{"id":3132,"date":"2015-11-21T11:16:57","date_gmt":"2015-11-21T10:16:57","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=3132"},"modified":"2015-11-28T10:12:37","modified_gmt":"2015-11-28T09:12:37","slug":"le-violon-du-diable","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/le-violon-du-diable\/","title":{"rendered":"Le violon du diable"},"content":{"rendered":"

\"Paganini<\/a>J\u2019ai ressorti ce matin une vieille chose que je n\u2019avais plus \u00e9cout\u00e9e depuis des lustres –cliquer sur l\u2019image pour la voir en plus grand<\/em>– : \u00e0 dire vrai, les concerti pour violon de Paganini ne sont ni indignes, ni g\u00e9niaux, mais proposent \u00e0 la fois une \u00e9coute agr\u00e9able \u00e0 l\u2019oreille et des difficult\u00e9s techniques pour les doigts et l\u2019archet absolument gigantesques.<\/p>\n

L\u2019orchestre se contente, le plus souvent, d\u2019accompagner et de soutenir sans originalit\u00e9 remarquable –mais avec talent<\/em>– le discours du violon.
\nQuant \u00e0\u00a0ce disque, il est tout simplement magnifique et d\u00e9passe de tr\u00e8s loin toute la concurrence personnellement connue dans ce r\u00e9pertoire –pas tr\u00e8s fr\u00e9quent\u00e9, il est vrai<\/em>-. Comment avais-je pu l\u2019oublier ?<\/p>\n

\"PaganiniPortrait\"<\/a>Nicolo Paganini<\/strong>, dit \u00ab\u00a0Le violon du Diable\u00a0\u00bb, \u00e9tait un virtuose exceptionnel, qui r\u00e9volutionna la technique du violon au d\u00e9but du 19\u00e8me si\u00e8cle, et s\u2019amusait \u00e0 \u00e9pater la galerie avec ses compositions injouables par tout autre que lui, sachant soutenir l\u2019attention du public par des trucs habiles : pr\u00e9sentation de profil v\u00eatu tout de moir -il \u00e9tait longiligne, d\u2019une maigreur \u00e0 faire peur et laissa pousser ses cheveux filasses assez longs-, cordes volontairement abim\u00e9es pour se casser au milieu d\u2019une oeuvre, l\u2019obligeant \u00e0 terminer sur trois, deux, voire une seule corde-s\u2026<\/p>\n

Il amassa ainsi une fortune consid\u00e9rable –la l\u00e9gende pr\u00e9tend qu\u2019il gagna plusieurs fois son poids en or<\/em>-, dilapid\u00e9e en grande partie dans les casinos, sut vivre du m\u00e9c\u00e9nat gr\u00e2ce \u00e0 une habile publicit\u00e9 et \u00e0 son charisme, fr\u00e9quenta quelques ge\u00f4les pour des banqueroutes frauduleuses, et, de temps \u00e0 autre, livra des compositions qui sont rest\u00e9es au r\u00e9pertoire : ses six concerti pour violon et surtout le deuxi\u00e8me, des caprices pour violon solo, mais \u00e9galement quelques pi\u00e8ces pour violon et guitare ou mandoline.<\/p>\n

Il fut adul\u00e9 de tous les compositeurs romantiques, et Liszt sut le prendre pour mod\u00e8le pour d\u00e9velopper la technique pianistique \u00e0 partir de 1830.<\/p>\n

En extrait, une pi\u00e8ce archi-c\u00e9l\u00e8bre, provenant de l\u2019album mentionn\u00e9, et o\u00f9 le triangle tient une place presqu\u2019aussi importante que le violon ! ENJOY<\/strong> !<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2015\/11\/06-Konzert-F\u00fcr-Voiline-Und-Orchester-Nr.-2-H-Moll-Op.-7-\u00bbLa-Campanella\u00ab-Rondo.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

J\u2019ai ressorti ce matin une vieille chose que je n\u2019avais plus \u00e9cout\u00e9e depuis des lustres –cliquer sur l\u2019image pour la voir en plus grand– : \u00e0 dire vrai, les concerti pour violon de Paganini ne sont ni indignes, ni g\u00e9niaux, mais proposent \u00e0 la fois une \u00e9coute agr\u00e9able \u00e0 l\u2019oreille et des difficult\u00e9s techniques pour […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[50,44,49],"class_list":["post-3132","post","type-post","status-publish","format-standard","hentry","category-musique","tag-concerto","tag-musique-classique","tag-violon"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/3132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=3132"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/3132\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=3132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=3132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=3132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}