{"id":4633,"date":"2016-08-29T19:06:35","date_gmt":"2016-08-29T17:06:35","guid":{"rendered":"http:\/\/latelierdediablotin.fr\/WordPress3\/?p=4633"},"modified":"2016-08-29T19:06:35","modified_gmt":"2016-08-29T17:06:35","slug":"histoire-de-remasterisation-suite-et-pas-fin","status":"publish","type":"post","link":"https:\/\/latelierdediablotin.fr\/WordPress3\/histoire-de-remasterisation-suite-et-pas-fin\/","title":{"rendered":"Histoire de remasterisation, suite -et pas fin-"},"content":{"rendered":"

\"Beeyh_piano\"<\/a>Comme annonc\u00e9 plus avant, le coffret tant attendu est arriv\u00e9 ce jour dans ma bo\u00eete aux lettres<\/a><\/strong><\/span>, pendant que j’\u00e9tais au travail –pour une fois, je l’avais fait livrer \u00e0 la maison…<\/em>-.<\/p>\n

En guise de tout premier verdict<\/strong> suite \u00e0 cette tr\u00e8s rapide \u00e9coute : il est trop t\u00f4t pour me faire une id\u00e9e pr\u00e9cise de la qualit\u00e9 de la remasterisation de l’ensemble, puisque je viens tout juste de l’ouvrir et que je n’avais plus le son de l’ancienne version compl\u00e8tement dans les oreilles.<\/p>\n

Le red\u00e9coupage des CD est exactement le m\u00eame qu’avant, et le m\u00eame tr\u00e8s bon texte de pr\u00e9sentation a \u00e9t\u00e9 repris, \u00e9crit en plus petits caract\u00e8res –sympa pour les yeux des quinquas, dont je ne suis pas encore tout-\u00e0-fait…<\/em>-.<\/p>\n

\"Beeth_Schnabel_part\"<\/a>A priori, la m\u00e9thode adopt\u00e9e a \u00e9t\u00e9 de r\u00e9cup\u00e9rer les disques 78 tours dans leur meilleur \u00e9tat possible et de refaire le\u00a0transfert en haute r\u00e9solution, en limitant \u00e0 la fois la compression et la r\u00e9duction de souffle. Pour certaines saturations propres \u00e0 l’enregistrement de l’\u00e9poque, \u00e9videmment, pas de solution envisageables, elles sont intrins\u00e8ques au son capt\u00e9. Il reste \u00e9galement des bruits de surface ponctuels, preuve que les 78T sont dan sun \u00e9tat de conservation loin d’\u00eatre id\u00e9al.\u00a0Sur une bonne installation, on\u00a0y gagne cependant une meilleure lisibilit\u00e9 de la main droite, plus d’espace et de vie, et la main gauche semble \u00e9galement moins \u00e9touff\u00e9e.<\/p>\n

Il faudrait que je compare sonate par sonate et mouvement par mouvement, et notamment sur les enregistrements les plus anciens, mais sur ce que j’ai pu comparer, c’est globalement mieux et plus agr\u00e9able, m\u00eame si c’est loin d’\u00eatre parfaitement parfait !<\/p>\n

Voici donc, pour que vous puissiez vous faire votre propre opinion, un premier extrait : la version initialement parue, dans le remastering ancien :<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/08\/4-06-Beethoven_-Piano-Sonata-14-In-C-Sharp-Minor-Op.-27_2-_Moonlight_-2.-Allegretto.mp3<\/a><\/audio>\n

Puis, en deuxi\u00e8me extrait, la version remasteris\u00e9e :<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/08\/4-06-Beethoven_-Piano-Sonata-14-in-C-sharp-minor-Op.-27_2-_Moonlight-Clair-de-lune\u30fbMondschein_-3.-Presto-agitato.mp3<\/a><\/audio>\n

Enfin, en guise de bonus, je vous propose d’\u00e9couter\u00a0ma version pr\u00e9f\u00e9r\u00e9e<\/strong><\/span><\/a>, dans une prise de son moderne ! \u00c7a change, non ?<\/p>\nhttps:\/\/latelierdediablotin.fr\/WordPress3\/wp-content\/uploads\/2016\/08\/5-07-Piano-Sonata-No.-14-in-C-Sharp-Minor-Op.-27-No.-2-_Moonlight__-III.-Presto.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Comme annonc\u00e9 plus avant, le coffret tant attendu est arriv\u00e9 ce jour dans ma bo\u00eete aux lettres, pendant que j’\u00e9tais au travail –pour une fois, je l’avais fait livrer \u00e0 la maison…-. En guise de tout premier verdict suite \u00e0 cette tr\u00e8s rapide \u00e9coute : il est trop t\u00f4t pour me faire une id\u00e9e pr\u00e9cise […]<\/p>\n","protected":false},"author":667,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2,4],"tags":[30,86,74,87],"class_list":["post-4633","post","type-post","status-publish","format-standard","hentry","category-au-jour-le-jour","category-musique","tag-beethoven","tag-discotheque","tag-hifi","tag-sonate"],"_links":{"self":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/4633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/users\/667"}],"replies":[{"embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/comments?post=4633"}],"version-history":[{"count":0,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/posts\/4633\/revisions"}],"wp:attachment":[{"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/media?parent=4633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/categories?post=4633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/latelierdediablotin.fr\/WordPress3\/wp-json\/wp\/v2\/tags?post=4633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}