{"id":3796,"date":"2016-02-23T16:27:43","date_gmt":"2016-02-23T15:27:43","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=3796"},"modified":"2016-02-23T16:29:37","modified_gmt":"2016-02-23T15:29:37","slug":"playlist-cross-over","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/playlist-cross-over\/","title":{"rendered":"Playlist cross-over"},"content":{"rendered":"<p style=\"text-align: justify;\">Dans un march\u00e9 du disque classique assez largement sinistr\u00e9 &#8211;<em>les grands \u00ab\u00a0classiques\u00a0\u00bb sont d\u00e9sormais de moins en moins enregistr\u00e9s : qui a encore besoin d\u2019une int\u00e9grale suppl\u00e9mentaire des symphonies de (Beethoven &#8211; Brahms &#8211; Bruckner &#8211; Mahler &#8211; Mozart &#8211; Sibelius\u2026) ou des sonates des presque m\u00eames, quand le catalogue en regorge de prestigieuses ?<\/em>-, les jeunes artistes qui ont envie de se faire un nom sont presque dans l\u2019obligation d\u2019inventer de nouveaux concepts. Parmi les jeunes pousses du piano, <strong>Alice Sara Ott<\/strong> est l\u2019une des plus prometteuses : elle a commenc\u00e9, toute jeune, sa carri\u00e8re discographique par de belles valses et \u00e9tudes de Chopin &#8211;<em>en extrait \u00e0 la fin du paragraphe<\/em>&#8211; et Liszt, un tr\u00e8s int\u00e9ressant enregistrement de deux sonates de Beethoven, avant de se tourner vers des choses plus conceptuelles : un CD \u00ab\u00a0Pictures\u00a0\u00bb, comprenant notamment un enregistrement en concert des \u00ab\u00a0Tableaux d\u2019une exposition\u00a0\u00bb de Moussorgksy et un autre, \u00ab\u00a0Scandales\u00a0\u00bb, accompagn\u00e9e de Francesco Tristano, comportant en particulier une version pour piano \u00e0 4 mains du \u00ab\u00a0Sacre du Printemps\u00a0\u00bb de Stravinsky.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3796-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/01-Waltz-No.1-in-E-flat-Op.18-_Grande-valse-brillante_.mp3?_=1\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/01-Waltz-No.1-in-E-flat-Op.18-_Grande-valse-brillante_.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/01-Waltz-No.1-in-E-flat-Op.18-_Grande-valse-brillante_.mp3<\/a><\/audio>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds.jpg\" rel=\"attachment wp-att-3800\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-3800\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds-300x300.jpg\" alt=\"ASOtt_OArnalds\" width=\"300\" height=\"300\" srcset=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds-300x300.jpg 300w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds-150x150.jpg 150w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds-768x768.jpg 768w, https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/ASOtt_OArnalds.jpg 793w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Aujourd\u2019hui, c\u2019est \u00ab\u00a0<strong>The Chopin Project<\/strong>\u00a0\u00bb qui a tourn\u00e9 sur ma platine &#8211;<em>cliquer sur l\u2019imagette pour la voir en plus grand<\/em>&#8211; : un genre de cross-over consacr\u00e9 \u00e0 Chopin, o\u00f9 interpr\u00e9tations classiques et transpositions pour instruments et bruitages vari\u00e9s sont \u00e0 l\u2019honneur.<\/p>\n<p style=\"text-align: justify;\">Alice Sara Ott\u00a0y est, cette fois, accompagn\u00e9e par <strong>Olafur Arnalds<\/strong>, multi-instrumentiste et compositeur islandais, qui a jou\u00e9 par ailleurs dans des groupes de metal et compos\u00e9 la bande-son de la tr\u00e8s bonne s\u00e9rie TV anglaise \u00ab\u00a0Broadchurch\u00a0\u00bb.<\/p>\n<p style=\"text-align: justify;\">C\u2019est agr\u00e9able aux oreilles, tr\u00e8s bien r\u00e9alis\u00e9, mais loin d\u2019\u00eatre inoubliable en d\u00e9finitive &#8211;<em>un petit extrait, ci-dessous, pour vous faire une id\u00e9e de la chose<\/em>&#8211; ! Il faut croire, cependant, que ce concept est porteur &#8211;<em>o\u00f9 est-ce le joli minois de la dame ?<\/em>-, puisque les ventes du CD ont vraiment cartonn\u00e9 !<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3796-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/04-Reminiscence.mp3?_=2\" \/><a href=\"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/04-Reminiscence.mp3\">https:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/02\/04-Reminiscence.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Dans un march\u00e9 du disque classique assez largement sinistr\u00e9 &#8211;les grands \u00ab\u00a0classiques\u00a0\u00bb sont d\u00e9sormais de moins en moins enregistr\u00e9s : qui a encore besoin d\u2019une int\u00e9grale suppl\u00e9mentaire des symphonies de (Beethoven &#8211; Brahms &#8211; Bruckner &#8211; Mahler &#8211; Mozart &#8211; Sibelius\u2026) ou des sonates des presque m\u00eames, quand le catalogue en regorge de prestigieuses ?-, [&hellip;]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[44,77],"class_list":["post-3796","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-musique-classique","tag-piano"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/3796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=3796"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/3796\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=3796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=3796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=3796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}