{"id":2686,"date":"2015-09-09T08:16:55","date_gmt":"2015-09-09T06:16:55","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=2686"},"modified":"2015-11-28T11:58:35","modified_gmt":"2015-11-28T10:58:35","slug":"vous-reprendrez-un-peu-de-gibson-les-paul","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/vous-reprendrez-un-peu-de-gibson-les-paul\/","title":{"rendered":"Vous reprendrez un peu de Gibson Les Paul ?"},"content":{"rendered":"

\"MBloomfield\"<\/a>Sardequin<\/a><\/strong><\/span> a trouv\u00e9, assez<\/del> tr\u00e8s rapidement, la r\u00e9ponse \u00e0 la devinette du mois de septembre. Le guitariste qu\u2019il vous \u00e9tait demand\u00e9 de reconna\u00eetre \u00e9tait bien Mike BLOOMFIELD<\/strong>, \u00a0–cliquer sur le portrait pour agrandir l’image<\/em>– accompagn\u00e9 du Paul Butterfield Blues band, dans un court extrait du morceau \u00abEast West\u00bb \u00a0dat\u00e9 de 1966.<\/p>\n

Evidemment, ce n\u2019\u00e9tait pas aussi simple que \u00e7a en avait l\u2019air dit comme \u00e7a<\/strong> : Mike BLOOMFIELD, prodigieux guitariste de blues, le premier am\u00e9ricain blanc<\/strong> \u00e0 percer dans ce domaine, est tomb\u00e9 un peu dans les oubliettes de l\u2019histoire du genre, du fait d\u2019une carri\u00e8re quelque peu erratique, li\u00e9e \u00e0 des soucis de sant\u00e9 nombreux.<\/p>\n

C\u2019est lui que vous entendez \u00e0 la guitare \u00e9lectrique sur le merveilleux \u00abHighway 61\u00a0Revisited\u00bb de Bob Dylan, o\u00f9 il se montre particuli\u00e8rement brillant.<\/p>\n

Parmi les guitaristes blancs pionniers du blues, dans les ann\u00e9es 60, on peut le comparer \u00e0 Peter Green ou Mick Taylor, voire Eric Clapton au d\u00e9but de sa carri\u00e8re –avant la cr\u00e9ation de Cream<\/em>– : comme eux, il utilise une Gibson Les Paul et privil\u00e9gie la beaut\u00e9 de la sonorit\u00e9 et la fluidit\u00e9 technique, \u00e0 l\u2019inverse de guitaristes plus ostentatoires comme Jimi Hendrix, Eric Clapton dans Cream, Jimmy Page ou Jeff Beck, qui exploit\u00e8rent plut\u00f4t d\u2019autres palettes de la guitare \u00e9lectrique –p\u00e9dales d\u2019effets, larsen, saturations\u2026<\/em>-.<\/p>\n

La d\u00e9cennie 70 fut cruelle pour Mike BLOOMFIELD : de complexion d\u00e9j\u00e0 fragile et amateur notoire de diverses substances de surcroit, il la traversa quasiment en \u00abgrand absent\u00bb malgr\u00e9 quelques productions sporadiques. Il ne vit quasiment rien de la d\u00e9cennie 80, puisqu\u2019il fut retrouv\u00e9 mort dans sa voiture –suicide probable par overdose<\/em>– en 1981, \u00e0 37 ans.<\/p>\n

Pour le retrouver dans toute sa vraie grandeur de pr\u00e9curseur –un blanc am\u00e9ricain jouant du Chicago blues au d\u00e9but \/ milieu des ann\u00e9es 60<\/em>-, outre l’extrait sonore propos\u00e9 en fin de notule, vous pouvez vous tourner vers les disques propos\u00e9s ci-dessous. –Cliquer sur l\u2019image pour la voir en plus grand<\/em>-. Vous y entendrez un guitariste fluide, parfait connaisseur des gammes pentatoniques agr\u00e9ment\u00e9es de quelques innovations harmoniques rares pour l\u2019\u00e9poque, et toujours une sonorit\u00e9 vraiment belle.<\/p>\n

\"BloomfieldDiscog\"<\/a><\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2015\/09\/01-Alberts-Shuffle.mp3<\/a><\/audio>\n

\n","protected":false},"excerpt":{"rendered":"

Sardequin a trouv\u00e9, assez tr\u00e8s rapidement, la r\u00e9ponse \u00e0 la devinette du mois de septembre. Le guitariste qu\u2019il vous \u00e9tait demand\u00e9 de reconna\u00eetre \u00e9tait bien Mike BLOOMFIELD, \u00a0–cliquer sur le portrait pour agrandir l’image– accompagn\u00e9 du Paul Butterfield Blues band, dans un court extrait du morceau \u00abEast West\u00bb \u00a0dat\u00e9 de 1966. Evidemment, ce n\u2019\u00e9tait pas […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,28,4],"tags":[89,51,73],"class_list":["post-2686","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-devinette","category-musique","tag-bloomfield","tag-blues","tag-guitare"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/2686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=2686"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/2686\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=2686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=2686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=2686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}