cleveland, Pierre Boulez – 1995 ****<\/strong><\/span><\/p>\n

\"\"<\/a>\u00ab La mer \u00bb<\/strong> est un ensemble de \u00ab trois esquisses symphoniques \u00bb compos\u00e9es par Claude Debussy<\/strong> entre 1903 et 1905 : 1. De l’aube \u00e0 midi sur la mer – 2. Jeux de vagues – 3. Dialogue du vent et de la mer. Il s’agit de l’oeuvre orchestrale la plus connue du compositeur, et un excellent moyen d’aborder ce compositeur, m\u00eame si le \u00ab\u00a0Pr\u00e9lude \u00e0 l’apr\u00e8s-midi d’un faune\u00a0\u00bb me semble encore plus facile d’acc\u00e8s. Ce sont d’ailleurs les deux seules oeuvres orchestrales que j’\u00e9coute r\u00e9guli\u00e8rement chez ce compositeur, qui m’a toujours \u00e9chapp\u00e9 quelque peu, et j’en ai de multiples versions dans ma discoth\u00e8que.
\nCelle de Pierre Boulez enregistr\u00e9e avec l’orchestre de Cleveland est tr\u00e8s bien jou\u00e9e, l’orchestre est superbe, le sens du d\u00e9tail est remarquable, mais brrrr ! Que l’eau y est froide !<\/strong> La prise de son, en revanche, est de premier ordre !<\/p>\n

\"\"<\/a>\u2022 Erik Satie<\/strong> <\/span>– Sports & divertissements, et autres pi\u00e8ces pour piano
\nPascal Rog\u00e9, piano – 1996 *****<\/strong><\/span><\/p>\n

Erik Satie<\/strong>, amateur de bons mots et volontiers espi\u00e8gle \u00e0 ses heures, avait donn\u00e9 cette appr\u00e9ciation de \u00ab\u00a0La mer\u00a0\u00bb de Debussy : \u00ab\u00a0J’ai particuli\u00e8rement go\u00fbt\u00e9 le passage vers midi moins le quart\u00a0\u00bb !<\/span> \u00a0<\/strong><\/span><\/em>Vous pouvez retrouver un tr\u00e8s petit floril\u00e8ge de ses bons mots \u00e0 la fin de cette notule<\/strong><\/span><\/a>, qui date d’il y a dix ans d\u00e9j\u00e0!<\/p>\n

L’album \u00ab\u00a0Sports & divertissements\u00a0\u00bb enregistr\u00e9 par le trop discret Pascal Rog\u00e9, ancien vainqueur du concours Marguerite Long et inlassable ambassadeur du piano \u00ab\u00a0made in France\u00a0\u00bb est le troisi\u00e8me volet d’une s\u00e9rie longuement m\u00fbrie, entam\u00e9e pour le label Decca en 1984 et achev\u00e9e en 2000 par les pi\u00e8ces pour piano \u00e0 quatre mains. Un ensemble qui constitue, \u00e0 mes oreilles, la meilleure proposition anthologique des pi\u00e8ces pour piano de ce compositeur \u00e0 la fois espi\u00e8gle et pudique, que j’affectionne beaucoup.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2026\/05\/Extrait05052026.mp3<\/a><\/audio>\n

\u2022 Maurice Ravel<\/strong><\/span> – Daphnis & Chlo\u00e9
\nOrchestre de Paris, Jean Martinon – 1975 ****<\/strong><\/span><\/p>\n

\u00c9cout\u00e9 ce jour dans sa version int\u00e9grale, \u00ab\u00a0Daphnis et Chlo\u00e9\u00a0\u00bb est con\u00e7u par Maurice Ravel comme \u00ab\u00a0une symphonie chor\u00e9graphique pour orchestre et choeurs\u00a0\u00bb, ces derniers chantant sans paroles. L’oeuvre a \u00e9t\u00e9 compos\u00e9e entre 1909 et 1912 \u00e0 destination des fameux Ballets russes de Diaghilev, et Ravel en a tir\u00e9 deux suites orchestrales pour les salles de concert. Il en existe \u00e9galement une version pour piano, qui pr\u00e9c\u00e8de la partition orchestrale. Les suites de ballet sont enregistr\u00e9es beaucoup plus souvent que la musique de ballet int\u00e9grale, qui dure environ une heure.
\nBelle version de Jean Martinon, chef d’orchestre trop oubli\u00e9 aujourd’hui, et qui pourtant connut une carri\u00e8re internationale -Allemagne, Angleterre, \u00c9tats-Unis- tr\u00e8s fructueuse au service de la musique fran\u00e7aise, avant son retour en France \u00e0 la fin des ann\u00e9es 60.<\/p>\n","protected":false},"excerpt":{"rendered":"

Comme son nom l’indique, la playlist de ce jour fait la part belle aux compositeurs fran\u00e7ais, dans des interpr\u00e9tations d’artistes fran\u00e7ais eux aussi. Vais-je pour autant trouver la cl\u00e9 de \u00ab\u00a0l’esprit fran\u00e7ais\u00a0\u00bb ? –Cliquer sur l’image pour la voir en plus grand-. \u2022 Claude Debussy – La mer Orchestre de Cleveland, Pierre Boulez – 1995 […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[109,309,77,31,146],"class_list":["post-18150","post","type-post","status-publish","format-standard","hentry","category-musique","tag-debussy","tag-orchestre","tag-piano","tag-ravel","tag-satie"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/18150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=18150"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/18150\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=18150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=18150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=18150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}