{"id":4321,"date":"2016-06-11T09:09:57","date_gmt":"2016-06-11T07:09:57","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=4321"},"modified":"2016-06-12T14:13:30","modified_gmt":"2016-06-12T12:13:30","slug":"petit-morceau-de-petite-histoire","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/petit-morceau-de-petite-histoire\/","title":{"rendered":"Petit morceau de petite histoire"},"content":{"rendered":"

\"StonesTouringParty72\"<\/a>Si vous aimez le blues, vous allez vous r\u00e9galer en \u00e9coutant ce morceau. Si vous n\u2019aimez pas, l\u2019anecdote qui suit pourra vous amuser et guidera une \u00e9coute tr\u00e8s plaisante.<\/p>\n

En 1972, les Rolling Stones traversent les Etats-Unis au cours de ce qui restera leur tourn\u00e9e la plus outranci\u00e8re, peut-\u00eatre celle o\u00f9 l\u2019expression \u00ab\u00a0Sex\u2019n\u2019drug\u2019n\u2019rock\u2019n\u2019roll\u00a0\u00bb trouve sa plus authentique illustration dans la jeune histoire du Rock. Ils sont, ici, dans leur \u00ab\u00a0version 2\u00a0\u00bb –Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman et Mick Taylor<\/strong>, ce dernier rempla\u00e7ant l\u2019iconique Brian Jones depuis juin 1969<\/em>– et accompagn\u00e9s, sur sc\u00e8ne, d\u2019une section de cuivres –1 trompette, 1 trombone, 1 saxophone<\/em>-et d\u2019un piano.<\/p>\n

\"MTaylor72\"<\/a>Au cours de cette tourn\u00e9e, la setlist est assez immuable et, notamment, comporte ce tr\u00e8s joli blues adapt\u00e9 de Robert Johnson<\/strong><\/span><\/a>. En ces temps-l\u00e0, Keith Richards a enclench\u00e9 le mode \u00ab\u00a0pilotage automatique\u00a0\u00bb, et assure simplement une rythmique lourde et sonore –il joue encore sur Gibson et n\u2019est pas pass\u00e9 au son maigrelet de la Telecaster<\/em>-, assurant tant bien –le plus souven<\/em>t- que mal –certains soirs o\u00f9 il tient \u00e0 peine debout<\/em>– ses parties de guitare qui sont le fondement du son du groupe, b\u00e9n\u00e9ficiant du soutien sans faille de la section rythmique et des contrechants de Mick Taylor –qui occupe progressivement tout l’espace de libert\u00e9 octroy\u00e9 par le vide progressif laiss\u00e9 par Keith Richards, et ce sera encore plus le cas lors de la tourn\u00e9e europ\u00e9enne qui suivra celle-ci<\/em>– et des cuivres.<\/p>\n

Perdu dans ce monde de d\u00e9bauche, Mick Taylor donne le meilleur de lui-m\u00eame sur sc\u00e8ne, \u00e0 tel point que les revues de presse de l\u2019\u00e9poque ne parlent plus, tr\u00e8s rapidement, que de la flamboyance de son jeu. Ce qui a le don d\u2019\u00e9nerver Keith Richards, rejet\u00e9 dans l\u2019ombre de son cadet. Et donne lieu \u00e0 ce moment \u00e0 inscrire dans les annales : le blues en question –\u00e0 \u00e9couter en cliquant ci-dessous<\/em>– d\u00e9bute tout-\u00e0-fait traditionnellement par quelque mesures de guitare –Keith Richards<\/em>– puis \u00e9volue naturellement –chant, section rythmique<\/em>– comme un blues tr\u00e8s bien structur\u00e9.<\/p>\n

A partir de 1:56<\/strong>, la guitare de Mick Taylor entre en sc\u00e8ne, et \u00e9volue autour de la m\u00e9lodie, en contrechant parfaitement adapt\u00e9 aux paroles de la chanson. Apr\u00e8s le deuxi\u00e8me couplet, le traditionnel solo doit intervenir, et c\u2019est l\u00e0 qu\u2019on entre dans le cocasse: \u00e0 2:54<\/strong>, vous allez entendre Mick Jagger lancer une recommandation au jeune prodige : \u00ab\u00a0Don\u2019t try too\u00a0hard<\/strong><\/em>\u00a0\u00bb – \u00ab\u00a0ne fais pas un truc trop compliqu\u00e9\u00a0\u00bb-, qui, \u00e9videmment, ne sera pas suivie d\u2019effets : le solo de slide guitar qui suit est de toute beaut\u00e9 –le travail sur la sonorit\u00e9 et les nuances, dans le contexte de ce type de concert gigantesque, est presque abstrus<\/em>-, et celui intervenant apr\u00e8s le troisi\u00e8me couplet \u00e9volue sur les m\u00eames sommets –des circonvolutions riches formant une guirlande m\u00e9lodique, autour de la structure harmonique tr\u00e8s simple propre au blues<\/em>-.<\/p>\n

Avec le \u00ab\u00a0Since I\u2019ve been loving you\u00a0\u00bb repris par Led Zeppelin, on tient l\u00e0 les deux perles du blues interpr\u00e9t\u00e9es par des groupes anglais.<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/06\/07-Love-In-Vain.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Si vous aimez le blues, vous allez vous r\u00e9galer en \u00e9coutant ce morceau. Si vous n\u2019aimez pas, l\u2019anecdote qui suit pourra vous amuser et guidera une \u00e9coute tr\u00e8s plaisante. En 1972, les Rolling Stones traversent les Etats-Unis au cours de ce qui restera leur tourn\u00e9e la plus outranci\u00e8re, peut-\u00eatre celle o\u00f9 l\u2019expression \u00ab\u00a0Sex\u2019n\u2019drug\u2019n\u2019rock\u2019n\u2019roll\u00a0\u00bb trouve sa […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[51,79,53],"class_list":["post-4321","post","type-post","status-publish","format-standard","hentry","category-musique","tag-blues","tag-mick-taylor","tag-rolling-stones"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/4321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=4321"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/4321\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=4321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=4321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=4321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}